Um escritor frustrado luta para manter a sua família viva quando uma série de catástrofes globais ameaça aniquilar a humanidade.Um escritor frustrado luta para manter a sua família viva quando uma série de catástrofes globais ameaça aniquilar a humanidade.Um escritor frustrado luta para manter a sua família viva quando uma série de catástrofes globais ameaça aniquilar a humanidade.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 21 indicações no total
Thandiwe Newton
- Laura Wilson
- (as Thandie Newton)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It was pretty much inevitable that someone would make a movie based on all the 2012 hoopla. Nor is it surprising when that someone is disaster maven Roland Emmerich. His latest effort adheres closely to the formula established by his earlier films "Independence Day" and "The Day After Tomorrow"- in other words we get to watch a typically flawed-but-lovable American family (headed by John Cusack and Amanda Peet), along with a range of supporting characters, attempt to survive the end of the world.
That's all there is to the basic plot. The real stars of the film are the truly spectacular special effects. Emmerich really pulls out all the stops and creates some truly awesome set-pieces of destruction. In order to ensure that the main characters have endless perilous situations to escape from, we get to see a bunch of natural and man-made wonders get totaled by Mama Nature. Highlights include Los Angeles falling into the sea, Las Vegas being swallowed by the desert, and the Himalayas being submerged by tidal waves.
Improbable? Definitely. Ridiculous? You bet. But none of that matters since "2012" is exactly the film it was intended to be- a great big popcorn movie that offers big laughs, big thrills, and a lot of good old fashioned fun.
That's all there is to the basic plot. The real stars of the film are the truly spectacular special effects. Emmerich really pulls out all the stops and creates some truly awesome set-pieces of destruction. In order to ensure that the main characters have endless perilous situations to escape from, we get to see a bunch of natural and man-made wonders get totaled by Mama Nature. Highlights include Los Angeles falling into the sea, Las Vegas being swallowed by the desert, and the Himalayas being submerged by tidal waves.
Improbable? Definitely. Ridiculous? You bet. But none of that matters since "2012" is exactly the film it was intended to be- a great big popcorn movie that offers big laughs, big thrills, and a lot of good old fashioned fun.
If you've seen Independence Day, Titanic, or any recent vintage of the well-worn disaster film genre, you will not be disappointed at all with any of 2012. Its 2.5 hour+ running time moves at a great clip, and there's enough science and pseudoscience running around to give the film a certain of-the-moment wonder and clarity. The many destruction sequences throughout the film are absolutely breathtaking to behold, and one wonders if Roland Emmerich starts every film imagining how he will destroy the White House. Like all of his other films (except for The Patriot) it has big names but no huge names and really is a blast to watch. It has just the right balance of action and melodrama, often, as with all good films of this genre, in the same scene. The audience I watched it with was laughing and cheering throughout, and I'm sure it will be the definitive event movie of the holiday season, critics be damned.
When the geologist Dr. Adrian Helmsley and his team discover that the core of Earth is heating due to solar radiation, he advises the North American President about his findings. The American Govern collects money from the worldwide leaders to build arks to save them with necessary people to rebuild civilization. Meanwhile, the unsuccessful writer Jackson Curtis (John Cusack) discloses that the world is near to end and tries to save his son and his daughter from the tragic end.
In the 70's, there was a "fashion" of disaster movies, in general with dramatic stories but the special effects in those years were very simple. "2012" is the opposite: state-of-art special effects and an imbecile story, i.e., a silly and corny disaster movie. The physical absurd are usually OK for the action, but stupid attitudes is something that is annoying like, for example, the decision to open the gates with less than five minutes to be reached by the tsunami, or swimming wearing tie. There are some posts in the Message Board listing the implausible or stupid scenes and attitudes. The Church in Brazil is suing Columbia Picture for using the image of the Christ Redeemer without previous authorization in an absolute absurd and nonsense; could the true reason be indeed an indirect reprisal for the scene with the destruction of the Vatican? My vote is six.
Title (Brazil): "2012"
In the 70's, there was a "fashion" of disaster movies, in general with dramatic stories but the special effects in those years were very simple. "2012" is the opposite: state-of-art special effects and an imbecile story, i.e., a silly and corny disaster movie. The physical absurd are usually OK for the action, but stupid attitudes is something that is annoying like, for example, the decision to open the gates with less than five minutes to be reached by the tsunami, or swimming wearing tie. There are some posts in the Message Board listing the implausible or stupid scenes and attitudes. The Church in Brazil is suing Columbia Picture for using the image of the Christ Redeemer without previous authorization in an absolute absurd and nonsense; could the true reason be indeed an indirect reprisal for the scene with the destruction of the Vatican? My vote is six.
Title (Brazil): "2012"
They had all the money, actors and special effects they needed so how did they manage to screw this one up? Obviously they thought exiting moments were more important than developing deeper characters and that's why this story that had great potential stayed so shallow. The dialog was always cheesy and none of the 'hero's' in this film really showed any real emotions nor did they give any of those speeches that give the audience goose bumps. Another thing that really bothered me was that so much was almost going wrong the whole time. Every second of the film had a 'close call' which made the film seem totally unrealistic. Examples are planes taking off just before the runway collapses or driving just fast enough to not get hit by an explosion. This can be very cool if it doesn't happen 100% of the time and I have never seen a movie abusing this way of creating excitement to this extent. So to sum up: If you feel like turning your brain off and watching special effects and big explosions with a very shallow storyline then this movie is for you. But if you feel like watching a movie with a bit of depth then go and see something else.
Roland Emmerich was armed with a $200 million budget, and this is what it produced. It's an easy film to dislike from an intellectual level, artistically as well, while the science fiction boffins no doubt had kittens where the science was concerned. It's also easily one hour too long in length, and come the second half of the marathon it starts to sag. There's only so many times you can watch your lead protagonists escape crumbling carnage - via various modes of transport - before the fun factor begins to wane. However.
The carnage effects are grade "A" stuff, eye popping and ear splintering, Emmerich is a master at this sort of thing, and with a likable cast comfortably chewing through the safe disaster film making screenplay, it's a very decent popcorn blockbuster. It also isn't afraid to explore some dark moments, all of which - while not all being a surprise - strike strong emotional chords. It knows its disaster movie roots and is happy to tug on them.
2012 made a $500 million profit, that's a figure not to be ignored. The blockbuster movie loving public lapped it up, they often love this stuff, they just want to see the world exploding and chases and crashes and humans imploding or being heroic. If you have to strip it bare on any sort of cerebral level, then of course it's naked. But fully clothed, attired purely in modern film popcorn clobber, then it's grand dramatic and exciting fun. And this even as you have to massage your buttocks at the two hour mark. 7/10
The carnage effects are grade "A" stuff, eye popping and ear splintering, Emmerich is a master at this sort of thing, and with a likable cast comfortably chewing through the safe disaster film making screenplay, it's a very decent popcorn blockbuster. It also isn't afraid to explore some dark moments, all of which - while not all being a surprise - strike strong emotional chords. It knows its disaster movie roots and is happy to tug on them.
2012 made a $500 million profit, that's a figure not to be ignored. The blockbuster movie loving public lapped it up, they often love this stuff, they just want to see the world exploding and chases and crashes and humans imploding or being heroic. If you have to strip it bare on any sort of cerebral level, then of course it's naked. But fully clothed, attired purely in modern film popcorn clobber, then it's grand dramatic and exciting fun. And this even as you have to massage your buttocks at the two hour mark. 7/10
Você sabia?
- CuriosidadesThe great disasters of the "galactic alignment" in 2012 were supposed to have occurred on December 21st, the day of the solstice. The filmmakers decided to move those events up a few months, to midsummer. This relieved them of having to decorate the sets for the winter holidays.
- Erros de gravaçãoA background character can be heard warning that the ship's compartments are flooding progressively. But all ships have been built with truly watertight compartments for nearly a century. Certainly a futuristic ship of this size couldn't sink due to 1 door being open. The fact that the watertight compartments had metal grates above leading to the zoo area negates any watertight design (and sense)
- Citações
Adrian Helmsley: The moment we stop fighting for each other, that's the moment we lose our humanity.
- Cenas durante ou pós-créditosThere are no opening credits at all, except the Columbia Pictures logo and the movie title "2012".
- Versões alternativasThere was an alternate ending that was featured on the DVD. After Captain Michaels announces that they are heading to the Cape of Good Hope, he tells Dr. Helmsley that he has a phone call waiting for him. Dr. Helmsley discovers that his dad Harry is still alive. Harry tells his son that he, Tony (whose arm is in a sling) and some of the passengers and crew survived the mega-tsunami that struck the Genesis. Captain Michaels states that they should have a visual on the ocean-liner shortly. After Kate thanks Laura for taking care of Lily, Laura tells Jackson that she liked his book. Lily then announces that she sees an island. The Arks arrive at the shipwrecked Genesis and the survivors on the beach.
- ConexõesEdited into Live Free or Die Hard (Project 12, 8/12) (2011)
- Trilhas sonorasAfreen Afreen
Written by Javed Akhtar and Nusrat Fateh Ali Khan
Performed by Nusrat Fateh Ali Khan
Courtesy of Saregama India Ltd.
By Arrangement with The Royalty Network Inc.
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Farewell Atlantis
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 200.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 166.112.167
- Fim de semana de estreia nos EUA e Canadá
- US$ 65.237.614
- 15 de nov. de 2009
- Faturamento bruto mundial
- US$ 791.217.826
- Tempo de duração2 horas 38 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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