She

The series "She2" is a continuation of part 1" She"...it started exactly where it ended. Anyone who watched part 1 can fully relate but there is preview for the audience who missed to watch the first series. The story is about a senior constable who becomes an undercover agent for police and how the transition takes place right from her look to her overall personality. The line that says.."Agar kisiko hate karte ho usse marna normal h,par agar kisiko pyar karte ho usse marna power h"can chill your spine and can make you scared. But this particular line has great impact on the whole series. Too much of bold scenes,vulgar language and violence is there but we can ignore it because it's an"A rated "series. Series 1 is good but series 2 is better.

Story creating a highly suspence ,crime ,underworld background ...But not fullfil that situation.it's random presentation. But sex related issue which was present by director is good. Character bhumi acting wonderful. Climax disappoint .

The climax, y u doing this One police woman turned in to call girl for undercover operation, its not good man

5/10 just for the effort. The series tries to do something but sub-par acting, uninterested cast, plenty plotholes and an unconvincing storyline doesn't really let the show take off . In the words of nayak, "koshish karta hu" is what the series did at best, but fails miserably. However liked and enjoyed Sasyas performance as much as I hated the clueless cop character, Fernandez who keeps losing track of his undercover agent. The lead, Bhumi tries to fit in this character but as expected doesn't really hold the interest of the viewers even though in quite a few scenes she delivers a good performance but thats not quite enough to save this series. Watch this series just to enjoy the character of Sasya, that too if you are completely bored in this phase of self-isolation and have nothing better to do. Otherwise a definite skip.

The premise of She - Netflix India's latest show - is so promising that nothing less than an absurdly confused narrative with no sense of timing and tone might have messed it up.

Even the smarter subtexts are fetishized by the makers. For example, equating the stature of sex workers in society to that of female cops in a male-dominated police force.

The execution of the narrative - the cheesy cop-planning sessions, her training montage, her sister's desi spunk, the incoherent flashbacks is too cringey to examine the complexity of Bhumi's transformation.

Aaditi Pohankar's performance is brave but uneven; she struggles mostly because she has been directed according to a script rather than her character.

The anticlimactic finale is the final nail in the coffin.