O Super Lobista

Kevin Spacey is truly an actor to adore. The Two-Time Academy-Award Winner has proved his talent time and again. In 'Casino Jack', he gets even better and delivers a superb performance.

'Casino Jack' is based on Jack Abramoff. Abramoff, is one of the most notorious lobbyist's ever. 'Casino Jack', however focuses, on the time when Abramoff & his protégé went down hard...as their schemes to peddle influence lead to corruption and a brutal murder.

Director George Hickenlooper does a good job, while Norman Snider's writing is flawed. The writing in the first hour is spot-on, but in the second hour, it falters. Even the culmination for that matter, doesn't leave the desired impact. Acting wise, as told, Spacey owns the film. He plays Abramoff superbly. He truly is an Icon! Barry Pepper is Excellent.

On the whole, 'Casino Jack' can be viewed once, for it's lead star's performance. Must for Spacey Fans!

George Hickenlooper's final film - he died a few weeks before the release - focuses on super-lobbyist Jack Abramoff and his involvement in a corruption scandal that brought down some White House staffers and congress members. "Casino Jack" isn't quite as good as Alex Gibney's documentary "Casino Jack and the United States of Money" but certainly kept my attention every step of the way, just seeing how far Abramoff's reach extended, and how intricate the scandal was.

Kevin Spacey, playing the disgraced lobbyist, shows him to be a slick-talking dude who essentially believes that he's doing the right thing by turning the US government into an ATM for the highest bidder. Meanwhile, he overcharges his Indian clients and helps keep a Mariana Islands sweatshop open. And it extends way beyond that! The look at Abramoff's family life is a little less engrossing. It's clear that his obsession with money has clouded his mind and he's living beyond his means, but it doesn't pack the same punch that the far-reaching scandals do.

So, it's certainly an interesting movie to watch, just to see to what extent Abramoff's deeds turned the government into a bastion of corruption, but it's definitely not as good as it could have been.

Also starring Kelly Preston, Rachelle Lefevre, Barry Pepper, Jon Lovitz, Graham Greene, Maury Chaykin, Christian Campbell and Spencer Garrett.

PS: At the Golden Globes in early 2006, in the wake of Abramoff's conviction, Ben Stiller said "Why would the parents name their son Jack when the last name ends in 'off'?"

Movies like this, Spinning Boris, Barbarians at the Gate, Recount, bla bla bla... A lot of the reviewers on this board are treating this like a real movie and complaining about the style, the pacing, the acting, or whatever. They don't realize that the HBO docudrama is a genre of its own, and they all are directed like this, and have this kind of music and structure and pacing and so on. If you've seen one, you've seen them all. They are fakey, boringly executed accounts of real things that happened, they feel like they take a million years to watch, and they really only appeal to people the first time they see one.

Republican culture is full of sleazy, cynical con artists with big dreams that hinge on manipulating people and ripping them off. This movie is about two such men, Jack Abramoff and Mike Scanlon, and they are worthless people that no one with a soul can empathize with or relate to at all. Watching them make their plans and cheat people and be disloyal to their friends and lovers is boring. there's no entertainment value to it.

In movies like this it is important for the screenwriters to feel that they've painted their main character as an irascible, charismatic character, rascally and witty, full of little zinger lines and whatnot. The real Jack Abramoff seems to be a boring douchebag, and he probably did constantly do impressions of celebrities, but I doubt he was as interesting to watch as Kevin Spacey (who is not interesting enough to save this movie).

I had a difficult time dealing with this movie, partly because the entire system of lobbying is so despicable in itself, and partly because the writer has done his best to show Jack Abramoff as a fundamentally nice guy who just overreached a little and got caught.

I mean, right at the beginning, after we see Kevin Spacey (superb) talking to himself in a mirror, we hear his explanation of why lobbyists exist. Because they're useful. They give legislators information about subjects the legislators need to know something about in order to do their jobs.

That explanation comes straight out of a now unfashionable school of sociological thought called functionalism. If something exists in a society, it's there for a good reason. Otherwise it wouldn't be there, right? Whores make the streets safe for our wives and children. The Mafia fills in the gaps that the police force can't, and it meets a market demand among consumers of illegal goods. Mass murderers and psychopaths provide us with bad examples that we can point out to our kids so they'll know what not to become.

According to the film, Abramoff just did was everyone else was doing. He only had the misfortune of being caught. Nobody argues that perhaps congressional aides or interns ought to be doing the research instead of paid lobbyists. No explanation is offered for why spending on lobbyists more than doubled between 2000 and 2009.

There are no such reality intrusions. Abramoff is a colorful, funny, very active guy. He works out. He loves his family. He knows everyone. He's religious. He opens a kosher restaurant on K Street and plans to open a Hebrew school.

A second reason I found it hard to assess the movie is that I didn't understand it because I'm too dumb. I couldn't follow all the shenanigans. Okay. In one of his minor deals, towards the beginning, the Chippewa tribe, among whom I once lived as a cultural anthropologist, gave him millions of dollars and the money apparently disappeared. Where? I don't know. I told you I was dumb. I don't know what an expression like "he wants ten percent under the table" means. I don't know why a Greek was killed. I don't know why Jon Lovitz got stabbed with a ball point pen. Tom DeLay has a prominent role and I don't know what he did that was supposed to be bad. Abramoff makes some venomous remark about George W. Bush at the end and I don't know why. And I can hardly credit the notion that Mike Scanlon's (Barry Pepper, with a great twisted face) girl friend dropped the dime on all these enterprises because she found a pair of red alien panties in her boy friend's laundry. It's the kind of movie that someone as stupid as I am needs a little preparation for -- a few hours of studying with a book called "Lobbying for Dummies" or something.

Because except for the murder I couldn't identify a single illegal act in the entire movie. Lobbyists give money to politicians and the politicians do favors in return. It sounds a lot like bribery to me, and I know THAT'S illegal, or at least I think it is, but I don't know why, when it takes one form, it's called "lobbying" and is as kosher as Abramoff's restaurant that serves the best roast beef in the city, and why, when it takes another form, it's called "bribery" and you go to jail.

I do, however, recognize a decent performance when I see one, and three performances are stand outs in this production. Kevin Spacey, a little older and chubbier, gets to do some of his impersonations -- Clinton, Al Pacino, and a few others, and he's good. Barry Pepper as Scanlon is terrific as well, as the emotionally unstable squeal cat. And Jon Lovitz is funny, no matter whether the part calls for a comic presentation or not. He's hilarious in some scenes, which I won't spell out.

Not a masterpiece by any means -- "Barbarians At The Gates" is about leveraged buy outs and it's better -- but worth seeing once. I hope you have better luck in decoding the events than I did.

I confess to having followed Jack Abramoff's actual denouement years ago only as much as I could tolerate without gagging. My feelings toward lobbyists are mostly of disgust anyway. But to separate this work of art from the morality of its subject matter, I must say that this is a fine, fine film. Mr. Hickenlooper's death is a profound loss to all of us. I find Kevin Spacey and Barry Pepper at the top of their form here. The character and the situation give Spacey a broad stage to display his talents and range. Abramoff is no easy character to portray with any sympathy at all, and I had virtually none, but my outrage over the facts didn't spoil my enjoyment of the entertainment one bit. A tribute to all involved.

As far as the abuses portrayed, all I can say is, I really hope the American citizenry somehow wakes up and unites to end the stranglehold that cash has put on our democracy. The utter hypocrisy and self-serving, greedy behavior of our politicians is harming us for generations to come. If they truly love their country, they must reject and expose lobbyists sacrificing our national welfare to Mammon.