No final de seus três anos na Lua, o astronauta Sam Bell envia à Terra um recurso que ajudou a reduzir os problemas de energia de nosso planeta.No final de seus três anos na Lua, o astronauta Sam Bell envia à Terra um recurso que ajudou a reduzir os problemas de energia de nosso planeta.No final de seus três anos na Lua, o astronauta Sam Bell envia à Terra um recurso que ajudou a reduzir os problemas de energia de nosso planeta.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 prêmio BAFTA
- 28 vitórias e 37 indicações no total
Kevin Spacey
- GERTY
- (narração)
Gavin Rothery
- Eliza Rescue Captain
- (não creditado)
Gary Shaw
- Shaw, Rescue Team Member
- (não creditado)
Mick Ward
- Ward, Rescue Team Member
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Go see this movie! I've been lucky enough to have an opportunity to see this movie down here at SXSW and I am the better for it.
You don't really stumble upon many riveting, independent, sci-fi films that look beautiful(let alone don't contain aliens and space magic) and capture major emotional themes successfully. Moon accomplishes this, and with very little CGI at that.
Sam Bell is an astronaut working for a corporation on the far side of the moon. His job? Maintaining a lunar facility and the automated machines which are harvesting the moon's surface for Helium 3. The harvested material is then sent back to Earth to use as energy.
Sam is on the very last leg of a three year contract and is quite anxious to return to his wife and daughter. Barring any incidents, Sam will be able to leave his solitude. But something does go wrong.
That said, tremendous acting by Sam Rockwell carries this film - mainly because he is basically the only person in the movie. I'm not talking about Cast Away meets the moon This film explores loneliness much deeper than that, and with much more emotion as well. Luckily for us there are no pieces of sports equipment on which the lead dotes, but instead we're blessed with a monotonous talking robot(voiced by Kevin Spacey) reminiscent of Hal from 2001 notoriety.
I advise that people go see this film, not only to support Duncan, the director, and Sam, but also to explore to possibilities of space and the humanity of loneliness.
Don't go in expecting to find what I have discussed, but go in expecting to find something inside yourself.
You don't really stumble upon many riveting, independent, sci-fi films that look beautiful(let alone don't contain aliens and space magic) and capture major emotional themes successfully. Moon accomplishes this, and with very little CGI at that.
Sam Bell is an astronaut working for a corporation on the far side of the moon. His job? Maintaining a lunar facility and the automated machines which are harvesting the moon's surface for Helium 3. The harvested material is then sent back to Earth to use as energy.
Sam is on the very last leg of a three year contract and is quite anxious to return to his wife and daughter. Barring any incidents, Sam will be able to leave his solitude. But something does go wrong.
That said, tremendous acting by Sam Rockwell carries this film - mainly because he is basically the only person in the movie. I'm not talking about Cast Away meets the moon This film explores loneliness much deeper than that, and with much more emotion as well. Luckily for us there are no pieces of sports equipment on which the lead dotes, but instead we're blessed with a monotonous talking robot(voiced by Kevin Spacey) reminiscent of Hal from 2001 notoriety.
I advise that people go see this film, not only to support Duncan, the director, and Sam, but also to explore to possibilities of space and the humanity of loneliness.
Don't go in expecting to find what I have discussed, but go in expecting to find something inside yourself.
I was led to this movie, partly because of a sort of dissatisfaction from what we've known as science fiction due to Star-Treks, Star wars, terminators and transformers. On my visit to the local independent movie theater, I was only expecting something like Apollo 13 and I would've been satisfied with just that.
But the movie proved to be much more. It wasn't just the cinematography, few captivating shots of the moon surface, or the great acting performance. It was as if the movie took a while to ponder over philosophical questions that science and technology raise- something that every science fiction ought to do.
This work won't be unworthy of a comparison with Kubrick's- space odyssey – only that it is probably not as visually stimulating as the latter. It does make good use of classical music like Kubrick's. I found the movie to be a bit more accessible than Tarkovsky's Solaris in that it is much more fluid and entertaining (Solaris was 3 hr long – executed very slow albeit with a similar idea). Like Solaris, the protagonist's recollections of the life on earth eventually result in some mental instability, but the movie stays away from getting into long philosophical debates on human experience or our place on earth.
In general, do expect a lot more than space travel in this movie. To cite an example, the isolation of Sam made him more attached to memories of his life on earth. I don't recall many other movies that have expressed it so well that in isolation, nothing really means anything. Kudos to the director! Such existentialist reflections aside, there are many instances when the movie makes a statement about unethical corporate practices, evasive HR responses - almost to the extent 'Michael Clayton' did. I think that makes it more worthwhile to watch. Still despite all that, it avoids taking any stances on controversies that bother all of us in modern times. It puts us through the fears of the unknown, catastrophes of distrust and what arises from distrust and isolation and all of that.
Still, somehow the movie isn't really as dark as the script might make it sound. There is isolation, mistrust, schemes, confusion, curiosities and despair, but the human experience probably transcends the realism of its existence – that was the idea I carried back from the movie theater.
But the movie proved to be much more. It wasn't just the cinematography, few captivating shots of the moon surface, or the great acting performance. It was as if the movie took a while to ponder over philosophical questions that science and technology raise- something that every science fiction ought to do.
This work won't be unworthy of a comparison with Kubrick's- space odyssey – only that it is probably not as visually stimulating as the latter. It does make good use of classical music like Kubrick's. I found the movie to be a bit more accessible than Tarkovsky's Solaris in that it is much more fluid and entertaining (Solaris was 3 hr long – executed very slow albeit with a similar idea). Like Solaris, the protagonist's recollections of the life on earth eventually result in some mental instability, but the movie stays away from getting into long philosophical debates on human experience or our place on earth.
In general, do expect a lot more than space travel in this movie. To cite an example, the isolation of Sam made him more attached to memories of his life on earth. I don't recall many other movies that have expressed it so well that in isolation, nothing really means anything. Kudos to the director! Such existentialist reflections aside, there are many instances when the movie makes a statement about unethical corporate practices, evasive HR responses - almost to the extent 'Michael Clayton' did. I think that makes it more worthwhile to watch. Still despite all that, it avoids taking any stances on controversies that bother all of us in modern times. It puts us through the fears of the unknown, catastrophes of distrust and what arises from distrust and isolation and all of that.
Still, somehow the movie isn't really as dark as the script might make it sound. There is isolation, mistrust, schemes, confusion, curiosities and despair, but the human experience probably transcends the realism of its existence – that was the idea I carried back from the movie theater.
This was the best movie I have seen in a very in a very long time and immediately jumps into my favorite movies ever. MOON puts a relatable human touch on an intriguing and deep sci-fi story that, while it originally appears to be taking the path of 2001 Space Odyssey, is a unique adventure. Sam Rockwell puts on a spellbinding performance and Kevin Spacey's GERTY voice-over is eery and excellent. I have never seen a movie that had me so engrossed and intrigued from beginning to end. Some may say the film starts slowly but I found the first half hour to be an important and gripping portrayal of what it would mean to be alone in space, without which the movie would not be as effective. I don't want to ruin the plot so I wont go into further detail. As an avid movie watcher who is not a sci-fi buff I would recommend this movie to anybody who wants to see a movie that will take over their lives for 2 hours and have you leave the theater wanting to do nothing but discuss how beautifully layered it was.
In short, this is one of the best sci-fi movies I have seen in a LONG time. Sam Rockwell plays it perfect, making the viewer feel his isolation and lonelieness. For a low budget film, the few effect shots work seamlessly. I'm trying to remain spoiler free, so I won't bother to explain the plot. If you like older and more story/character driven sci-fi, such as 2001: A Space Odyssey, than chances are you will love this movie. If you aren't a huge fan of sci-fi, take a chance with this one. You may find it a very rewarding experience. I loved this movie, and I can't stop thinking about it. In Moon, you may begin to think that everything is a big cliché, but than with all of the seemingly cliché plot points, Moon changes them into something entirely original and unexpected. It is an excellent piece of art and I have a strong feeling not enough people will see and appreciate it like I did.
I attended a screening of "Moon" at the 2009 SXSW Film Festival in the legendary Paramount Theatre. There wasn't an empty seat in the 1300-capacity palace. Directed by Duncan Jones, "Moon" stars Sam Rockwell, one of our generation's most powerful actors. The notion of a film being unique seems unlikely in 2009. Not here. While "Moon" is a modern-day science fiction film set in the future, it pays homage to recent classics like "Blade Runner" and "Alien." Viewers will be dazzled -- fans of the genre will nod in approval. Science has developed a way to mine the rocks of the moon for clean energy here on earth. Private enterprise, in the form of a corporation, sends astronauts on a three-year work stint to carry out this ongoing mission. Sam Bell (Rockwell) is the latest to undertake this task, with the trusted robot GERTY by his side watching over the base's operations -- think HAL with a heart. Of course, things are not what they seem, and the viewer is mesmerized as puzzling and surprising events unfold. Cinematographer Gary Shaw contributes to the impression of the eerie stillness of life on the moon with the copious use of still camera and slow tracking shots, only using hand-held when necessary. Nicolas Gaster's editing is sure and steady, emphasizing the slow pace of Sam Bell's multi-year work assignment. Remember those pre-CGI days when special effects meant miniature land rovers on a bumpy table? It can still be done -- and be believable. "Moon" is evocative of the sci-fi greats whose visuals were done in-camera, i.e., on set as opposed to being created by computers in post-production. Sam Bell's unearthly home is comfortable yet aging like the patina of an old cottage. Nathan Parker's screenplay (Jones wrote the story but handed over screen writing duties to Parker) makes the most of Sam Rockwell's considerable talents. This was quite a physically demanding role, as well, and rarely has the actor been better (watch "Snow Angels," though). He doesn't just carry the film -- "Moon" is almost a one-man show and Rockwell conducts a master class. "Moon" is a classic, down and dirty (literally) science fiction film with a baffling mystery that challenges the viewer to live in the shoes of the protagonist. It's hard to imagine a better one than Sam Rockwell or a more effective, entertaining, and satisfying cinematic experience.
Você sabia?
- CuriosidadesOriginally, writer/director Duncan Jones wanted to cast Sam Rockwell in what eventually became Mudo (2018). However, Jones and Rockwell could never come to an agreement on which part he should play, and scheduling conflicts made an immediate collaboration on that film difficult. Because they got on so well and Jones wanted to work with Rockwell so much, he asked him what would interest him; when Rockwell named the blue collar characters from Outland: Comando Titânio (1981), Corrida Silenciosa (1972) and Alien - O 8º Passageiro (1979) as the sort of role that he wanted to try, Jones wrote this film for him. Rockwell would later make an uncredited cameo in Mute as his Sam Bell character from Moon.
- Erros de gravaçãoSam realizes that he has lost a tooth when feeling around in his lower jaw. However, the tooth that he pulls out of the toilet has three roots, meaning that it is a maxillary (upper) molar. Mandibular (lower) molars only have two roots, unless the person is of Asian or Native American descent.
He first felt his upper row of molars where the tooth came out of, then tried wiggling some from the bottom row to see if any more were loose.
- Cenas durante ou pós-créditosThe fictional company which owns and operates the lunar base is called Lunar Industries Ltd. As a nod to this, the production company used to make the movie is also called Lunar Industries Ltd (UK Companies House company number 06346944), whose company directors are Duncan Zowie Hayward Jones (the movie's director) and Stuart Douglas Fenegan (one of the movie's producers).
- ConexõesEdited into Race for Space (2010)
- Trilhas sonorasFlute and Harp Concerto K299 2nd Mvt.
Composed by Wolfgang Amadeus Mozart (as Wolfgang A. Mozart)
Published by Boosey & Hawkes Production Music
Principais escolhas
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- How long is Moon?Fornecido pela Alexa
- why was there a rescue mission?
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Detalhes
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 5.010.163
- Fim de semana de estreia nos EUA e Canadá
- US$ 136.046
- 14 de jun. de 2009
- Faturamento bruto mundial
- US$ 9.760.107
- Tempo de duração1 hora 37 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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