Schmigadoon!

2 episodes watched so far.

Good pace, good jokes, good songs (most of them) and a "universe" that feels like it will be able to very well keep giving for a whole good season.

Not sure people who don't like musicals will find enough otherwise to keep them watching.

Lucky enough, you can just watch the first 10 minutes to find out.

I'll keep watching!

Was I a theater kid? Yes! And this show was just the kind of funloving meta musical sitcom my little musical soul needed. It's filled to the brim with great actors (and great singers), the songs are beautifully written and the story is different but still recognizable. If you don't like musicals, this probably isn't for you...But if you do, than OMG this is sooooo good... It does border on parodying the musical greats rather than pay homage, but I honestly don't mind.

The intelligence of this show is encased in the fact that it's unmistakably a musical with song and dance, and yet is also a parody of musicals. There may be a dark side that emerges only at the end of the first episode, but until that develops, it's a story filled with amusing ironies. Two of the songs in the first episode are clearly meant to resonate Rogers and Hammerstein musicals. The opening song is a riff on Oklahoma and another a riff on Carousel. But they are at one and the same time well-written and well-rehearsed numbers, and yet are funny because of their self-conscious acknowledgment that they are musicals. Hard to explain, perhaps, but you'll see what I mean when you watch. Parts are laugh out loud funny.

I'm here for keagen but it's pretty good I can't lie I was expecting to hate it.

Either you like musical theater or you don't. If you do, then Schmigadoon - the town and the series - is for you. If not, stay away. The musical parodies are clever, though obviously derivative; the production numbers are appropriately over the top. At a few moments, it's a little too cute and self-aware for its own good, but for the most part, don't ask why, just enjoy. As the couple trapped in a Broadway fantasy while trying to revive their flagging relationship, Keegan-Michael Key and Cecily Strong play their parts well, but the real standouts are Broadway veterans like Alan Cumming and Kristen Chenowitz playing it for all the Camp it's worth.

Halfway through, it's not hard to guess where this is likely going. Maybe there will be surprises, but even if it ends crossing that bridge hand in hand, it will more than enough fun.