Distante nós Vamos

I am a fan of good comedies and independent smaller movies that are not about action and flashy special effects (which I also enjoy) but about looking closely at the characters, exploring the lives and desires of the ordinary people, and finding kindness, love, and gentle humor in every day situations. I like to follow the sympathetic characters on the journey of self-discovery and in search for the perfect place for them to live - just like the couple in Sam Mendes' comedy "Away We Go" 2009). Burt (John Krasinski) and Verona (Maya Rudolph) are 30-something educated, independent, intelligent, and what is quite unusual in the modern movies, truly loving each other unmarried couple who have been together for years and expecting their first child. The movie takes them on the road trip all around America. They leave Denver after having found out that Burt's cheerful and self-absorbed parents (Catherine O'Hara and Jeff Daniels) who live close by will be moving out of country to spend two years in Antwerp, Belgium and wont'be present at their grandchild's birth.

Burt and Verona will be visiting friends and relatives in Phoenix, Tucson, Madison, Montreal, and Miami trying to find the perfect place to raise their daughter and to be with the soul-mates. Sounds like a perfect independent comedy and fun, and I was ready to love it. After I finished watching, I see that it was supposed to be funny and touching, personal and realistic, subtle and offbeat, and it sure was at times but it did not completely succeed for me. I think it tried too hard. I found some of the characters not realistic and funny but obnoxious over the top cardboard figures, and some jokes felt awkward. The film looks nice - Sam Mendes has a good eye for American beauty and he brings it it in every film he has made, and Away We Go is not en exception.

Two main characters, expecting parents Burt and Verona as played by John Krasinski and Maya Rudolph are believable and likable even if not always interesting. There is a story behind Verona's constant refusal to get married even though Burt keeps insisting and she is in love with him and sees him as her soul-mate. I assume it has to do with the death of her parents and the memories of the true happiness and closeness she and her younger sister had with them. Even if there is more than decade since they are gone, she still copes with their absence from her life. I read that Dave Eggers, the writer of the script, was 21 and living in Lake Forest, Illinois when he lost both his parents to cancer five weeks apart, leaving Eggers to raise his 8-year-old brother, Christopher. I think that he wrote the script that caught Mendes's attention coming to terms with his own past and his loss.

The best, the most moving scenes of the film are these where Verona opens up and recalls the scene of pure happiness from her childhood. Another memorable scene for me was the ending of the film. Some can see it as melodramatic but I think it was an appropriate and fitting end to the journey in search for Home. Away we Go is not a bad movie but as the rather short road movie, it is abrupt and inconsistent - some characters that we meet and their stories are quite interesting but we don't have time enough to learn about them because away we go to the next destination of Burt's and Verona's journey.

Away We Go (2009), directed by Sam Mendes, is a road movie with a difference. Many road movies involve strangers met by the protagonist as he or she travels from place to place. Away We Go sends the two main characters into different locations, but all the people they meet are people they already know, or think they know.

When Verona De Tessant (Maya Rudolph) learns that she is pregnant, the question for her and her partner, Burt (John Krasinkski) is, Where do we live after the baby is born? To answer the question, they travel from distant (U.S. and Canadian) city to distant city. Mostly what they find is disappointment and bad surprises.

Lily (Allison Janney), a former boss and friend, proves to be a dysfunctional person raising a dysfunctional family. A "cousin," LN (Maggie Gyllenhaal) gives new meaning to the words New Age. Verona's sister Grace (Carmen Ejogo) has her own problems and heartaches.

There are jokes (and laughs) along the way, but, the trip gets more and more discouraging (for them and us) as the movie goes along. What saves Verona and Burt (and the movie) is the loving, caring, and realistic relationship between the couple. They're both interesting, quirky, and attractive people. We care for them, and we want their quest to succeed.

Both Janney and Gyllenhaal are outstanding--as expected--although Mendes has portrayed both their characters in an exaggerated, over-the-top fashion. That's OK--we get the point, and the movie is a work of fiction, not a documentary.

Maya Rudolph makes a smooth transition from TV (SNL) to film. She's not drop-dead beautiful in the Hollywood style, which makes her more attractive (to me) and more appropriate to the character she plays.

Burt's character is more problematic. He's supposed to be someone who "sells insurance to insurance companies," but he looks and dresses more like an assistant manager at a fast- food restaurant. (He goes to a job interview dressed like someone who has picked out his clothing at a thrift shop.) And, given his moderate success in business, and Verona's equally moderate success as a medical illustrator, they're amazingly casual about spending money. Are they using their life's savings?

All in all, this is a movie worth seeing, but not likely to be on anyone's list of all-time favorite movies. We saw it at the excellent Little Theatre in Rochester, NY. It would also work well on DVD.

i just got back from a pre-screening of this in Dallas, and i must say i really enjoyed it. it seems like the whole audience enjoyed it as well, the theatre was often filled with laughter throughout this wonderful film.

i'm a fan of Sam Mendes' work, and his work excelled here in the realm of comedy. John Krasinski and Maya Rudolph shared great chemistry as a couple expecting their first child and trying to decide where to settle down and raise their family. it's a bit of a coming-of- age story about people who should have already come-of-age, as we travel across the country along with them meeting quirky parents, friends, and old schoolmates.

it's not all laughs, though. there are plenty of serious and introspective moments and my hat is off to Ms. Rudolph, generally known for her skills in comedy, for adding fine dramatic moments to her character. in the end, this movie doesn't offer any solutions to life's quirks, but it looks at them and even celebrates them.

it's not Mendes' best film, but it's a very enjoyable film with a great cast and lots of laughs, and should appeal to a pretty wide audience. it's a breath of fresh air from all of the Hollywood flash and crap that will be slopped across theater screens this summer. go see it!

This is an enjoyable watch. It won't change your life, but it won't waste 2 hours of your life, either. Pretty humorous with some actual laugh out loud moments. Sentimental enough without being tissues-required. So, yeah, an enjoyable watch.

I feel that the film makes a great connection between love and the experience of watching a movie. The end of this film is unbelievably right, given the nature of human experience and its relationship to the ideals that we construct in our heads. This movie captures the essence of both love and art together. We are bound to both love and art by a promise that we are pretty sure will be broken from time to time, just like the promises that the two people in the movie make to each other. But as human beings, we so much want the promise to come true that we will make it again and again. Whenever I watch a movie, I renew my own type of promise, one that I know will be broken, or at least will never live up to my own expectations. The characters in this movie go through the process of being broken by love (mostly through a sort of family and place Odyssey) in order to realize that the promises we make to each other can only be broken if we want them to be. We can love each other until we stop believing, and we can bring ourselves to watch a love story that keeps that same promise to the viewer. Sam Mendes has made the only romantic comedy he could ever make as a director: one that respects the viewer as well as the characters.