Black Dynamite

Black Dynamite (2009) is a movie I recently watched on HBOMAX. The storyline follows a multitalented 70s like Black Man who represented the streets. When a criminal organization kills his only brother he springs into action to bring the crime organization down. This movie is directed by Scott Sanders (Thick as Thieves) and stars Michael Jai White (Spawn), Arsenio Hall (Coming to America), Tommy Davidson (Bamboozled), Obba Babatundé (Life) and William Bassett (The Karate Kid). White was absolutely perfectly cast for this character and was entertaining throughout this movie. I actually liked this better than similar films that try to deliver an appreciation for this era like Undercover Brother, Super Fly and Pooty Tang. The action scenes were fun and have some great one-liners mixed in. The script as a whole was pretty good. The setting and backdrops were also well presented. Overall this is an entertaining movie worth a viewing that I would recommend seeing once. I'd score this a 6.5/10.

This film reduced me to tears of laughter. I've just returned home from seeing it at the Edinburgh film festival and can honestly say this is one of the best movies i've seen this year. I could just list all of the best bits of the movie in this review, but i'd rather you all just went to see it for yourselves.

As a parody/homage of the blaxploitation movies of the 70's, this is perfect. If I didn't know better, i'd think this was actually made in the 70's. Its full of cool little details, the decor, the fashion, the hair styles, the Isaac Hayes/Curtis mayfield style music that details the plot in the lyrics (sometimes scene specific), the grainy picture and the intentionally dodgy camera-work, crash zooms, boom mics in shot etc. During the fight scenes, Michael jai white's kung fu yell is a spot on impersonation of Jim Kelly's (he of Enter the Dragon fame).

Like all the best spoofs, all the actors play it completely straight. White is perfectly cast as Black Dynamite, and if there is any justice in the world, this movie will make him a star. I can almost imagine Samuel L playing this part, but I doubt he could have played it as well as white did. The scene that crystallised his performance for me, was when, during a long speech, a boom mic pops in to shot right next to his face. During the scene, the cameraman is continually trying to adjust the shot to hide the mic. Dynamite continues with his speech as if nothing is going on, but just before he is finished talking, he quickly glances at it, then finishes his speech. The way he plays it is perfect and had everyone in the cinema in fits of laughter.

I said earlier that this is the best spoof since airplane, but I actually think this may be better. In airplane, the jokes were quickfire, but hit and miss, but in black dynamite, every joke hits its mark, and its just as quickfire as airplane. The tone is set pretty quick ( when an undercover agent is caught out cos he cant talk jive properly) and doesn't let up until the credits have rolled. I was still laughing hours after I left the cinema just thinking about it.

Watching this made me wonder how the Austin powers films were such big hits. They were a similar kind of parody but nowhere near as funny, and at the end of the day, aside from a couple of amusing cameos, a one man show (and not a very good one at that). If this doesn't at least do Austin powers numbers, I will be very disappointed, as it deserves the success. Very rarely does a film make me laugh so hard I cry, and this movie did it several times, and its not just me, I think everyone in the cinema had the same experience. Go and see this first chance you get, I cant recommend it enough.

It's not often that I enjoy a movie to the point of laughing out loud – but Black Dynamite had me belly-laughing more than once. For those of us who are old enough to remember the joys of 1970's cinema this movie brings back all that was best (and worst) of those slightly grainy, scratched, funk and wow-wow pedal laden classics. The deliberate continuity errors and goofs are hilarious. The dialogue and stock characters could be drawn from any of those wonderful blacksploitation movies that were so exciting for a young lad living in rainy (and then almost 100% white) Ireland. So dig out your wide-collar shirt, pendant and platform boots and enjoy this gem.

Black Dynamite (Michael Jai White)'s only brother Jimmy is killed. The Man is pushing new deadly drugs and suspected Jimmy to be an undercover cop. Black Dynamite is an ex-CIA agent still haunted by a little Chinese boy in Nam. He encounters many characters including Cream Corn (Tommy Davidson), Chicago Wind (Mykelti Williamson), and Tasty Freeze (Arsenio Hall). His police friend O'Leary confirms something that takes him all the way to Honky House.

This is a loving spoof of the 70s blaxsploitation genre. There is good deadpan humor. While it is repetitive, it does hit the spot every once in awhile. Too many of the actors are trying to do the same black trope character. They need to have more differences. Black Dynamite needs some fun specific side kicks. The Greek talk is fun because the other guys get to participate. It has some good fun moments although I wish it has a few more different comedy bits.

The idiots responsible for Date Movie, Epic Movie, Meet the Spartans and Disaster Movie should be abducted and forced to watch Black Dynamite so they can see how a good spoof movie is done! While recent spoofs have focused on mimicking familiar film scenes or ripping off celebrities with the idiocy of a 10-year-old boy, Black Dynamite is a nostalgic throwback that simultaneously recreates and celebrates the trademarks of the 1970s blaxploitation genre - the jive pimps in garish outfits, the evil politicians, a funky R&B soundtrack, and dialogue laced with expletives, peculiar slang and ethnic slurs. A gleefully harebrained spoof of all things Shaft and Superfly that plays straight-up stupid with vintage film-making aesthetics, this is one of the most consistently hilarious and creative spoofs since the days of Airplane! and its brethren.

Michael Jai White plays the titular character of Black Dynamite; a muscular badass with a lot of guns, an expertise in kung fu and a knack for getting women into bed (or anywhere else that suits him). An evil presence in the city has committed the ultimate crime: they've killed Black Dynamite's kid brother. Dynamite goes on a rampage, tearing up the streets to find the perpetrators. During his quest to serve up payback he also tries to keep kids safe from drugs and protect his bitches from harm. This all leads to the discovery of a terrifying conspiracy against black men.

In tradition with '70s-era blaxploitation films, the protagonist is a noble ass-kicker who spouts odd slang, is very popular with the females and can make villains quake at the very sight of him, whereas the proceedings are coated with a colourful sheen of tacky clothes, crazy cars and hilariously over-the-top fight sequences. Black Dynamite is certainly knowing in its spoofing, but it rarely winks at the audience to signal any sort of self-aware comfort. The film has a fantastic poker face; committing to an enjoyably silly routine of mockery and homage without being too conscious. On top of the high batting average for laughs, the action set-pieces are pretty awesome as well. And, much like all the greatest spoofs in history, one doesn't need a thorough knowledge of the genre being sent up in order to understand the jokes. This is a major asset for Black Dynamite, because, let's be honest, how many '70s blaxploitation flicks has the average person actually seen? In a sense, Black Dynamite is to blaxploitation what the Austin Powers films are to '60s spy flicks. Not many young comedy fans would be familiar with anything like In Like Flint, but that didn't prevent Austin Powers from becoming an extremely popular franchise.

Black Dynamite looks spot-on; as if it were an honest-to-goodness blaxploitation picture that has been sitting in a vault for over thirty years. '70s blaxploitation pictures were low-budget affairs often made without a great deal of technical skill, and Black Dynamite recreates this film-making incompetency with astonishing, hilarious accuracy. Director Sanders replicates everything from the colour scheme to the cheesy zoom-ins; from the one-dimensional performances to the obvious editing mistakes. Rather than taking the Grindhouse route of aging the picture in post-production, cinematographer Shawn Maurer filmed on Super-16 colour reversal stock, which generates a high-contrast, richly saturated image that's well-augmented by the excellent imitations of '70s-style clunky camera-work and awkward framing. The sets are an absolute hoot (particularly the wonderfully chintzy White House interiors used during the climax), and the mood is further sold by Adrian Younge's utterly perfect, playful score loaded with funny trills as well as "Dynamite!" vocal hits whenever the titular character enters the room or kicks some ass.

Michael Jai White is pitch-perfect as Black Dynamite; coming across as a credible hero so tough, well-meaning and proud in his embrace of black masculinity that one could easily imagine him being perceived as a point of pride back in the '70s. White manoeuvres through the ridiculous action sequences splendidly, using his extreme physicality to punch villains through walls and brandish phallic weapons convincingly. Similar to the wonderfully obtuse Leslie Nielson (who was a crucial component for the success of the Naked Gun! series), White carries the entire movie and wins you over easily through sheer force of straight-faced absurdity. And that's the key to a great spoof: the characters can never be in on the joke. Black Dynamite nails this perspective with a satisfying consistency, which is particularly laudable when the actor has to deal with the crew's low-budget incompetence (such as a hysterical boom mic joke).

The art of cinematic spoofing has become so degraded by the likes of Date Movie and Epic Movie that it may take several minutes to recognise Black Dynamite as part of this once-brilliant genre. Some may perceive this movie as a simplistic one-joke affair (because it kind of is), and the film does have trouble sustaining its raucous energy, but the solid laughs and inventiveness manage to compensate for the minor blunders.