Um escritor frustrado luta para manter a sua família viva quando uma série de catástrofes globais ameaça aniquilar a humanidade.Um escritor frustrado luta para manter a sua família viva quando uma série de catástrofes globais ameaça aniquilar a humanidade.Um escritor frustrado luta para manter a sua família viva quando uma série de catástrofes globais ameaça aniquilar a humanidade.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 21 indicações no total
Thandiwe Newton
- Laura Wilson
- (as Thandie Newton)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
If you've seen Independence Day, Titanic, or any recent vintage of the well-worn disaster film genre, you will not be disappointed at all with any of 2012. Its 2.5 hour+ running time moves at a great clip, and there's enough science and pseudoscience running around to give the film a certain of-the-moment wonder and clarity. The many destruction sequences throughout the film are absolutely breathtaking to behold, and one wonders if Roland Emmerich starts every film imagining how he will destroy the White House. Like all of his other films (except for The Patriot) it has big names but no huge names and really is a blast to watch. It has just the right balance of action and melodrama, often, as with all good films of this genre, in the same scene. The audience I watched it with was laughing and cheering throughout, and I'm sure it will be the definitive event movie of the holiday season, critics be damned.
I loved the first half of the movie with Roland Emmerich seemingly back to form (from his disastrous "10,000 B.C."). But as the movie drags on, even the smallest character gets his "i have to say goodbye to my loved ones"-scene - which becomes quite annoying after you've watched this for the 5th time in a row. then comes a great destruction scene and then we're back in soap-opera territory. don't get me wrong, basically that can be said about most of Emmerich's movies - they are just popcorn cinema - leave your brain at the ticket counter. still, i enjoyed the likes of "Independence Day" or even "The Day After Tomorrow". But the one thing, he can't do properly is "good"-emotional cinema - which works fine in some of his other movies when his pathos-laden, goofy dialogue writing doesn't get in the way of the big explosions - it fit's, makes them funnier to a point. unfortunately this doesn't work for 2012. if somebody could actually cut this movie down to 90minutes running time, i'd even be lining up for a second ticket.
After watching this movie I really needed time to figure out what to think of it. I heard a lady sharing her first comment to her friend: 'That dog sure was ugly'. What else was there to say? After a while I found out:
The action was truly formidable, demonstrating the power of 'mother nature'. Collapsing buildings, jumping flaming cars, planes falling down and manage to pull up a second before touchdown, it was a real trip and a feast for the eyes and ears.
But then again... the acting wasn't that good, a bit over the top. In one scene in the movie, where every wasted second could be the cause of a terrible disaster, *they* waste their time being...ROMANTIC! At times like that the acting became very juicy, making me think I was watching 'Titanic' instead.
One point of advise: Do not take this movie too seriously. It's almost stuffed with jokes instead of showing us the real drama of an earth that is about to be destroyed. But keep this in mind and you'll have a heck of a 2 hours and 40 minutes(!) in a movie that is made for the cinema.
The action was truly formidable, demonstrating the power of 'mother nature'. Collapsing buildings, jumping flaming cars, planes falling down and manage to pull up a second before touchdown, it was a real trip and a feast for the eyes and ears.
But then again... the acting wasn't that good, a bit over the top. In one scene in the movie, where every wasted second could be the cause of a terrible disaster, *they* waste their time being...ROMANTIC! At times like that the acting became very juicy, making me think I was watching 'Titanic' instead.
One point of advise: Do not take this movie too seriously. It's almost stuffed with jokes instead of showing us the real drama of an earth that is about to be destroyed. But keep this in mind and you'll have a heck of a 2 hours and 40 minutes(!) in a movie that is made for the cinema.
I went to an advance screening of 2012 a few nights ago and I have to admit that this movie was entertaining at best and that's it. The whole movie is almost entirely comprised of special effects. Of course you'll see all of the lead characters survive scenarios that a regular human being would not. Some of the scenes are so ridiculously unbelievable that you want to laugh at the fodder that's being expected of you to believe. Emmerich certainly pushes "suspension of disbelief" to its limit.
John Cusack and Woody Harrelson are the only actors that attempt to hold the film together, while Danny Glover and Thandie Newton were an utter and complete let-down considering their previous work history. You won't see any remotely Oscar-worthy performances here. The casting of this film seemed off and poorly executed. You could tell the bulk of the financial budget went to the special effects and not the actors.
The thing that I found thoroughly disappointing about 2012 is that it's almost entirely lacking of any interesting backstory or intellectual substance whatsoever. There's very little mention of the Mayan calendar, Mayan history, or any of the prophetic wisdom that has foreseen the supposed end of days. The fear, analysis, curiosity, and everything else you've ever wondered about this new mysterious year that is quickly approaching is almost entirely removed from this film. That would have and could have made this film closer to a 10 if I didn't feel like my brain was utterly wasted on this CGI and special effects bonanza. They try to cram so many explosions, eruptions, earthquakes, and natural disasters into two hours that I might be a little desensitized to the real thing if it ever happens. After awhile nothing felt realistic or interesting about it at all.
It's novelty entertainment at best and that's it. You won't wince at how painfully awful this movie is, and you won't walk away knowing anything meaningful about 2012, but hopefully you'll help repay Sony pictures for the exorbitant amount of money that they and Roland Emmerich spent on their special effects budget. Don't say you weren't warned.
John Cusack and Woody Harrelson are the only actors that attempt to hold the film together, while Danny Glover and Thandie Newton were an utter and complete let-down considering their previous work history. You won't see any remotely Oscar-worthy performances here. The casting of this film seemed off and poorly executed. You could tell the bulk of the financial budget went to the special effects and not the actors.
The thing that I found thoroughly disappointing about 2012 is that it's almost entirely lacking of any interesting backstory or intellectual substance whatsoever. There's very little mention of the Mayan calendar, Mayan history, or any of the prophetic wisdom that has foreseen the supposed end of days. The fear, analysis, curiosity, and everything else you've ever wondered about this new mysterious year that is quickly approaching is almost entirely removed from this film. That would have and could have made this film closer to a 10 if I didn't feel like my brain was utterly wasted on this CGI and special effects bonanza. They try to cram so many explosions, eruptions, earthquakes, and natural disasters into two hours that I might be a little desensitized to the real thing if it ever happens. After awhile nothing felt realistic or interesting about it at all.
It's novelty entertainment at best and that's it. You won't wince at how painfully awful this movie is, and you won't walk away knowing anything meaningful about 2012, but hopefully you'll help repay Sony pictures for the exorbitant amount of money that they and Roland Emmerich spent on their special effects budget. Don't say you weren't warned.
It was pretty much inevitable that someone would make a movie based on all the 2012 hoopla. Nor is it surprising when that someone is disaster maven Roland Emmerich. His latest effort adheres closely to the formula established by his earlier films "Independence Day" and "The Day After Tomorrow"- in other words we get to watch a typically flawed-but-lovable American family (headed by John Cusack and Amanda Peet), along with a range of supporting characters, attempt to survive the end of the world.
That's all there is to the basic plot. The real stars of the film are the truly spectacular special effects. Emmerich really pulls out all the stops and creates some truly awesome set-pieces of destruction. In order to ensure that the main characters have endless perilous situations to escape from, we get to see a bunch of natural and man-made wonders get totaled by Mama Nature. Highlights include Los Angeles falling into the sea, Las Vegas being swallowed by the desert, and the Himalayas being submerged by tidal waves.
Improbable? Definitely. Ridiculous? You bet. But none of that matters since "2012" is exactly the film it was intended to be- a great big popcorn movie that offers big laughs, big thrills, and a lot of good old fashioned fun.
That's all there is to the basic plot. The real stars of the film are the truly spectacular special effects. Emmerich really pulls out all the stops and creates some truly awesome set-pieces of destruction. In order to ensure that the main characters have endless perilous situations to escape from, we get to see a bunch of natural and man-made wonders get totaled by Mama Nature. Highlights include Los Angeles falling into the sea, Las Vegas being swallowed by the desert, and the Himalayas being submerged by tidal waves.
Improbable? Definitely. Ridiculous? You bet. But none of that matters since "2012" is exactly the film it was intended to be- a great big popcorn movie that offers big laughs, big thrills, and a lot of good old fashioned fun.
Você sabia?
- CuriosidadesThe great disasters of the "galactic alignment" in 2012 were supposed to have occurred on December 21st, the day of the solstice. The filmmakers decided to move those events up a few months, to midsummer. This relieved them of having to decorate the sets for the winter holidays.
- Erros de gravaçãoA background character can be heard warning that the ship's compartments are flooding progressively. But all ships have been built with truly watertight compartments for nearly a century. Certainly a futuristic ship of this size couldn't sink due to 1 door being open. The fact that the watertight compartments had metal grates above leading to the zoo area negates any watertight design (and sense)
- Citações
Adrian Helmsley: The moment we stop fighting for each other, that's the moment we lose our humanity.
- Cenas durante ou pós-créditosThere are no opening credits at all, except the Columbia Pictures logo and the movie title "2012".
- Versões alternativasThere was an alternate ending that was featured on the DVD. After Captain Michaels announces that they are heading to the Cape of Good Hope, he tells Dr. Helmsley that he has a phone call waiting for him. Dr. Helmsley discovers that his dad Harry is still alive. Harry tells his son that he, Tony (whose arm is in a sling) and some of the passengers and crew survived the mega-tsunami that struck the Genesis. Captain Michaels states that they should have a visual on the ocean-liner shortly. After Kate thanks Laura for taking care of Lily, Laura tells Jackson that she liked his book. Lily then announces that she sees an island. The Arks arrive at the shipwrecked Genesis and the survivors on the beach.
- ConexõesEdited into Live Free or Die Hard (Project 12, 8/12) (2011)
- Trilhas sonorasAfreen Afreen
Written by Javed Akhtar and Nusrat Fateh Ali Khan
Performed by Nusrat Fateh Ali Khan
Courtesy of Saregama India Ltd.
By Arrangement with The Royalty Network Inc.
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Farewell Atlantis
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 200.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 166.112.167
- Fim de semana de estreia nos EUA e Canadá
- US$ 65.237.614
- 15 de nov. de 2009
- Faturamento bruto mundial
- US$ 791.217.826
- Tempo de duração
- 2 h 38 min(158 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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