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Bruce Willis and Megan Fox in Meia-Noite no Switchgrass (2021)

Avaliações do Metacritic

Meia-Noite no Switchgrass

24

Metascore

9 avaliações · Fornecido por Metacritic.com
  • 50
    VarietyOwen Gleiberman
    VarietyOwen Gleiberman
    It’s a functional piece of exploitation — an efficient little crime-porn snuff-thriller potboiler. It’s like a fast-food meal that makes you think, “Okay, that wasn’t good for me, but I got what I paid for.” A film like this one is a junk-franchise burger: tasty, processed, and basically fake.
  • 42
    The Film StageJared Mobarak
    The Film StageJared Mobarak
    Hirsch is good, albeit a bit over-the-top. As is Fox, especially when busting Willis’ balls for being too much of a “coward” to take the risks she’s only too willing to tackle. And Haas is probably the best of them all as the monster hiding in plain sight.
  • 40
    The GuardianLeslie Felperin
    The GuardianLeslie Felperin
    Even though it’s largely deeply undistinguished work, credit is due to whoever rustled up some great supporting actors for little roles around the edges, such as Welker White as the mother of one murdered kid, and Samiah Alexander, who is a hoot as a punctilious trucking company secretary.
  • 30
    Screen RantFerdosa Abdi
    Screen RantFerdosa Abdi
    Although the film's narrative is passable at best, it struggles to maintain any momentum due to uninteresting characters and predictably bad writing.
  • 30
    We Got This CoveredScott Campbell
    We Got This CoveredScott Campbell
    There isn’t a shred of originality or inventiveness to be found anywhere in the DNA of Midnight in the Switchgrass, but the performances from Fox, Hirsch and Lukas Haas as the unnervingly creepy and very murderous Peter are deserving of much better material. That being said, it’s exactly what you’d expect from a modern era Bruce Willis effort, even if he’s barely in it at all.
  • 20
    The Hollywood ReporterLovia Gyarkye
    The Hollywood ReporterLovia Gyarkye
    The movie, which bills itself as a crime-thriller-mystery, doesn’t come close to fulfilling even the lowest of expectations; it neither takes its characters seriously nor commits to its superficial attempt at topicality.
  • 20
    The New York TimesBen Kenigsberg
    The New York TimesBen Kenigsberg
    The atmosphere is thoroughly sleazy without being distinctive, and everything about the movie — the emotionless line readings, the half-baked back stories — exudes a terse functionality.
  • 12
    RogerEbert.comNick Allen
    RogerEbert.comNick Allen
    Midnight in the Switchgrass is the type of crime thriller that’s so full of cliches that it becomes one big cliche itself.
  • 0
    Slant MagazineMark Hanson
    Slant MagazineMark Hanson
    Randall Emmett’s directorial debut is virtually indistinguishable from the scores of cheap VOD action thrillers that he’s produced to date.
  • Veja todas as 9 avaliações em Metacritic.com
  • Veja todas as avaliações externas sobre Meia-Noite no Switchgrass

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