Uma jovem é mantida em um abrigo subterrâneo por um homem que insiste que um evento hostil deixou a superfície da Terra inabitável.Uma jovem é mantida em um abrigo subterrâneo por um homem que insiste que um evento hostil deixou a superfície da Terra inabitável.Uma jovem é mantida em um abrigo subterrâneo por um homem que insiste que um evento hostil deixou a superfície da Terra inabitável.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 16 vitórias e 48 indicações no total
Avaliações em destaque
It had been a good many years since watching Cloverfield, and upon watching the trailer for 10 Cloverfield Lane, I had a pretty solid idea of how this new movie was going to pan out. Now maybe this trailer only showed in Europe or perhaps even just Britain where I'm from, because I can't for a moment believe that people didn't expect exactly what was going to happen after watching the 3 minutes of footage? The twist was given away. The plot spoiled. Anyone with half a brain could've deduced the entirety of the story from the trailer.
So, saying that, I knew what to expect. I went into watching the movie with a pretty strong idea of what was going to happen- and I wasn't far off.
The first 3 quarters of this movie is one movie in itself, and the last quarter is an entirely different one. So far from one another in terms of genre that even despite knowing what was going to happen, I was still stunned by the total change.
The first 3/4 is, honestly, extremely well done. John Goodman portrays such a convincing creepiness and terrifying instability that I found my skin crawling in almost every scene he was in. He completely steals the movie for me. And thank God, because without him I don't think there would be much to hold it up. The psycho-thriller element to this movie is fantastic. If it had remained solely within that genre, I think you'd be working with a solid 9/10.
But the ending just sours it for me. Expected, but not enjoyable. Cool CGI and action is great in itself but after a buildup of drama and tension and claustrophobic social interactions, it just feels odd and misplaced.
All in all, a great movie that's thoroughly worth watching- but I feel the sharp deviation at the end will either confuse and disappoint, or be a snippet of excitement that isn't nearly satisfying enough.
So, saying that, I knew what to expect. I went into watching the movie with a pretty strong idea of what was going to happen- and I wasn't far off.
The first 3 quarters of this movie is one movie in itself, and the last quarter is an entirely different one. So far from one another in terms of genre that even despite knowing what was going to happen, I was still stunned by the total change.
The first 3/4 is, honestly, extremely well done. John Goodman portrays such a convincing creepiness and terrifying instability that I found my skin crawling in almost every scene he was in. He completely steals the movie for me. And thank God, because without him I don't think there would be much to hold it up. The psycho-thriller element to this movie is fantastic. If it had remained solely within that genre, I think you'd be working with a solid 9/10.
But the ending just sours it for me. Expected, but not enjoyable. Cool CGI and action is great in itself but after a buildup of drama and tension and claustrophobic social interactions, it just feels odd and misplaced.
All in all, a great movie that's thoroughly worth watching- but I feel the sharp deviation at the end will either confuse and disappoint, or be a snippet of excitement that isn't nearly satisfying enough.
To describe 10 Cloverfield Lane in one word: Genreless.
I won't say much about the film as I'm a strong believer of going in blind, but I will say that the performances, writing, and cinematic pacing worked perfectly together to create a truly unique film.
I loved watching it, and the moments of comedy sprouting up throughout made the duality between light-hearted humanity and dark confusion work perfectly together. I would give the Titles and Credits 10/10 as well, because they were just so damn fantastic and fresh and reminded me that titling is an art form like any other in the cinematic Genre. If you enjoy good film, you will enjoy 10 Cloverfield Lane.
I won't say much about the film as I'm a strong believer of going in blind, but I will say that the performances, writing, and cinematic pacing worked perfectly together to create a truly unique film.
I loved watching it, and the moments of comedy sprouting up throughout made the duality between light-hearted humanity and dark confusion work perfectly together. I would give the Titles and Credits 10/10 as well, because they were just so damn fantastic and fresh and reminded me that titling is an art form like any other in the cinematic Genre. If you enjoy good film, you will enjoy 10 Cloverfield Lane.
10 Cloverfield Lane gives all the development and the meaningful story that its blood relative installment lacked completely. This is not a spectacle full of screams and special effects. This is a spectacle of tension and suspense of epic proportions. This is a really feel-bad movie at certain points.
First of all, you have to take the leap of faith and go ahead watching without knowing anything of the plot. Don't worry because all the teasers doesn't reveal anything important, but don't try to search information. If everything were that easy, even Hitchcock or Nolan movies would lose all interest.
I was extremely hooked since the furious start to the eye popping and surprising finale. The direction is amazing and claustrophobic. The performances are great, looking up to a surprising Winstead and a unrestrained unforgettable turn by Goodman. The story is gleefully unapologetic delivering chills and full blooded twists (the biggest of all is the intense ending reveal) even thought it deviates from the monster POV storyline.
Secretly made, impeccably marketed, nicely developed and finally here along with us: 10 Cloverfield Lane promised thrills and delivered it and then some. I was expecting some things that I tasted but I was surprised by a complexity and a twisted sense of horror that I didn't see coming. 2016 has released the very first great movie of the year.
First of all, you have to take the leap of faith and go ahead watching without knowing anything of the plot. Don't worry because all the teasers doesn't reveal anything important, but don't try to search information. If everything were that easy, even Hitchcock or Nolan movies would lose all interest.
I was extremely hooked since the furious start to the eye popping and surprising finale. The direction is amazing and claustrophobic. The performances are great, looking up to a surprising Winstead and a unrestrained unforgettable turn by Goodman. The story is gleefully unapologetic delivering chills and full blooded twists (the biggest of all is the intense ending reveal) even thought it deviates from the monster POV storyline.
Secretly made, impeccably marketed, nicely developed and finally here along with us: 10 Cloverfield Lane promised thrills and delivered it and then some. I was expecting some things that I tasted but I was surprised by a complexity and a twisted sense of horror that I didn't see coming. 2016 has released the very first great movie of the year.
I'm probably in the minority, but I disliked Cloverfield ... intensely! So many of these found footage films as far as I'm concerned, are just an invitation to watch someone's tarted-up home movie. Their producers/directors should be commended for being excellent marketing strategists in being able to convince punters to part with their hard-earned, to watch some (generally) cheap, tacky B feature. Cloverfield was no exception.
However in a significant turnaround, I'm happy to report that the Cloverfield's "blood relative" (according to JJ Abrams) is a much better production and a far more interesting story, than its predecessor. Technically speaking 10 CL is streets ahead, with the found footage format dispensed with and a small, but very professional cast employed in telling the story of 3 people dealing (not always on a voluntary basis) with life adjustments in a world affected by the events at the end of Cloverfield.
The cast were uniformly good with Mary Elizabeth Winstead as Michelle and John Goodman as Howard being the obvious lynchpins. Knowing virtually nothing about the storyline going into the film (apart from it having some vague relationship with Cloverfield), I have to admit I was pretty much hooked by the unfolding series of events affecting Michelle pretty early on. And as both her seemingly sometime antagonist and ally, Goodman's Howard is the perfect physical contrast. But very pleasing to see another independently resiliant and strong female lead character being featured in such a surprisingly entertaining and thrilling sequel as 10 CL turns out to be.
Much has been commented about the film's climax. I have to admit to some ambivalence. This is where the relationship to the earlier film is given some clarification, whilst overtly setting up the stage for a later episode. Still rejoicing over the absence of found footage, I guess I could just about accept anything thrown up by the producers. I will admit to some disappointment in that the events are clearly played out in real time, with Michelle emerging from the shelter at what is clearly the beginnings of dusk. For some reason an unlikely darkness then overwhelms the setting within about a minute of screen time and with the subsequent taking up of hand-held cameras, the action suddenly becomes more difficult to discern. Though I was still somewhat relieved, I can understand how others may have experienced some disappointment.
I'll admit to looking forward to the next instalment and even perhaps girding my loins and giving the original another watch, just to see again how well (if at all) it sets up this story.
However in a significant turnaround, I'm happy to report that the Cloverfield's "blood relative" (according to JJ Abrams) is a much better production and a far more interesting story, than its predecessor. Technically speaking 10 CL is streets ahead, with the found footage format dispensed with and a small, but very professional cast employed in telling the story of 3 people dealing (not always on a voluntary basis) with life adjustments in a world affected by the events at the end of Cloverfield.
The cast were uniformly good with Mary Elizabeth Winstead as Michelle and John Goodman as Howard being the obvious lynchpins. Knowing virtually nothing about the storyline going into the film (apart from it having some vague relationship with Cloverfield), I have to admit I was pretty much hooked by the unfolding series of events affecting Michelle pretty early on. And as both her seemingly sometime antagonist and ally, Goodman's Howard is the perfect physical contrast. But very pleasing to see another independently resiliant and strong female lead character being featured in such a surprisingly entertaining and thrilling sequel as 10 CL turns out to be.
Much has been commented about the film's climax. I have to admit to some ambivalence. This is where the relationship to the earlier film is given some clarification, whilst overtly setting up the stage for a later episode. Still rejoicing over the absence of found footage, I guess I could just about accept anything thrown up by the producers. I will admit to some disappointment in that the events are clearly played out in real time, with Michelle emerging from the shelter at what is clearly the beginnings of dusk. For some reason an unlikely darkness then overwhelms the setting within about a minute of screen time and with the subsequent taking up of hand-held cameras, the action suddenly becomes more difficult to discern. Though I was still somewhat relieved, I can understand how others may have experienced some disappointment.
I'll admit to looking forward to the next instalment and even perhaps girding my loins and giving the original another watch, just to see again how well (if at all) it sets up this story.
10 Cloverfield Lane was a good movie, and definitely one I'd recommend. Was I disappointed I didn't view it in the theater? No. 10 Cloverfield Lane was a good late night movie full of some surprising twists. The plot and pacing of the movie were very well done, but I felt the end and some character arcs lacked a bit in detail. So to finish things off, I decided to give 10 Cloverfield Lane a "Good" on theVade Review Bar or an 7 out of 10. It's worth renting, but not a buy in my opinion.
Read more at theVade.
Read more at theVade.
Você sabia?
- CuriosidadesBradley Cooper: Provided the voice of Michelle's fiancé, Ben, on her cellphone. J.J. Abrams reached out to Cooper, who he first met on Alias: Codinome Perigo (2001), to record the brief phone call. Cooper recorded the audio on his phone, sent the file to Abrams, and the entire process was completed without the pair speaking to each other about it at all outside of text messages.
- Erros de gravaçãoWhen running from Howard before escaping the bunk, Michelle is bare-foot. She goes into her room to collect the "hazmat suit" and we see her boots on the floor there, but she leaves the room still bare-foot. Moments later, when she climbs on the table to go into the air-ventilation opening, she has those boots on.
- ConexõesFeatured in Super Bowl 50 (2016)
- Trilhas sonorasI Think We're Alone Now
Written by Ritchie Cordell
Performed by Tommy James and Tommy James & The Shondells
Courtesy of Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
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- What is '10 Cloverfield Lane' about?
- What is this film's relation to 'Cloverfield'?
- Is the film handheld like the first?
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Avenida Cloverfield 10
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 72.082.998
- Fim de semana de estreia nos EUA e Canadá
- US$ 24.727.437
- 13 de mar. de 2016
- Faturamento bruto mundial
- US$ 110.216.998
- Tempo de duração1 hora 43 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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