As Barreiras do Amor

Boy; after so many disheartening feedbacks from my friends; I actually enjoyed the movie. Hrithik; truly is the most charismatic actor of India. Barbara Mori's acting; her expressions; her smiles all are fabulous. She was great in the movie. I like the background scores and songs are also good. The best segment of the movie was about the dilemma of the protagonists and their snapping out of it. How two people could be entwined; purely due to feelings; traversing region, language; be it their destiny; is beautifully portrayed. Although; I didn't like the ending, but it is believable; as it is not necessary that things ought to end happily. Also, Hrithik's dance, at the movie's preamble is great; as all of us are aware of this talent of his. Surely, the movie doesn't tell a completely unique or 'not seen/heard before' kind of love story; but the direction, great acting and the composing elements like scenes, landscapes, cinematography and music does make it worth watching for a great experience, when you are completely free and in a blue/romantic mood. Great Movie; 10/10.

I would give Kites 4/5. Its truly an experimental movie. One thing is; its not that easy to experiment in such a way. We have to appreciate the makers. Anurag basu has done a good job. There are no Rakesh Roshan shades in the movie. Hrithik could be more better in few scenes. He has to improve in them. Script doesn't demand more for Kangana. Barbara is cool. Girl next door in her country. Rajesh Roshan worked with Anurag Basu but not with his brother. So the music goes Anurag's way. Cinematography, Production design, Background Score, costumes, editing, make up, visuals with color are good. But the script(writing) and the screen play should have been much better adding some more elements which could commercialize the film more. This should be a lesson for a commercially weak script for high budget films made in a couple of years or more time. Definitely, it could have been better if the script is fine tuned. Finally its worth watching for the effort the makers have kept.

I'm terribly disappointed by Kites. I expected to see something that is both romantic and light, but this film is awfully clichéd, heavy and melodramatic. The script is very poor and the story is generally uninspiring and at points does not even make sense. Anurag Basu's direction is inconsistent. The narrative is filled with flashbacks and some sequences are devoid of words, resulting in a very confusing development which distracts from the main proceedings. The music is good in parts. None of the songs is particularly memorable but some of them are enjoyable when played in the film. The movie does have its moments. Some action sequences are entertaining and so are some of Hrithik and Barbara's scenes together. Which brings me to the next point and it is the lead pair. Sadly, their interaction was not brought out very well. At points I wondered if there was something else to their relationship and sometimes I struggled to understand why they actually loved each other so much, and that was not clear to me from what I saw on-screen. Their relationship was poorly executed by the director. Hrithik Roshan is okay. There is something sincere about his performance but overall he is not very convincing and at points looks way too pretentious. Barbara Mori is extremely attractive but she too seems lost in this lingual mess. Kangna Ranaut is criminally wasted in a role that is clearly just a favour to the one who actually launched her career in the industry. Nicholas Brown is bad as Tony. The film's ending was supposed to be moving but instead it looked corny and stale. Kites is a one-time watch and there too it falters too many times. It sadly lacks the power to captivate and excite and is overall a forgettable film on all accounts.

Kites takes its name from the notion of two beings seemingly carefree without a worry, dancing in the sky in their freedom, only that the harsh reality of life meant someone else is pulling the strings from down below, making them nothing but mere puppets in the whole scheme of things that is called Life. So sets the premise of star crossed lovers who have to jump through plenty of hoops just to get together, and given that romances usually tug at your heartstrings when they make you feel and shed a tear for the characters.

But in true blue Bollywood fashion, there's always a little time for song and dance, since Jay is a drifter in Las Vegas trying to carve a living through 1001 jobs, with the one he loves most being a dance instructor which doesn't pay a lot, and supplementing his income through green-card schemes by marrying illegal immigrants in a scam set up by his friend Robin (Anand Tiwari). As chance would have it, daddy's rich girl Gina (Kangana Ranaut who disappears to make way for Mori) has the hots for Jay, and the latter only reciprocating because of her money and legacy of her casino-owning father.

Enter Natasha, the fiancé of Gina's brother Tony (Nicholas Brown), who also is set to marry the casino scion for the sake of money, never mind his constant ill-treatment and bad temper, and soon we have everything set up for the lovers Jay and Natasha, who go way back because of that green-card scam, to decide if they will risk everything, including their initial prime motivations of striking it rich the easy way, for true love, despite not being able to communicate directly except through broken, halting English phrases, since she's Mexican, and him Indian.

Told in non-linear fashion separating two timelines present and past through a series of flashbacks, this technique actually managed to draw plenty of emotions at the last major sequence where all is revealed about a key character, which is delivered brilliantly so much so that you'll be hard pressed not to reach for a tissue. It's shot in a peculiar fashion as well though with plenty of close ups on its beautiful leads, that offers plenty of opportunity to milk those symmetrical facial expressions in a very in-your-face fashion, which I suppose nobody in the audience will mind having to gaze at good lookers anyhow.

Hrithik Roshan's performance is almost flawless, but somehow I felt that his Jay is one of his weakest cinematic personas thus far. Opportunities to show his toned body comes by the by the bucketloads (and makes those struggling to fight flab extremely envious), and so does the chance to dance, being one of the best dancers Bollywood has to offer. He demonstrates once again he's Mr Flexible, and his dance number opposite Kangana Ranaut actually sizzles, with Ranaut actually showing that she can dance to the demands of a Hindi film heroine.

The revelation of the film though, as I mentioned, still belonged to the charismatic presence of Barbara Mori, who is likely to gain plenty of adoring fans from the Indian continent for her heartfelt portrayal as the drop dead gorgeous heroine who's vulnerable, yet able to show who's boss by wearing the pants in the relationship. She's no flower vase, having to take charge most of the time especially when Roshan's Jay goes into puppy dog mode, and frankly, in my opinion, her Natasha has him all wrapped up around her little finger. Mori makes the character believable, has moments where she injects natural comedy, and possessing a smile that is able to disarm the most stern of demeanour. I'm certain that most reviewers will find positivity from her performance even if they somehow adopt a lukewarm response to the hype surrounding the film which is basically a simple love story told in a roundabout manner.

Even if it clocks in at 130 minutes which is short by Bollywood standards, Anurag Basu still managed to throw in so many sub plot and elements into the film, that it pretty much travels at breakneck speed from start to finish unfolding in quite an expected manner. Action sequences in the film somehow had a ring of familiarity to them, and sadly none of them excites or puts you at the edge of your seat, being nothing more than peripheral for the major love story. Basu seemed to champion cars smashing against cars followed by noisy explosions, and exploits this so much that it becomes generic and a formulaic yawn. The action sequences needed to be more imaginative, just as how main villain Tony has to be more than a one-dimensional caricature to add to that sense of menace and danger.

It's reported that two versions of the film were shot simultaneously, one with the language predominantly in English, while the other in Hindi, the former for the Hollywood and Western markets. So enter director Brett Ratner who's re-editing it for a more "international" audience which promises no dance sequences and a lot more sensual scenes than what's shown here (where a simple kiss can raise eyebrows), while yet keeping true to the nature of the story, with Hrithik Roshan even moved by this version. I don't mind sitting through another round actually, just to compare and evaluate if the Ratner version is superior. Here's hoping the DVD will come with both!

I am not into dumb Musical movies, especially Bollywood ones and when I got the Chance for Special screening of Kites, I simply turned down. But I decided to give a try for it's International Version crafted by the XMEN 3 LAST STAND director Brett Ratner.

I expected a mediocre typical Bollywood Stupid Musical Dance movie, but this one broke the mold. This movie will be remembered as the Trendsetter of Hindi films in the International Grounds.

It is a Rollar Coaster film, but with a Heart. I don't want to spoil all the story but it reminds me some of the movies like Stallone/Sharon Stone's Specialist, Mr & Mrs Smith, Bonnie & Clyde, even a Hindi film Daud, but all those stands down in-front of Kites.

I don't know how the Hindi version would look like, how the conservative audience react to Kites. With some Intense Physical scenes and unique narration which really required for the story material, I think this movie is going to be a "Love It or Hate It" category.

The thing I don't like in this movie is the Love story itself, because it's too aimed for Female "Twilight" Audience who worships Romance. Other than that it's a Total Adrenaline movie, with great cast and good locations. The main leading man Hrithik Roshan I think is a well trained actor, with great physique and fight/dance abilities. This could be his "Enter The Dragon" in Hollywood.

Also I have to give credit for Brett Ratner for his experimental Remixed version for the Movie. With no Reshoots, just with the Original and unused material he made the perfect Crossover Product for an Asian film. By hiring composer Graeme Revell the movie got a new dimension and a fresh soul. The action scores and emotional themes heard in the movie were so brilliant, it definitely going to be Graeme Revell's best work after Daredevil and Freddy vs. Jason.

My recommendation only watch the International Cut. It's more cooler, edgy and Real. It is much shorter than the Asian version I heard and much stylish. Also it got no Dumb Song dance numbers (except the last one, which was done brilliantly by lead actor Hrithik Roshan).

Anyway I give this movie 9 out of 10.

Kites = The Next Level