AVALIAÇÃO DA IMDb
6,2/10
14 mil
SUA AVALIAÇÃO
Um adolescente participa de uma convenção de escritores de fantasia, onde descobre que sua ideia foi roubada por um romancista estabelecido.Um adolescente participa de uma convenção de escritores de fantasia, onde descobre que sua ideia foi roubada por um romancista estabelecido.Um adolescente participa de uma convenção de escritores de fantasia, onde descobre que sua ideia foi roubada por um romancista estabelecido.
- Prêmios
- 2 indicações no total
Robin Ballard
- Female Assistant
- (as Robin D. Ballard)
Jizelle Jade
- Troll Girl
- (as Jizelle Jade Jurquina)
Daniel Love
- Camera Operator
- (as Daniel 'Doc' Love)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
You will know within 2 minutes of watching this if you can watch all of it or not - it is anti-Hollywood, just about anti-indie, a brilliant take on boredom, eccentricity, makes unoriginality into hyper-originality and is generally like a 1930s freak show with a side order of banal.
Seriously weird, and yet oddly familiar, the psychodramas and models of parenting and the wakwardness of friendships are all twisted in a maelstrom of ideas that just keep on coming. Every character is explored not for character but for something odd, find the oddness, in the face, the mannerisms etc; and its in their eccentricities that you find the story.
However, behind all of the strangeness, there is consummate skill: the actors are all just on the line between satire and buffoonery and it all works brilliantly. This is a truly strange, odd, little film with Sci-Fi roots and strange strange buds.
All I can say is plunge in - it is one of the stranger films out there - yet it has heart and humor, and many will recognize the nerdcore COS world it inhabits all too well - if off the wall is your cup of tea you can rest assured you have found the right stop...weirdly brilliant....
Seriously weird, and yet oddly familiar, the psychodramas and models of parenting and the wakwardness of friendships are all twisted in a maelstrom of ideas that just keep on coming. Every character is explored not for character but for something odd, find the oddness, in the face, the mannerisms etc; and its in their eccentricities that you find the story.
However, behind all of the strangeness, there is consummate skill: the actors are all just on the line between satire and buffoonery and it all works brilliantly. This is a truly strange, odd, little film with Sci-Fi roots and strange strange buds.
All I can say is plunge in - it is one of the stranger films out there - yet it has heart and humor, and many will recognize the nerdcore COS world it inhabits all too well - if off the wall is your cup of tea you can rest assured you have found the right stop...weirdly brilliant....
Three other films spring to mind that Broncos reminds me of in the sense that they all bring similar elements; absurdist story structure, over-the-top character-acting, and an unapologetic bevy of immature, toilet-ish, sometimes abstract humor.
What I can't think of is two people other than me that actually enjoy this kind of film a lot. And I'm guessing you can't either. That's why I think these kinds of films do badly. It breaks down like this;
If you disagree and love this film, see box office receipts for, and then watch; Land of the Lost, Freddy Got Fingered, and UHF. Not only are they three excellent movies in a similar vein, but they all bombed beyond oblivion for the same reason.
What I can't think of is two people other than me that actually enjoy this kind of film a lot. And I'm guessing you can't either. That's why I think these kinds of films do badly. It breaks down like this;
- 10%; people who even knew this was coming out - 5%; of those people saw it - 2.5%; of those people liked it - 90% of everybody else doesn't care - 100% of those people who didn't care would probably hate this worse than could possibly be imagined.
If you disagree and love this film, see box office receipts for, and then watch; Land of the Lost, Freddy Got Fingered, and UHF. Not only are they three excellent movies in a similar vein, but they all bombed beyond oblivion for the same reason.
I get that it might not be everyone's cup of tea but my wife and I found it laugh out loud funny!
"Gentlemen Broncos" is so off-the-charts weird at times that you often can't tell whether it's breaking new ground as a brilliantly original and creative work - or just trying too hard.
Michael Angarano ("Forbidden Kingdom") plays Benjamin Pervis, a friendless teen who lives with his penniless mom in a geodesic-domed house in rural Utah. Ben is a writer of sci-fi fantasy fiction who has one of his stories stolen by Ronald Chevalier (the delightful Jemaine Clement), a world-famous author with a James Mason voice. Ben also runs into a couple of bizarre indie-film makers who want to make the same story Chevalier stole from him (entitled "Yeast Lords" from the series "Gentlemen Broncos") into one of their shoestring-budget productions.
It's hard to know whether writers Jared and Jerusha Hess (Jared also directed the film) have any real affection for their characters and the world they inhabit or whether they view them merely as objects of out-and-out mockery and ridicule. In fact, the characters, with their mouth-breathing, slack-jawed expressions and atonal line readings, achieve near-freak show status at times. It's this air of condescension, rather than the tale itself, that sometimes makes it hard for us to laugh at what's happening on screen.
Despite this discomfort, however, there is still much to admire in the work. The movie has fun parodying both the unscrupulous nature of the publishing business and the accoutrements of low-budget filmmaking. Clement is marvelously deadpan as the sci-fi penner whose writer's-block forces him to scrap all traces of authorial integrity in pursuit of the almighty buck. And Angarano creates in Benjamin a character we can actually care about and root for. The enactments of scenes from Benjamin's novels are appropriately hokey and cheesy, and the movie also makes astute musical choices, particularly Zager and Evans' 1969 hit "In the Year 2525," which effectively book-ends the story.
Michael Angarano ("Forbidden Kingdom") plays Benjamin Pervis, a friendless teen who lives with his penniless mom in a geodesic-domed house in rural Utah. Ben is a writer of sci-fi fantasy fiction who has one of his stories stolen by Ronald Chevalier (the delightful Jemaine Clement), a world-famous author with a James Mason voice. Ben also runs into a couple of bizarre indie-film makers who want to make the same story Chevalier stole from him (entitled "Yeast Lords" from the series "Gentlemen Broncos") into one of their shoestring-budget productions.
It's hard to know whether writers Jared and Jerusha Hess (Jared also directed the film) have any real affection for their characters and the world they inhabit or whether they view them merely as objects of out-and-out mockery and ridicule. In fact, the characters, with their mouth-breathing, slack-jawed expressions and atonal line readings, achieve near-freak show status at times. It's this air of condescension, rather than the tale itself, that sometimes makes it hard for us to laugh at what's happening on screen.
Despite this discomfort, however, there is still much to admire in the work. The movie has fun parodying both the unscrupulous nature of the publishing business and the accoutrements of low-budget filmmaking. Clement is marvelously deadpan as the sci-fi penner whose writer's-block forces him to scrap all traces of authorial integrity in pursuit of the almighty buck. And Angarano creates in Benjamin a character we can actually care about and root for. The enactments of scenes from Benjamin's novels are appropriately hokey and cheesy, and the movie also makes astute musical choices, particularly Zager and Evans' 1969 hit "In the Year 2525," which effectively book-ends the story.
So, I completely understand why people do not like this movie. It can be gross, confusing, and just plain stupid at times. With that said, it is one of the funniest movies I have ever seen. Jemaine Clement and Sam Rockwell fell into the roles of some of the funniest characters I have ever seen. There are some lines when both in and out of context made me laugh so hard I cried.
This movie is not for everyone, I think people who like both napoleon Dynamite and Nacho Libre will find some enjoyment out of this(which I don't). More importantly, I think people looking for some sci-fi fantasy literature satire will get a kick out of this, because both the dialog with the "Authors" and all the excerpts from the two books had my laughing out loud constantly.
This movie is not for everyone, I think people who like both napoleon Dynamite and Nacho Libre will find some enjoyment out of this(which I don't). More importantly, I think people looking for some sci-fi fantasy literature satire will get a kick out of this, because both the dialog with the "Authors" and all the excerpts from the two books had my laughing out loud constantly.
Você sabia?
- CuriosidadesThe character of Chevalier is based on Utah based science fiction and fantasy writer Dave Farland, who also writes under the name Dave Wolverton, and who conducts popular novel writing workshops and seminars. The "Yeast Lords" is a take off on his popular and best selling books, The Runelords.
- Erros de gravaçãoWhen Chevalier opens "Yeast Lords," the audience hears the second part of the story as though he's reading it, even though it's obvious that he has opened to the first page.
- Cenas durante ou pós-créditosAfter the credits, we see Bronco cutting some of his hair and pasting it with honey on Vanaya's bald head. And then they kiss.
- Trilhas sonorasIn the Year 2525
Written by Rick Evans
Performed by Zager & Evans
Courtesy of The RCA Records Label and The RCA/Jive Label Group, a unite of Sony Music Entertainment
by arrangement with Sony Music Licensing
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- How long is Gentlemen Broncos?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 113.682
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.502
- 1 de nov. de 2009
- Faturamento bruto mundial
- US$ 118.492
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