Ek Villain Returns
- 2022
- 2 h 9 min
AVALIAÇÃO DA IMDb
4,4/10
17 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe story of two men in one sided love. The paths they choose to fulfill their love stories decide who the Hero is and who is the Villain.The story of two men in one sided love. The paths they choose to fulfill their love stories decide who the Hero is and who is the Villain.The story of two men in one sided love. The paths they choose to fulfill their love stories decide who the Hero is and who is the Villain.
- Prêmios
- 9 indicações no total
J.D. Chakravarthi
- ACP Ganeshan
- (as J.D. Chakravarthy)
Avaliações em destaque
This movie is perfect example where Indian cinema is heading now because of favoritism.. arjun kapoor doesn't know how to act, disha patani doesn't know anything else other than nudity..why mohit suri couldn't cast some good actors... this movie could have been way better if mohit suri wouldn't have casted disha patani, arjun kapoor and Tara sutaria.. it pissed me off.
I don't know why people are hating this movie so much. While people are looking out for massy south films, they are trying to dump this one which has entertainment value of most massy entertainers. The story was great, the plot was engaging. I have seen worse films. KGF for example, was too annoying and I have no idea why people love it so much. I couldn't sit throught it for more than 10 minutes. The screenplay, the plot of this movie was good enough. If they could have afforded better actors and dialogue writers, then maybe this movie would have done better as a whole. This movie has its flaws but it isn't as bad as people make it to be. I enjoyed it. I think instead of going for stylised masala pot boiler, had this been made specifically for OTT with more erotic R-rated scenes and gore, this movie would have achieved a cult status. I guess film makers should evolve theselves for OTT and give up this obsession for theatre audience. Let the theatre be for theatrical movies. Mystry thrillers deserve to be made with more grounded performance. The audience has evolved and so has our tastes. But anyways, this movie was a decent watch.
This is a disaster no proper screen play Mohit Suri seems to have lost his charm too another flop from Bollywood, this movie only has illogical scenes and over body show from actresses, it will feel like you are watching crime patrol or CID. Please stop it guys you can't just keep on fooling the audience everytime.
Director : how bad actors we want
Casting director : yes
My god arjun kapoor and john abraham face expressions ,they have only 1 expression . The dialogue delivery is so bad ..some of the cringy dialogues:
Ladka sex kre toh hero ,ladki sex kre toh zero .
There are so many cringy dialogues .arjun kapoor says to tara 34 size is not bad and tara blush ...wtf ...
There are so many cringy dialogues .arjun kapoor says to tara 34 size is not bad and tara blush ...wtf ...
This Bollywood product brings together beautiful specimens: Disha Patani and Tara Sutaria for the girls. And John Abraham and Arjun Kapoor for the cattle, i.e. The heaps of muscles and clenched jaws. Both male actors are good at being inexpressive, or expressing blissful love, depending on the scene. The two actresses have key roles in the plot, while being devoid of subtlety as well, but their delicious plastics pass very well to the camera.
For an extremely complex plot (not to say complicated) that mixes moments of romantic comedy, horror in the spirit of slasher movie (here with a hammer with a steamroller editing), action (many fights with bare hands, chase too) and suspense, because it is about a serial killer, or several, two love stories, with in the background the police or the families of our boys and muscles. It's a kind of macédoine that links small sequences of very different tones. Which causes a certain confusion at first, then things start to become clearer in the last third. But this confusion is perfect to maintain the interest.
The film is devoid of subtlety and lightness while being love stories, the whole was treated with a steamroller.
The musical passages (ridiculous love songs, while shortly before we have the killer hitting his victims with a hammer) are not even choreographed (did the film lack the means, or was the tension of the subject deemed not compatible with choreography).
For an extremely complex plot (not to say complicated) that mixes moments of romantic comedy, horror in the spirit of slasher movie (here with a hammer with a steamroller editing), action (many fights with bare hands, chase too) and suspense, because it is about a serial killer, or several, two love stories, with in the background the police or the families of our boys and muscles. It's a kind of macédoine that links small sequences of very different tones. Which causes a certain confusion at first, then things start to become clearer in the last third. But this confusion is perfect to maintain the interest.
The film is devoid of subtlety and lightness while being love stories, the whole was treated with a steamroller.
The musical passages (ridiculous love songs, while shortly before we have the killer hitting his victims with a hammer) are not even choreographed (did the film lack the means, or was the tension of the subject deemed not compatible with choreography).
Você sabia?
- CuriosidadesDue to creative differences witn the director Mohit Suri, Aditya Roy Kapoor has reportedly opted out of the film
- Erros de gravaçãoIt is strange that there are absolutely no passengers in the metro train and at any of the metro stations.
- ConexõesFeatured in The Cinema Snob: Santo vs. The Strangler (2022)
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- Orçamento
- ₹ 5.000.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 4.297.792
- Tempo de duração
- 2 h 9 min(129 min)
- Cor
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