Dois amigos de longa data se encontram em um impasse quando um deles termina abruptamente o relacionamento entre eles, com consequências alarmantes para ambos.Dois amigos de longa data se encontram em um impasse quando um deles termina abruptamente o relacionamento entre eles, com consequências alarmantes para ambos.Dois amigos de longa data se encontram em um impasse quando um deles termina abruptamente o relacionamento entre eles, com consequências alarmantes para ambos.
- Indicado a 9 Oscars
- 150 vitórias e 374 indicações no total
Lasaírfhiona Ní Chonaola
- Female Singer
- (as Lasairfhíona Ní Chonaola)
Avaliações em destaque
After years of friendship, Colm decides that he no longer wants to engage with, or even talk to his former friend Padraic. Padraic refused to accept being shunned, and pursues Colm, who promises some extreme retaliation.
It's a film that gives you hope for the future of film making, truly original, funny, dark, it's like no other film I can think of. Worlds away from what I've seen on the big screen for some time. You don't know whether to laugh or cry, it truly doesn't follow any of the usual rules.
It is such an unusual, but pretty fascinating story, how on Earth can two grown men, two adults that have been friends for a long time, suddenly drift apart, becoming feuding strangers? It does actually happen. The main question here, is what changed, what pushed Colm to this point?
A story of ego, pride and stubbornness, it shows how something small can get out of hand, and escalate into something huge.
The characters are so rich, not just the two leads, but the likes of Mrs McCormack and the shopkeeper are great.
Brendan Gleeson and Colin Farrell are terrific, it's the best films Farrell has done for years. Barry Keoghan steals several scenes, he's brilliant.
The visuals are breathtaking, the landscapes, the shots of the animals are tremendous.
8/10.
It's a film that gives you hope for the future of film making, truly original, funny, dark, it's like no other film I can think of. Worlds away from what I've seen on the big screen for some time. You don't know whether to laugh or cry, it truly doesn't follow any of the usual rules.
It is such an unusual, but pretty fascinating story, how on Earth can two grown men, two adults that have been friends for a long time, suddenly drift apart, becoming feuding strangers? It does actually happen. The main question here, is what changed, what pushed Colm to this point?
A story of ego, pride and stubbornness, it shows how something small can get out of hand, and escalate into something huge.
The characters are so rich, not just the two leads, but the likes of Mrs McCormack and the shopkeeper are great.
Brendan Gleeson and Colin Farrell are terrific, it's the best films Farrell has done for years. Barry Keoghan steals several scenes, he's brilliant.
The visuals are breathtaking, the landscapes, the shots of the animals are tremendous.
8/10.
It is a well told dark comedy that keeps you wanting more, in a time when Ireland was full of despair, not long after the war of Independence and a long-suffering period that brought about a post-colonial inferiority complex (still hasn't been addressed to this day), a struggle for an identity, a repressive church, superstitions, isolation, mass emigration, poverty and to top it all off a brutal civil war. This film does a great job to put you in the psych of the time and to top that off the cinematography, costumes, music and atmosphere are wonderful. The film is itself a bit of a conundrum, on one hand it leaves you thinking nonstop about the story and the premise, while on the other hand you feel cheated by its abruptness.
Pádraic ó Súilleabháin (Colin Farrell) is just a nice man who struggles to deal with losing his friendship with Colm Doherty (Brendan Gleeson) and the further loss he endures. Colm, himself is in a fight against time and his age. The dark struggle of helplessness or despair is rife on the Island, but the story telling is done so well it comes across uplifting at times with light-hearted comedy sprinkled on top. Siobhán ní Súilleabháin (Kerry Condon) is a rock to Pádraic, but she is herself tied to the antics of the Island and Dominic Kearney (Barry Keoghan) must suffer with his own demons while he searches for love.
Both leads Colin Farrell and Brendan Gleeson knock it out of the park, but the two shining stars for me were Barry Keoghan and the beautiful Kerry Condon. I thought the film was going to take a turn for the D'Unbelievables at one point when Pat Shortt who plays Jonjo Devine and Jon Kenny who plays Gerry pop up on the screen, but after a brief scare they turned out to be a good addition to the banter and gossip in the pub scenes.
It's not perfect and lets you down in a few areas. Some of the dialogue feels out of place especially for the part of Ireland and the time period, which was a shame, as it transports you out of the screen and back into the cinema (this seems to be a modern trend with period film). The setting was also a bit too squeaky clean; brand new clean clothes, polished teeth, shoes galore, fresh faces (apart from Colin Farrell who did look like he spent years working in the elements) the poverty of the time could have been showcased a bit more.
My wife and I both enjoyed this film immensely. Any fan of dark comedy, this film is a must see with a word of warning: I would be aware if you are going to see this movie and you are emotionally fragile, that it does tap into the dark side of your brain and leaves you in deep thought when it is finished.
8/10.
Pádraic ó Súilleabháin (Colin Farrell) is just a nice man who struggles to deal with losing his friendship with Colm Doherty (Brendan Gleeson) and the further loss he endures. Colm, himself is in a fight against time and his age. The dark struggle of helplessness or despair is rife on the Island, but the story telling is done so well it comes across uplifting at times with light-hearted comedy sprinkled on top. Siobhán ní Súilleabháin (Kerry Condon) is a rock to Pádraic, but she is herself tied to the antics of the Island and Dominic Kearney (Barry Keoghan) must suffer with his own demons while he searches for love.
Both leads Colin Farrell and Brendan Gleeson knock it out of the park, but the two shining stars for me were Barry Keoghan and the beautiful Kerry Condon. I thought the film was going to take a turn for the D'Unbelievables at one point when Pat Shortt who plays Jonjo Devine and Jon Kenny who plays Gerry pop up on the screen, but after a brief scare they turned out to be a good addition to the banter and gossip in the pub scenes.
It's not perfect and lets you down in a few areas. Some of the dialogue feels out of place especially for the part of Ireland and the time period, which was a shame, as it transports you out of the screen and back into the cinema (this seems to be a modern trend with period film). The setting was also a bit too squeaky clean; brand new clean clothes, polished teeth, shoes galore, fresh faces (apart from Colin Farrell who did look like he spent years working in the elements) the poverty of the time could have been showcased a bit more.
My wife and I both enjoyed this film immensely. Any fan of dark comedy, this film is a must see with a word of warning: I would be aware if you are going to see this movie and you are emotionally fragile, that it does tap into the dark side of your brain and leaves you in deep thought when it is finished.
8/10.
Are those who live on islands human beings like everyone else? This film clearly tells us no: the island, an enclosed place where everything is concentrated and which the surrounding sea keeps compressed, deeply affects its inhabitants and permeates them with itself, sickens them with its own disease. The latest film by Englishman Martin McDonagh (in his 4th feature film, with 3 films behind him, all of which are top-notch) is absolutely superb: for storytelling ability, for location (evocative, rocky Irish island), for the brilliance of the screenplay (let's face it: McDonagh writes really well!), for acting (impressive Colin Farrell and Brendan Gleeson, also excellent Barry Keoghan and Kerry Condon). The story is told of Padraic (Farrell), good and kind, who, overnight, loses the consideration of his greatest friend, Colm (Gleeson). Why? Because I don't like you anymore, because you're boring, Colm replies to him, and I don't want to waste my time with you anymore. And Padraic, who is not as sharp and intelligent as he would like to be but is esteemed for his courtesy and good spirits, does not understand this. Colm, who plays the violin and composes music, is obsessed with the passing of time, with the need to indulge his art in order not to be forgotten. His art demands total exclusivity from him, leaving no room for the banality of feelings. But is this the real reason, or is Colm going mad? At this point, what follows is a jeu de massacre between the two ex-friends, surrounded by various minor characters that McDonagh knows how to connote with felicitous psychological notations and a keen sense of humor. And then there are the animals, almost sacred emanations of the island, loved and respected, more than human in their affective reactions. And there is the war, distant but present, of which ominous explosions are heard in the distance. And finally there is the old witch, a representation of Death that rivals even the Bengt Ekerot of "The Seventh Seal." In short, a beautiful and poignant film like few we see. Not to be missed!
You've played together, endured the weather, for many years; but something's changed, you've been estranged, gears now sheared; the reason seems completely mad, you've not done anything that's bad, the situation's quite bizarre and very weird. So you persevere, keep holding out your hand, but all that does, is cause the flames, to be more fanned, out of spite your friend wont linger, raises more than a mid-finger, it's like you've been black balled, suppressed, banished and banned. More diplomacy results in loss and pain, while there's nothing to be won, you won't refrain, the lines have now been drawn, only one thing this will spawn, it's as avoidable, as it's stupid and insane.
Reflecting the friction and war taking place over the water, and the reasons for it, with four outstanding performances, although Barry Keoghan absolutely knocks it out of the park, a film to get you thinking about what it means to get along, and the repercussions when two tribes don't, even over the most trivial of torments.
Reflecting the friction and war taking place over the water, and the reasons for it, with four outstanding performances, although Barry Keoghan absolutely knocks it out of the park, a film to get you thinking about what it means to get along, and the repercussions when two tribes don't, even over the most trivial of torments.
I sat down prepared for an outstanding movie, what I got was nothing close to what I was expecting.
As my title states, the actors could not be faulted in any way, as I found them to be superb, having me hooked with their interactions. Colin Farrell with the most screen time simply shines, having me wish he were more prolific in projects. Brendan Gleeson also does a stellar job, as does Kerry Condon. Even the other minor characters were well written and very well acted by their respective actors. I can't think of a single actor who did a poor job, heck even the animals did a good job. Excellent cinematography as well.
However, while the dialogue was extremely well written, the script itself was somewhat lacking. I kept waiting for the payoff during the movie that simply never came, making me wonder what I just watched.
Go in for the acting and you will not be disappointed, however the overall story might let you down.
As my title states, the actors could not be faulted in any way, as I found them to be superb, having me hooked with their interactions. Colin Farrell with the most screen time simply shines, having me wish he were more prolific in projects. Brendan Gleeson also does a stellar job, as does Kerry Condon. Even the other minor characters were well written and very well acted by their respective actors. I can't think of a single actor who did a poor job, heck even the animals did a good job. Excellent cinematography as well.
However, while the dialogue was extremely well written, the script itself was somewhat lacking. I kept waiting for the payoff during the movie that simply never came, making me wonder what I just watched.
Go in for the acting and you will not be disappointed, however the overall story might let you down.
Colin Farrell Reunites With Brendan Gleeson
Colin Farrell Reunites With Brendan Gleeson
Colin Farrell and Brendan Gleeson talk about reuniting with writer/director Martin McDonagh 14 years after making dark comedy cult classic In Bruges for McDonagh's new film, The Banshees of Inisherin.
Você sabia?
- CuriosidadesColin Farrell had several incidents with animals during the shoot. Jenny, the miniature donkey, kicked him while he was hand-feeding her. Second, the dog portraying Brendan Gleeson's pet bit him. Thirdly, a horse leading a cart Farrell was in sat in tried to reverse the cart into the ocean.
- Erros de gravaçãoIn the first scene in Colm's cottage, an old phonograph with a horn is seen, and heard playing a record. The record is spinning at 33 1/3 RPM, instead of 78 RPM, which was the ONLY speed used to play records in the early 1920's. The slower speed was not used until LP records were introduced in the late 1940s.
- Citações
Priest: Do you think God gives a damn about miniature donkeys, Colm?
Colm Doherty: I fear he doesn't. And I fear that's where it's all gone wrong.
- ConexõesFeatured in CBC News: Toronto: Episode dated 16 September 2022 (2022)
- Trilhas sonorasThe Banshees of Inisherin
Written and Performed by Brendan Gleeson
Performances also include Conor Connolly, James Carty, and Ryan Owens
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Los espíritus de la isla
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 10.582.266
- Fim de semana de estreia nos EUA e Canadá
- US$ 184.454
- 23 de out. de 2022
- Faturamento bruto mundial
- US$ 50.250.625
- Tempo de duração
- 1 h 54 min(114 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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