AVALIAÇÃO DA IMDb
6,1/10
2,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA curious and lost Eleonore looks for something everywhere, even in the bags of strangers who find themselves sadly smiling only well after she's left their lives. They owe her their thanks.A curious and lost Eleonore looks for something everywhere, even in the bags of strangers who find themselves sadly smiling only well after she's left their lives. They owe her their thanks.A curious and lost Eleonore looks for something everywhere, even in the bags of strangers who find themselves sadly smiling only well after she's left their lives. They owe her their thanks.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 4 indicações no total
Avaliações em destaque
THE PLEASURE OF BEING ROBBED (dir. Joshua Safdie) A brash example of LoFi Mumblecore that presents an unapologetic look at a whimsical sociopath who believes that anything that strikes her fancy is hers for the taking. Elenore swipes everything from kittens to Volvos, and the film's uncomfortable message seems to be that her victims are only being blessed by her wonderfulness. Needless to say, it's nearly impossible for a rational viewer to rally round a character with such an extreme egocentric focus, yet the film might only be a sly cinematic valentine by director Joshua Safdie to articulate his feelings for the star of the film, Eleonore Hendricks.
You people just cant see the inner beauty of this film. Humanity can sometimes be a lonely thing. Eleanor (however you spell her name) appreciated everything she "stole". You could see the appreciation and connection she felt from the objects that she stole from other peoples lives. Hence the title of the film. Which is beautiful. And the cinematography was wonderful. The grain, the tightness of the shots, the cuts. I loved it. There really was no plot. It was mainly the character analysis that kept me watching. Just the spontaneity of her was so inspiring and I truly admire that. She was living and not just breathing. She was innocent as a child. Yes the things she did were not so innocent, but she had an innocence about her. There wasn't even any sex in the film just to further prove her innocence.
I just saw this at a university screening. After reading the reviews here, I wanted to add my response, too.
I thought this film was really moving. I think it goes a little way toward helping a viewer recognize the wild grip he or she places on things or expectations, and what's more amazing is that the logic of the film allows it to do this almost solely through humor and with a light touch. Many moments in the film are not that far from Gogol's Dead Souls or Tati's Hulot in their liveliness and scope.
At the very least, I'd recommend it to a friend--a thoughtful and surprising film.
I thought this film was really moving. I think it goes a little way toward helping a viewer recognize the wild grip he or she places on things or expectations, and what's more amazing is that the logic of the film allows it to do this almost solely through humor and with a light touch. Many moments in the film are not that far from Gogol's Dead Souls or Tati's Hulot in their liveliness and scope.
At the very least, I'd recommend it to a friend--a thoughtful and surprising film.
I saw this film at Cannes twice and I can't seem to either get away from it or get it out of my mind. I keep thinking about the surface nature of the main character Eleonore in the beginning and throughout. But what is crazy is she knows it.
It is not that she is annoying. I Think it is sad to see someone hide their true emotions. She smiles and you wonder why is she smiling, It is uncomfortable to be in the room. These are negative qualities and that is why they are on film (and yes beautiful 16 mm, finally!). They are just an exaggerated type of personality that forces us to see what we all sometimes fall victim too, too big a self-conscience.
She is a great thief, but she is not really stealing. She just wants to learn more about people because she is afraid, or unwilling, to say hello in a genuine way.
At times I didn't like her but so what? Film is not about feeling comfortable, it is about thinking about how you can change parts of yourself. When I didn't like her or what she is doing, I asked myself why? And that is what I liked. I liked also seeing the other people in New york who don't have her problem. Heck, there is a guy walking around saying how beautiful everything is. And wait, here we see her wonder what that life might be like. Also, when she listens to the trumpet playing, I Thought how sad, she realizes her faults. Sometimes you can't change them (Having been in therapy I should know, haha).
Thanks for showing me the pains of holding back, and the beauty of letting it out.
It is not that she is annoying. I Think it is sad to see someone hide their true emotions. She smiles and you wonder why is she smiling, It is uncomfortable to be in the room. These are negative qualities and that is why they are on film (and yes beautiful 16 mm, finally!). They are just an exaggerated type of personality that forces us to see what we all sometimes fall victim too, too big a self-conscience.
She is a great thief, but she is not really stealing. She just wants to learn more about people because she is afraid, or unwilling, to say hello in a genuine way.
At times I didn't like her but so what? Film is not about feeling comfortable, it is about thinking about how you can change parts of yourself. When I didn't like her or what she is doing, I asked myself why? And that is what I liked. I liked also seeing the other people in New york who don't have her problem. Heck, there is a guy walking around saying how beautiful everything is. And wait, here we see her wonder what that life might be like. Also, when she listens to the trumpet playing, I Thought how sad, she realizes her faults. Sometimes you can't change them (Having been in therapy I should know, haha).
Thanks for showing me the pains of holding back, and the beauty of letting it out.
I've seen a lot of terrible reviews about this movie, and I don't really understand why. It's not a terrible movie for the masses, it fits a select few tastes.
If you like Sofia Coppola type films, realistic feel without begin reality or a fake documentary, than you will probably like this one. Don't go into it expecting an amazing plot line, and a twist ending, because than you will be disappointed.
I think the cinematography was done beautifully. They got the right, and the wrong angles, in all the right ways. You almost feel as you are following her around and getting a real time look into someone else's life.
I don't want to give too much away, but I would give the movie a chance before you decided to hate it. Watch the trailer - so you get the basic idea of what kind of film it is.
If you like Sofia Coppola type films, realistic feel without begin reality or a fake documentary, than you will probably like this one. Don't go into it expecting an amazing plot line, and a twist ending, because than you will be disappointed.
I think the cinematography was done beautifully. They got the right, and the wrong angles, in all the right ways. You almost feel as you are following her around and getting a real time look into someone else's life.
I don't want to give too much away, but I would give the movie a chance before you decided to hate it. Watch the trailer - so you get the basic idea of what kind of film it is.
Você sabia?
- CuriosidadesOriginally conceived as a short film advertising Kate Spade handbags.
- ConexõesReferenced in The Spirited Man: Kickstarter (2021)
- Trilhas sonorasPannonica
Written and Performed by Thelonious Monk
Courtesy of Columbia Records
By Arrangement with Song BMG Music Entertainment
Publishing rights courtesy of BMI Thelonious Music Inc.
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- How long is The Pleasure of Being Robbed?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Pleasure of Being Robbed
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 10.687
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.720
- 5 de out. de 2008
- Faturamento bruto mundial
- US$ 31.823
- Tempo de duração1 hora 11 minutos
- Cor
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