Atividade Paranormal

Paranormal Activity (R, 1:29) — Fantasy: Supernatural, bargain basement, original

"Significance" is one of several dimensions I use to categorize SF&F films. It refers to the amount of resources — writing, acting, sets, costumes, effects, promotion, etc. — thrown into any particular movie, and I drop things into 4 pigeonholes: biggie, 2nd string, 3rd string, and bargain basement.

Earlier this week I put The Age of Stupid into the last of these (movies that could have been made in somebody's basement), but Paranormal Activity is even basementier. In fact, compared to its siblings, The Blair Witch Project and Cloverfield, it may be the basementiest feature film ever released. You could make 10 of these for what Transformers probably blew on latex alone.

But that brings us to the "bargain" part. Dollar for dollar, you get about a zillion times more entertainment out of Paranormal Activity than you do out of even good blockbusters like Iron Man, let alone such overblown, overfrenetic, overloud crap as Transformers.

The movie is set entirely in a single house and features only 2 actors, both nonentities, aside from fleeting appearances by a couple of equally unknown supporting actors. It's all filmed with a consumer video camera, and much of the film is devoted to what that camera, mounted on a tripod in the young couple's bedroom, captures on its ultra-low-light setting as they sleep each night away for 2 weeks in late 2006.

As we learn in the opening sequence, it's a pretty expensive camera, and Katie Featherston (playing a character of the same name) is fretting over the cost, but her boyfriend, Micah Sloat (ditto), assures her that he makes that much money in a single morning. It develops that she's an English-lit student and he's a day trader.

Of more interest is why they acquired this geeky gizmo. Katie's been haunted by strange apparitions at least since she was 8 years old, and at the beginning Micah is humoring her by indulging his penchant for guy toys with a view toward capturing some of her more recent paranormal visitations on audio and video. He's pretty skeptical, but soon enuf weird poltergeistic effects start showing up on tape, just tiny little things, but inexplicable, and gradually he dials down the scoffing and (honest, well earned) chuckles and starts thinking this is "cool" (and, we are left to infer, possibly profitable). Katie, meanwhile, gets increasingly jittery and frightened. Neither is sleeping well, and they start snapping at each other, followed by regrets and reassurances.

The dialog and performances are absolutely, totally, 100% realistic. Katie and Micah behave and talk exactly as you would expect of any happy young couple. Nothing is forced or artificial. The film completely avoids all horror-movie clichés. No cats jump at you out of the dark. Every time they flip a switch, the lights reliably come on. There are none of those cheap tricks where you see a character all alone in a wide-angle shot, then cut to a close-up as a hand appears out of nowhere from behind. In fact, almost all the shots are long, fixed- camera, wide-angle perspectives, and you can see exactly what's going on at all times (including the time stamp in the lower right corner).

All of which make this the kind of movie that I'm always hoping for — an original story, well told, effective, using believable characters and, at least in this case, not needing a huge budget to get the job done.

Since I saw it the same day as Pandorum (3), with its seizure-inducing stroboscopic credits, I must also say a good word about the closing credits for Paranormal Activity: 3 minutes of total black screen. True to the producers' conceit, they maintain the illusion of documentarihood to the very end.

Dearest readers, a film like this has not come along since The Exorcist. After listening to all the hype, and following this film until 2007 you could say I knew a lot about this little film. Nothing could prepare me for the climatic, scary ass situations that the cast and crew put on celluloid. Yes, my friends, it really is a scary movie.

I won't tell you what it's about because by this point you should already know that. What I want to tell you is how great this film really is.

Director Peli has succeeded in creating a masterpiece with little money and simple theme park haunted house gags. He does something that Hitchcock did so well in his prime-he creates a level of suspense so intense that the smallest sound makes your heart jump.

That, is great film-making, because it is made with an educated audience in mind. He doesn't cater to the general public he gives film lovers what they want and he gives it to them hard.

Don't go to this for gore. Don't go to this for Hollywood crap. Don't go to this with your kids under 15. Most importantly....don't go to this...alone.

I just saw this tonight and I'm positive I won't have any trouble sleeping. I find it hard to believe that there was so many people positively terrified after seeing this movie. It wasn't a bad movie, but it wasn't scary. There was a certain amount of suspense, I suppose, but I kept watching in hopes that something really frightening would happen. I think the actor and actress who played Micha and Katie were excellent. The characters were well developed. At a certain point, Micha was aggravating the hell out of me. I understood his motives for certain behaviors, but still, there were times I just wanted to smack him. The ending was interesting and not really expected. I just didn't think it was scary. This movie comes off more of a psychological thriller than a horror movie. Too be honest, I can't even remember the last horror movie that really frightened me. Anyway, I don't think I'd recommend the the price of a movie ticket to see this, but it's worth a look when it comes on cable. Maybe it's worth a rental fee. Perhaps I was expecting too much after all the advertisements and (so called?) testimonials to its scariness.

Katie and Micah move into their new home, but instead of domestic bliss, the couple share several sleepless nights, prompting them to set up cameras during the night. The nights become more and more eventful.

I didn't exactly fall in love with this film when it was first released, people were apparently collapsing with fear in the cinemas, I never bought that, I didn't find it scary, looking back, I find it original.

It always felt as though the found footage genre took off after, and because of this film, not my favourite type of film, but I can appreciate what went on behind the scenes here.

I actually think the followups did a better job with scares, they took it much further, but when it came to originality, this one is the winner.

Later films seem more scripted, and are definitely more heavily produced, this one feels a lot more raw, more naive in a way, that's where this film's charm comes from, that and the snappy running time.

7/10.

I was fortunate to see this film about a year ago, and have become curious as to why it still has not seen the light of day. A little research has indicated it still might.

The storytelling here is simple but also inspired. Young couple Katie and Micah plan to film their home at night while sleeping in hopes of capturing evidence of a ghost that seems to haunting them, or more precisely Katie, since this is not the first time she has experienced these type of visitations. We watch the footage of the young couple sleeping and gradually things do start to happen. Katie and Micah also film themselves discussing the situation, a visit from a spiritualist, and a few other random moments. Doesn't sound like much, right? Or that it could possibly be the slightest bit scary. Well, Oren Peli's little indie film is everything a scary movie should be. In other words, it is indeed very scary.

Peli accomplishes the improbable through utilizing tension, character and imagination. The found footage concept used in the movie, a la "Blair Witch", "Cloverfield" and the recent "Quarantine", is perhaps slightly more effective in this situation. It's usually a still camera with things sometimes occurring just beyond what we can see. The result is a heightened sense of reality and a greater sense of dread as to what those sounds could be. We've all been there. We here a noise out in the dark and are frightened by the unknown. Peli seems to understand this greatly and uses it to great effect. When the camera does move it is often done slowly, perhaps in an effort to avoid the shaky-cam effect, but it also helps create greater tension.

But perhaps the one element most important to this film's success is the performance by Katie Featherston. In the beginning we meet a sweet young woman who has concerns about what could be happening to her. Perhaps a metaphor for fears regarding her relationship with Micah and their new home. As we approach the final scenes, Katie has been reduced to a person on the verge of a nervous breakdown, and we are deeply concerned for her well being. Each night as our young couple goes off to sleep we experience a deeper and greater dread that something bad is going to happen, and we don't like it. It helps that Ms. Featherston is an unknown (it's difficult to imagine caring this way about a recognizable actor) but her ability to create a believable and sympathetic character is remarkable and turns an effective thriller into something extraordinary.

It's not often that a movie will truly have me on the edge of my seat. Watching it I was reminded of those days long ago when I first saw "The Exorcist", "Halloween" and "Alien"; movies that have stayed with me over time as moments spent in a theatre genuinely frightened. It doesn't happen that often anymore, movies are either too gimmicky or too unbelievable or too music video flashy to get to me. But a little movie made with no money and no special effects did. To the cast and crew of "Paranormal Activity" - Thank you!

p.s. with regards to the future of this movie, the latest news is that it will be released and not remade as earlier planned. No idea when that will happen, but I'm keeping my fingers crossed that this special little film doesn't get left on a shelf.