AVALIAÇÃO DA IMDb
6,9/10
72 mil
SUA AVALIAÇÃO
Em Bodeen, Texas, uma desajustada amante do rock encontra uma forma de lidar com a miséria das pequenas cidades após descobrir uma liga de roller derby na vizinha Austin.Em Bodeen, Texas, uma desajustada amante do rock encontra uma forma de lidar com a miséria das pequenas cidades após descobrir uma liga de roller derby na vizinha Austin.Em Bodeen, Texas, uma desajustada amante do rock encontra uma forma de lidar com a miséria das pequenas cidades após descobrir uma liga de roller derby na vizinha Austin.
- Prêmios
- 8 indicações no total
Elliot Page
- Bliss Cavendar
- (as Ellen Page)
Douglas Minckiewicz
- Colby
- (as Doug Minckewicz)
Avaliações em destaque
Great watch, would watch again, and can recommend.
I've actually been to some of the Austin locations and seen that roller rink: it's a pretty cool place with a powerful vibe to the room.
I've really had enough of pagentry, it just feels very boring, so maybe it was the perfect way to start this movie. It's a very cliche "I don't want your life" beginning, but grounding the establishing act in that foundation really takes us on a journey of growth in this "finding of self" (possibly a "coming of age", but no really) story. When something grabs our interests, even on a weird flyer, or a pair of skates, we should pay attention, and the smaller the thing is that calls out to you, the more you should pay attention.
Roller derby is a bad ass little sport, and maybe "no one gets famous" or "successful" from it, but it looks fun and I'm sure the people that do it love it. While the roller derby aspect is great, and the romantic plot lines are good, and the best friend angle is really good (just realizing how multi-threaded this movie actually is), it is the self discovery, the character growth of Bliss (thanks to Ellen Page's powerful delivery) of being a person that we can barely hear, to being someone how is able to yell for what she wants, delivery a hit, and be a literal poster child.
The movie honestly makes me envious: while I'd like to be an attractive tough girl, sure, to find a passion while you still have time to enough to enjoy it, to find people to guide and support that passion, and then compete and find adversity from people twice your age is an amazing thing all to itself.
I'll never be a "roller derby girl", but I know I can always come live vicariously through this movie.
I've actually been to some of the Austin locations and seen that roller rink: it's a pretty cool place with a powerful vibe to the room.
I've really had enough of pagentry, it just feels very boring, so maybe it was the perfect way to start this movie. It's a very cliche "I don't want your life" beginning, but grounding the establishing act in that foundation really takes us on a journey of growth in this "finding of self" (possibly a "coming of age", but no really) story. When something grabs our interests, even on a weird flyer, or a pair of skates, we should pay attention, and the smaller the thing is that calls out to you, the more you should pay attention.
Roller derby is a bad ass little sport, and maybe "no one gets famous" or "successful" from it, but it looks fun and I'm sure the people that do it love it. While the roller derby aspect is great, and the romantic plot lines are good, and the best friend angle is really good (just realizing how multi-threaded this movie actually is), it is the self discovery, the character growth of Bliss (thanks to Ellen Page's powerful delivery) of being a person that we can barely hear, to being someone how is able to yell for what she wants, delivery a hit, and be a literal poster child.
The movie honestly makes me envious: while I'd like to be an attractive tough girl, sure, to find a passion while you still have time to enough to enjoy it, to find people to guide and support that passion, and then compete and find adversity from people twice your age is an amazing thing all to itself.
I'll never be a "roller derby girl", but I know I can always come live vicariously through this movie.
I attended the World Premiere of "Whip It" at the 2009 Toronto International Film Festival. This is quite an impressive directorial debut for Drew Barrymore (who also stars).
Barrymore works with a Shauna Cross script (based on her own novel Derby Girl) and an all-star cast featuring Ellen Page, Marcia Gay Harden, Daniel Stern, Kristen Wiig, Landon Pigg, Jimmy Fallon, Eve, and Juliette Lewis.
Page is Bliss Cavendar, whose mother (Harden) sees her daughter in gowns and crowns as she continues the family tradition of winning beauty pageant trophies. But Bliss' chance encounter with a group of roller skating girls plants other ideas in her head. Austin, Texas happens to host a roller derby league, it's not too far away, and Bliss finally sees a way out of her town (and gown). This sets up a family confrontation that is the stuff of classic coming-of-age stories.
The film starts out slow then whips into action, its brilliant ensemble cast hitting its stride and functioning like a winning roller derby team (without the bruises). Then just when you think "Whip It" is headed into sports rom-com cliché territory, surprising twists keep it original and refreshing. But despite the multitude of talented actors, Page clearly carries the film on her diminutive shoulders and is easily in control of the material.
Production values are naturally first rate, with a vivid color palette and in-your-face costumes that are occasionally (and appropriately) over the top. Cinematographer Robert D. Yeoman and editor Dylan Tichenor work perfectly in sync by reflecting both the snail's pace of Bliss' home life vs. the secret one that flies on wheels around the Austin track. Camera-work places the viewer directly into the action. Despite having been filmed primarily in Michigan (due to favorable tax credits) the Austin scenes are prominent, placing its landmarks in a warm, affectionate light. One benefit of a big budget is the ability to purchase music rights, and the result is a killer soundtrack that will have the audience singing along. Be sure to stay for the second of the two closing credits songs, the best ever cover of one of the greatest rock 'n roll love songs of all time, The Association's "Never My Love." Fox Searchlight scores again with Ellen Page, just like they did in 2007 with "Juno." Unlike that (at the time) dark horse, this is no little indie. This is classic Hollywood comedy. "Whip It" is another crowd pleaser to add to this year's must-see list.
Barrymore works with a Shauna Cross script (based on her own novel Derby Girl) and an all-star cast featuring Ellen Page, Marcia Gay Harden, Daniel Stern, Kristen Wiig, Landon Pigg, Jimmy Fallon, Eve, and Juliette Lewis.
Page is Bliss Cavendar, whose mother (Harden) sees her daughter in gowns and crowns as she continues the family tradition of winning beauty pageant trophies. But Bliss' chance encounter with a group of roller skating girls plants other ideas in her head. Austin, Texas happens to host a roller derby league, it's not too far away, and Bliss finally sees a way out of her town (and gown). This sets up a family confrontation that is the stuff of classic coming-of-age stories.
The film starts out slow then whips into action, its brilliant ensemble cast hitting its stride and functioning like a winning roller derby team (without the bruises). Then just when you think "Whip It" is headed into sports rom-com cliché territory, surprising twists keep it original and refreshing. But despite the multitude of talented actors, Page clearly carries the film on her diminutive shoulders and is easily in control of the material.
Production values are naturally first rate, with a vivid color palette and in-your-face costumes that are occasionally (and appropriately) over the top. Cinematographer Robert D. Yeoman and editor Dylan Tichenor work perfectly in sync by reflecting both the snail's pace of Bliss' home life vs. the secret one that flies on wheels around the Austin track. Camera-work places the viewer directly into the action. Despite having been filmed primarily in Michigan (due to favorable tax credits) the Austin scenes are prominent, placing its landmarks in a warm, affectionate light. One benefit of a big budget is the ability to purchase music rights, and the result is a killer soundtrack that will have the audience singing along. Be sure to stay for the second of the two closing credits songs, the best ever cover of one of the greatest rock 'n roll love songs of all time, The Association's "Never My Love." Fox Searchlight scores again with Ellen Page, just like they did in 2007 with "Juno." Unlike that (at the time) dark horse, this is no little indie. This is classic Hollywood comedy. "Whip It" is another crowd pleaser to add to this year's must-see list.
Drew Barrymore created a stunning film with Shauna Cross's script, and you would never know it was her first time directing. The characters and story are so well crafted and there's never a dull moment.
I love the way this movie feels nostalgic and makes you remember that time in your life where you're trying to figure out who you are, and you have that one best friend that gets you through the tough times. I'm impressed by the actresses' skating abilities and making this all look so natural to them. Marcia Gay Harden is total perfection as Bliss Cavendar's mother, bringing such a realness to her character, and Ellen Page and Alia Shawkat have realistic chemistry that pulls you into their friendship.
This isn't a raunchy movie and I find it totally enjoyable. I can watch this movie over and over and I never get sick of it - it's become a classic for sure!
Likable" could be seen as a lukewarm compliment for a film. "Cute" could even be a backhanded pit-down. But this film is likable and cute in a very good way.
The story of an off-beat 17 year old, well played by Ellen Page, finding herself by secretly joining the roller derby in Austin, Texas may be clichéd on the surface, but the lovely character detail and successfully offbeat casting make the film a quirky, likable winner.
Not a great film, nor an "important" one, but one I enjoyed and was never bored by. And at a time where most Hollywood "entertainment" centers around blowing stuff up, its nice to see a mainstream film with rich characters and a big heart.
The story of an off-beat 17 year old, well played by Ellen Page, finding herself by secretly joining the roller derby in Austin, Texas may be clichéd on the surface, but the lovely character detail and successfully offbeat casting make the film a quirky, likable winner.
Not a great film, nor an "important" one, but one I enjoyed and was never bored by. And at a time where most Hollywood "entertainment" centers around blowing stuff up, its nice to see a mainstream film with rich characters and a big heart.
Drew Barrymore's directorial debut is a little gem. It could have been called Juno on Skates, such are the comparisons, but that is not necessarily a bad thing. Sure, Bliss Cavendar is almost identical to Juno MacGuff (and not just because Ellen Page plays them both), it follows a similar 'finding oneself' story arc, there are eccentric yet lovable parents and it prides itself on the unique dialogue flowing throughout; however Whip It has something up its sleeve to give it its own recognisable edge – roller-derby. Fun doesn't come any thicker, faster or sillier than roller-derbying. Barrymore understands this and appropriately places the underground sport front and centre. The editing is occasionally too quick meaning you can't always see what is going on, but you are caught up in the atmosphere so much it doesn't really matter.
Beneath the action is a coming-of-age tale that wears its heart on its sleeve and bears all. Despite being slightly predictable and clichéd, real life roller-derby competitor Shauna Cross' screenplay (adapted from her own book) makes up for it with razor-sharp dialogue ("I can grow the balls") and genuinely intriguing characters. Not to mention the comedy littered throughout; never laugh-out-loud moments but you'll be chuckling from start to finish. The romance subplot could have been left out though, it doesn't hold your interest like the other story elements and feels slightly unnecessary.
Undeniably cute once again, Ellen Page stamps her A-list spot with another splendid, oddly appealing performance. Page's serious acting chops are matched by her superb comic timing as she proves that she is one of the finest young actors coming through today. The huge supporting cast is letdown by no-one; Kristen Wiig the pick of the bunch, her deadpan humour is hilarious and she is surely another actress we will see more of in the future. A special mention to Marcia Gay Harden and Daniel Stern as well, they play Bliss' old folks with warmth and likability, never allowing them to become the typical misunderstanding parents you often find in these movies.
A laugh-a-minute affair with a bigger than average heart. Throw in a terrific little indie soundtrack and you have yourself a must-see movie.
4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
Beneath the action is a coming-of-age tale that wears its heart on its sleeve and bears all. Despite being slightly predictable and clichéd, real life roller-derby competitor Shauna Cross' screenplay (adapted from her own book) makes up for it with razor-sharp dialogue ("I can grow the balls") and genuinely intriguing characters. Not to mention the comedy littered throughout; never laugh-out-loud moments but you'll be chuckling from start to finish. The romance subplot could have been left out though, it doesn't hold your interest like the other story elements and feels slightly unnecessary.
Undeniably cute once again, Ellen Page stamps her A-list spot with another splendid, oddly appealing performance. Page's serious acting chops are matched by her superb comic timing as she proves that she is one of the finest young actors coming through today. The huge supporting cast is letdown by no-one; Kristen Wiig the pick of the bunch, her deadpan humour is hilarious and she is surely another actress we will see more of in the future. A special mention to Marcia Gay Harden and Daniel Stern as well, they play Bliss' old folks with warmth and likability, never allowing them to become the typical misunderstanding parents you often find in these movies.
A laugh-a-minute affair with a bigger than average heart. Throw in a terrific little indie soundtrack and you have yourself a must-see movie.
4 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
Você sabia?
- CuriosidadesThe Manson Sisters were played by Rachel Piplica and Kristen Adolfi--better known as Iron Maven and Krissy Krash of the Los Angeles Derby Dolls. The pair skated for the Hurl Scouts in the film and, in real life, skate for the Tough Cookies, the team on which the Scouts were based.
- Erros de gravaçãoIn the final bout scenes, a row of "dummies" watch the bout instead of actual people. The "dummies" are mixed in with the actual crowd but due to editing the row of "dummies" was not edited out.
- Citações
Bliss Cavendar: We deserve better villains.
- Cenas durante ou pós-créditosBloopers run during closing credits.
- Trilhas sonorasKnocked Up
Written by Caleb Followill, Nathan Followill, Jared Followill and Matthew Followill
Performed by Kings of Leon
Courtesy of The RCA Records Label and The RCA/Jive Label Group
A unit of Sony Music Entertainment
By Arrangement with Sony Music Licensing
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Chicas Sin Freno
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.043.363
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.650.812
- 4 de out. de 2009
- Faturamento bruto mundial
- US$ 16.691.303
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
- 2.39 : 1
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