Uma expansão do universo a partir dos romances de Robert Ludlum, centrada em um novo herói cujas apostas foram desencadeadas pelos eventos dos três filmes anteriores.Uma expansão do universo a partir dos romances de Robert Ludlum, centrada em um novo herói cujas apostas foram desencadeadas pelos eventos dos três filmes anteriores.Uma expansão do universo a partir dos romances de Robert Ludlum, centrada em um novo herói cujas apostas foram desencadeadas pelos eventos dos três filmes anteriores.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 12 indicações no total
Robert Christopher Riley
- Outcome #6
- (as Rob Riley)
Avaliações em destaque
As a fan of the Bourne franchise, I enjoyed this deeper look in to that universe. The movie really does feel like one giant glorified DVD extra for that trilogy and I mean that in a good way. Deeper layers are revealed and the intrigue is as good as what we've seen before even though the character motivation isn't as strong across the board. Renner is fabulous as the second generation super spy. My only real complaint about this installment (because it does feel like they are blatantly building for three more films) is that the resolution has no real teeth. Still, it's a very good effort from a very good cast with hints and touches to the Bourne films of the past.
Overall, a thumbs up and a very enjoyable time at the cinema.
Overall, a thumbs up and a very enjoyable time at the cinema.
Thanks to the 2 heroes, I give a good mark though the script was a labyrinth of complications between different US National Security Services and their different projects more or less secret, some of them more secret within secrets because untellable, unacceptable. And when one of those has to disappear, lots of dead people it means. Here is the story of another run-for-his-life hero, Jeremy Renner! He surprised me this actor. He blows the screen from his very first appearance until the last. And Mrs Weisz, the co-runner-for-her-life does well too as an evolving character, a woman scientist who goes from naive close to stupid terrified victim to a full grown resilient survivor, doing very well with Mr Renner. Wow they are good! They SAVE the movie Let's hope there will be a sequel with these two but with a MUCH IMPROVED script, please. I declare myself a fan for Mr Renner (Please forgive my probably curious use of English, my second language...)
First film without Matt Damon and the Jason Bourne character. The movie turned out well and this is thanks to co-writer and director Tony Gilroy (who worked on all three previous films in the series) and Jeremy Renner, perfectly cast in the lead. The results are not flawless but good enough to provide the sort of action and storytelling that Bourne fans expect. Jeremy Renner has earned his way to this high-profile part, doing a great job since his performance in The Hurt Locker. He has the required physicality to make his character — a highly-trained, genetically enhanced undercover agent — totally believable. Furthermore he's perfectly matched with leading lady Rachel Weisz, also credible as a research doctor becoming a pawn and bail at the same time. On balance and on the whole the movie works, though a bit to long. To sum up I was entertained and I'm more than grateful for that.
Questionable follow up to the Bourne trilogy that has the right pieces in place but lacks the conviction to justify its existence. Taking place almost at the same time of the climax of the third Bourne film (Ultimatum), this film deals with the fall out of the exposure of "Operation Blackbriar" and how an another agency with in the government is trying to cover up their program in order not to be caught up with the coming scandal create by Jason Bourne. "Outcome", the program in question is an offshoot of both "Treadstone" and "Blackbriar" but with a huge difference, they are tabbing into science to create super agents that are faster and stronger than any other agent before them.
In order for me to tell you what is good about this movie, I have to explain what is wrong with it and that is the fact that you get the feeling fifteen minutes into the film that there is no reason for it to exist. The last film (Bourne Ultimatum) pretty much closed the book on the series, with little to no wiggle room for an encore. This movie feels like a studio trying to milk dried what was good from the original trilogy in order to make more sequels. The bad part is that they did it in the most unbelievable way, so much so that you really need to forget what you saw in the last three films in order to believe what was going on in this movie. Tony Gilroy (Who wrote the first three movies) directs and writes this one but falls flat on his face with halfhearted explanations that try to justify this movie's existence. Not to mention the fact that the villain of the movie is a lightweight compared to what came before him plus the glaring fact that Edward Norton's performance as the heavy is pretty much phoned in. He does not have the confidant arrogant swagger that Chris Cooper's character had in the first film nor the desperate menace of that Brain Cox's character brought to the second. Norton's character is more in line with the villain of the third, who was played by David Strathaim (who has a cameo in this film). However, Strathaim's character had a sense of justifiable menace that drove him, while Norton's character just seems like a man trying to justify his actions for the greater good, making him more of a government shill than a villain. The science fiction angle that comes up is insulting to what the last three films were, not to mention the fact that the direction here lacks the kinetic energy that Paul Greengrass brought to the last two movies of the series. Say what you may about the shaky camera work but he knew how to stage a thrilling action piece of pop art. Gilroy's motorcycle chase towards the climax is decent but lacks kinetic spark. He is however very good in staging small intimate moments within this movie but that is more a compliment to the A + cast (Mainly his two lead actors) than the terrible script that they are forced to working with.
Jeremy Renner is a talented actor with serious range and complexity. However, the character he plays is not much of a character and the script that he has to work with is riddled with cliché after cliché. He can do anything a secret agent can do but better but the character is not very compelling or interesting to say the least. Jason Bourne was a compelling character that needed to find himself and through that journey in the original trilogy, we saw complexities that were compelling and thoughtful. He was a conflicted man whose drive was dictated by an inner sense of redemption. The character of Aaron Cross is a cartoon character compared to Jason and that is the main problem of the script for this movie. It is though Renner's efforts as an actor that we care about the character of Aaron Cross and that is one of the few bright spots this film has. Renner injects likability and vulnerability to this character and because of it, we want him to succeed in beating the bad guy and save the girl but Renner is working with a script that goes against itself and we are left with a half fast story that deals with supermen than a human story about survival. It is through Renner's efforts as an actor that we see humanity and conflict in this character while the script itself does not give that sort of detail and Renner is working overtime to accomplish that. Renner would have done wonders with a compelling character like Jason Bourne, unfortunately that is not found with the character of Aaron Cross.
Rachel Weisz is one of the most versatile, gifted and complex actors working today. An actor's actor in every sense of word but like Renner, she does not have much of a character thanks to the cliché script they both have to work with. Her character is on the run with Cross through out the film and acts as his doctor and object of protection. It is through Weisz's amazing strength and range as an actor that we are able to witness levels of complexity and humanity in the character of Dr Marta Shearing that we really do not get from the script. Because of that, we are not only able to care and identify with her but Weisz actually makes her character more complex and interesting than Aaron Cross himself. You can tell that Weisz was working overtime in achieving that and her efforts pay off ten fold, which is a blessing considering that most of the characters outside of her and Renner come across as cardboard cutouts.
It is a shame because Renner and Weisz try their best and for the most part succeed despite all odds but they like the fans deserved better.
In order for me to tell you what is good about this movie, I have to explain what is wrong with it and that is the fact that you get the feeling fifteen minutes into the film that there is no reason for it to exist. The last film (Bourne Ultimatum) pretty much closed the book on the series, with little to no wiggle room for an encore. This movie feels like a studio trying to milk dried what was good from the original trilogy in order to make more sequels. The bad part is that they did it in the most unbelievable way, so much so that you really need to forget what you saw in the last three films in order to believe what was going on in this movie. Tony Gilroy (Who wrote the first three movies) directs and writes this one but falls flat on his face with halfhearted explanations that try to justify this movie's existence. Not to mention the fact that the villain of the movie is a lightweight compared to what came before him plus the glaring fact that Edward Norton's performance as the heavy is pretty much phoned in. He does not have the confidant arrogant swagger that Chris Cooper's character had in the first film nor the desperate menace of that Brain Cox's character brought to the second. Norton's character is more in line with the villain of the third, who was played by David Strathaim (who has a cameo in this film). However, Strathaim's character had a sense of justifiable menace that drove him, while Norton's character just seems like a man trying to justify his actions for the greater good, making him more of a government shill than a villain. The science fiction angle that comes up is insulting to what the last three films were, not to mention the fact that the direction here lacks the kinetic energy that Paul Greengrass brought to the last two movies of the series. Say what you may about the shaky camera work but he knew how to stage a thrilling action piece of pop art. Gilroy's motorcycle chase towards the climax is decent but lacks kinetic spark. He is however very good in staging small intimate moments within this movie but that is more a compliment to the A + cast (Mainly his two lead actors) than the terrible script that they are forced to working with.
Jeremy Renner is a talented actor with serious range and complexity. However, the character he plays is not much of a character and the script that he has to work with is riddled with cliché after cliché. He can do anything a secret agent can do but better but the character is not very compelling or interesting to say the least. Jason Bourne was a compelling character that needed to find himself and through that journey in the original trilogy, we saw complexities that were compelling and thoughtful. He was a conflicted man whose drive was dictated by an inner sense of redemption. The character of Aaron Cross is a cartoon character compared to Jason and that is the main problem of the script for this movie. It is though Renner's efforts as an actor that we care about the character of Aaron Cross and that is one of the few bright spots this film has. Renner injects likability and vulnerability to this character and because of it, we want him to succeed in beating the bad guy and save the girl but Renner is working with a script that goes against itself and we are left with a half fast story that deals with supermen than a human story about survival. It is through Renner's efforts as an actor that we see humanity and conflict in this character while the script itself does not give that sort of detail and Renner is working overtime to accomplish that. Renner would have done wonders with a compelling character like Jason Bourne, unfortunately that is not found with the character of Aaron Cross.
Rachel Weisz is one of the most versatile, gifted and complex actors working today. An actor's actor in every sense of word but like Renner, she does not have much of a character thanks to the cliché script they both have to work with. Her character is on the run with Cross through out the film and acts as his doctor and object of protection. It is through Weisz's amazing strength and range as an actor that we are able to witness levels of complexity and humanity in the character of Dr Marta Shearing that we really do not get from the script. Because of that, we are not only able to care and identify with her but Weisz actually makes her character more complex and interesting than Aaron Cross himself. You can tell that Weisz was working overtime in achieving that and her efforts pay off ten fold, which is a blessing considering that most of the characters outside of her and Renner come across as cardboard cutouts.
It is a shame because Renner and Weisz try their best and for the most part succeed despite all odds but they like the fans deserved better.
To some the name Jeremy Renner may not have been known/well known when he appeared in this particular film. From the start he looks every inch of what his character is supposed to be. This is very fast paced as he continually avoids his own demise at the hands of the 5 Security Chiefs who want him dead. Ms Weisz is a bit of a disappointment. The language isnt actually that bad and we have a story from beginning to end, so its a pity he didnt do any of the other films. Edward Norton is quite a menacing head of security, albeit a bit young looking for the role. Plus you have a wonderful ending worthy of any film in a chase sequence. Enjoy! Although, the puzzle when the 5th epistle came out is that the 5 Security Chiefs that wanted Bourne and Cross dead have ALL gone and without explanation!
Você sabia?
- CuriosidadesWhen asked about his most difficult scene, Jeremy Renner revealed that it was the motorcycle ride with Rachel Weisz behind him in Manila, because he was responsible for the two of them. At the press conference of the film, Weisz was asked about this particular stunt, "How was it to ride on a motorcycle through Manila with Jeremy Renner?" and she said that "It was really terrifying! Jeremy never told me when we were in Manila, but that was the scariest stunt for him because he was responsible for my life. He didn't tell me that in Manila, thank god, because I would have been like, 'Oh, my god!' I just had to surrender and hold on. I didn't have to act. It just was terrifying".
- Erros de gravaçãoAfter showing a top-down view of Chicago's downtown elevated rail lines, there is a shot of two subway trains. These are New York City Transit trains, not Chicago Transit trains.
- Citações
Drone Spec: What kind of weapon system is this guy operating?
Dita Mandy: He's probably got a rifle.
[Drone operators exchange incredulous glances]
Byer: It's a high-powered rifle.
- ConexõesEdited from O Ultimato Bourne (2007)
- Trilhas sonorasKongkkakji
Written by Bi-ryong Choi (as Bi Ryong Choi), Jun-ho Choi (as Jun Ho Choi)
Performed by Yoon-jeong Jang (as Yoon Jeong Jang)
Courtesy of Inwoo Production
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- El Legado Bourne
- Locações de filme
- El Nido, Palawan, Filipinas(ending scene)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 125.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 113.203.870
- Fim de semana de estreia nos EUA e Canadá
- US$ 38.142.825
- 12 de ago. de 2012
- Faturamento bruto mundial
- US$ 276.144.750
- Tempo de duração
- 2 h 15 min(135 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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