Relay

This move really had me on the edge of my seat from the beginning. It had a 'what is going on here' vibe, but I wasn't confused or bored, I just really wanted to know the answer. The cat and mouse elements are really incredible and it has a great twist toward the end that leaves you rethinking the actions of a main character through out. Definitely worth your time.

"Relay" succeeds in being different from other movies of its genre. It is not about the heist but about the morals and the loneliness of the "negotiator." Riz Ahmed captures that perfectly. I feel like he is always at his best when he conveys vulnerability. Much of this movie is quiet yet powerful: a lonely protector becoming emotionally attached to the one he is negotiating for. This all works great, and you are hooked-until the last 15 minutes, when the movie suddenly hits every cliché it had masterfully avoided before. I would still say it was worth my while, but it was just 15 minutes away from greatness.

Relay aims to channel the paranoia and sharpness of 70s and 80s thrillers, but ultimately slips into routine action clichés. Its opening rhythm and Riz Ahmed's nuanced performance are strong points, while the nostalgic use of outdated technology adds charm. However, the narrative falters in the second half, shifting from carefully built suspense to rushed, implausible sequences, and the overly crisp visuals drain the film of atmosphere. The result is a middling work with promising ideas but inconsistent execution.

Director David Mackenzie wasn't on my radar until 2016's HELL OR HIGH WATER, which I highly recommend. He has now made a paranoid thriller called RELAY. Originally called THE BROKER, it was featured on the 2019 "Black-List" of most-liked unproduced screenplays. It tells the story of whistleblower Sarah Grant (Lilly James) who changes her mind about going public with very sensitive and damning documents from a big bioengineering company. She is recommended to call an anonymous broker to help give back the documents while keeping herself safe. The broker, played by Riz Ahmed, keeps his anonymity by using a telecommunications device for the deaf, connected to the Tri-State Relay Service. It's a pretty cool concept that uses a totally real service in such a creative way. This movie feels bigger than it actually is. There was almost no marketing for it, so almost nobody is actually watching it. I'm a huge fan of Riz Ahmed. Ever since he broke out in the series THE NIGHT OF, he's been doing great things. This is the second movie with him that represents the deaf community, the other being the wonderful SOUND OF METAL. As I've been thinking more about this movie's ending though, without giving anything away, I think it could've been a little smoother, especially in today's society. I also think a little more mystery was needed in certain aspects. Riz's palpable quiet intensity and the nice tension-building are what ultimately drew me into this. I enjoyed my time with RELAY, and I wish it had a wider release.

There is not one gratuitous or strained moment in this film. And while I did not know it , the director , David Mackenzie made 'Hell or High Water' . If you have seen that movie than you will know what a good director he is. I would compare it to the movie ' Michael Clayton ' it is the same sort of movie and is on the same level in terms of 'quality '. Riz Ahmed and Lily James deliver stellar performances and the screenplay is well thought out and executed. There is one detail that doesn't add up but it is so minor that it doesn't matter. Filmed in NYC which lends a authenticity / reality aspect to it. There is literally nothing out of place in the entire movie which makes it compelling and entertaining. Most movies , even good ones would not, IMO , measure up to this one and there is a killer twist at its conclusion. When the movie was over the people right next to me stood up and remarked how good it was and I did as well. That hasn't happened to me in years.