AVALIAÇÃO DA IMDb
6,3/10
62 mil
SUA AVALIAÇÃO
David Marks, sempre foi um suspeito, mas nunca foi julgado por matar sua esposa Katie, que desapareceu em 1982, mas a verdade finalmente veio à tona.David Marks, sempre foi um suspeito, mas nunca foi julgado por matar sua esposa Katie, que desapareceu em 1982, mas a verdade finalmente veio à tona.David Marks, sempre foi um suspeito, mas nunca foi julgado por matar sua esposa Katie, que desapareceu em 1982, mas a verdade finalmente veio à tona.
- Prêmios
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- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesRyan Gosling sent Kirsten Dunst flowers as an apology after filming a scene where he had to violently yank her by the hair. Although Kirsten said he hadn't hurt her at all, he was "visibly bothered" by the scene.
- Erros de gravaçãoIn a nightclub scene that takes place circa 1972, the song Boogie Oogie Oogie plays. This song didn't come out until 1978.
- Citações
Katie Marks: My father always said to only regret the things you didn't do not the things you did. But I had an abortion and I don't know if that's something I did or didn't do.
- Cenas durante ou pós-créditosLebroz Ariel James Playing John The Lonely Pimp! Arrested by the 1970's N.Y.P.D.
- Versões alternativasThere are two versions available, although they are of the same length: "1h 41m (101 min)".
- ConexõesFeatured in Richard Roeper & the Movies: All Good Things (2010)
- Trilhas sonorasDaddy Don't Live In That New York City No More
Written by Walter Becker and Donald Fagen
Performed by Steely Dan
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Avaliação em destaque
In All Good Things, the director/writer has created a plausible fiction to account for a series of actual crimes. The evolution of the supposed killer from carefree youth to malignant immoralist is depicted, step by step. The strength of the movie as a story lies in its focus on a web of characters and their relationships to one another, rather than on the crimes themselves. We never see actual violence, but only its effects on characters, and their subsequent efforts to conceal the truth, to escape from their situation, or to satisfy some personal need. The movie functions mainly as a kind of indictment, and I wonder if it would work were it not for the 'documentary' angle, the movie as crusader for the truth, bringing to light the possible culpability of a real person, abetted by certain friends and family, a man as yet unpunished.
The motivations of this character, the object of the indictment, are accounted for in the course of the story, as various traumatic and painful incidents from his life are shown or recalled, and by allusions to deviant mental conditions or sexual preferences that are not. Whether these revelations are served up clearly or merely hinted at, they somehow fail collectively to satisfy as explanations for the barbarism that emerges as the story proceeds. At the end, the inner life of the putative killer remains obscure, a source of dissatisfaction for a movie that is about character.
So, not a great movie, but an engrossing entertainment if you are in the mood for a dark story that leaves you wondering how closely real events in fact matched up to this clever reconstruction.
The motivations of this character, the object of the indictment, are accounted for in the course of the story, as various traumatic and painful incidents from his life are shown or recalled, and by allusions to deviant mental conditions or sexual preferences that are not. Whether these revelations are served up clearly or merely hinted at, they somehow fail collectively to satisfy as explanations for the barbarism that emerges as the story proceeds. At the end, the inner life of the putative killer remains obscure, a source of dissatisfaction for a movie that is about character.
So, not a great movie, but an engrossing entertainment if you are in the mood for a dark story that leaves you wondering how closely real events in fact matched up to this clever reconstruction.
- mgorman-6
- 17 de dez. de 2010
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Detalhes
- Data de lançamento
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- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Todas as Coisas Boas
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 582.024
- Fim de semana de estreia nos EUA e Canadá
- US$ 37.172
- 5 de dez. de 2010
- Faturamento bruto mundial
- US$ 1.754.389
- Tempo de duração1 hora 41 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the Japanese language plot outline for Entre Segredos e Mentiras (2010)?
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