Relay

"Relay" succeeds in being different from other movies of its genre. It is not about the heist but about the morals and the loneliness of the "negotiator." Riz Ahmed captures that perfectly. I feel like he is always at his best when he conveys vulnerability. Much of this movie is quiet yet powerful: a lonely protector becoming emotionally attached to the one he is negotiating for. This all works great, and you are hooked-until the last 15 minutes, when the movie suddenly hits every cliché it had masterfully avoided before. I would still say it was worth my while, but it was just 15 minutes away from greatness.

Director David Mackenzie wasn't on my radar until 2016's HELL OR HIGH WATER, which I highly recommend. He has now made a paranoid thriller called RELAY. Originally called THE BROKER, it was featured on the 2019 "Black-List" of most-liked unproduced screenplays. It tells the story of whistleblower Sarah Grant (Lilly James) who changes her mind about going public with very sensitive and damning documents from a big bioengineering company. She is recommended to call an anonymous broker to help give back the documents while keeping herself safe. The broker, played by Riz Ahmed, keeps his anonymity by using a telecommunications device for the deaf, connected to the Tri-State Relay Service. It's a pretty cool concept that uses a totally real service in such a creative way. This movie feels bigger than it actually is. There was almost no marketing for it, so almost nobody is actually watching it. I'm a huge fan of Riz Ahmed. Ever since he broke out in the series THE NIGHT OF, he's been doing great things. This is the second movie with him that represents the deaf community, the other being the wonderful SOUND OF METAL. As I've been thinking more about this movie's ending though, without giving anything away, I think it could've been a little smoother, especially in today's society. I also think a little more mystery was needed in certain aspects. Riz's palpable quiet intensity and the nice tension-building are what ultimately drew me into this. I enjoyed my time with RELAY, and I wish it had a wider release.

What I value most in today's cinema are originality and grounded storytelling that avoids unnecessary excess. Relay delivers on both counts.

From the very beginning, the film establishes a simmering tension that kept me hooked, almost expecting an explosive climax. The third act does stumble slightly, with a few plot turns that feel overly coincidental or forced. Yet, the eventual reveal reframes those moments in a way that makes the payoff all the more shocking.

Riz Ahmed gives a restrained performance, perfectly suited to the character he portrays. The supporting cast does a decent job, but they don't leave the same lasting impression. What makes Relay stand out is its grounded approach and storytelling, helped by its well written screenplay.

However, while I thoroughly enjoyed Relay, I doubt the film will be spoken about much past this month. It's a well made and original piece that unfortunately does not reach the heights of long lasting inventiveness and impact.

Relay aims to channel the paranoia and sharpness of 70s and 80s thrillers, but ultimately slips into routine action clichés. Its opening rhythm and Riz Ahmed's nuanced performance are strong points, while the nostalgic use of outdated technology adds charm. However, the narrative falters in the second half, shifting from carefully built suspense to rushed, implausible sequences, and the overly crisp visuals drain the film of atmosphere. The result is a middling work with promising ideas but inconsistent execution.

People sometimes find themselves in unfortunate situations with seemingly no way out. That's where Ash, played by Ahmed, steps in-as a mediator who ensures both sides can walk away clean, with no strings attached and no need to look over their shoulders. A clean break. Unsurprisingly, Ahmed is brilliant. With limited dialog in the first half of the film his body language and mannerisms allows his presence to be felt. Also, shoutout to the wardrobe department for making him a master of disguise. This film is really engaging, thrilling, and with well timed moments of comedy at times. Thought I felt the runtime was a bit long the story is compelling enough to make it worth the watch.