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5,2/10
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Adicionar um enredo no seu idiomaOtto is a handsome, sensitive, neo-Goth zombie with an identity crisis wandering the streets of the city, until one day he auditions for a zombie film...Otto is a handsome, sensitive, neo-Goth zombie with an identity crisis wandering the streets of the city, until one day he auditions for a zombie film...Otto is a handsome, sensitive, neo-Goth zombie with an identity crisis wandering the streets of the city, until one day he auditions for a zombie film...
- Prêmios
- 1 vitória e 1 indicação no total
Stephanie Heinrich
- Old Woman
- (as Stefanie Heinrich)
Avaliações em destaque
Canadian artist / pornographer Bruce LaBruce is known in underground circles for his transgressive and satirical no-budget contributions to Queer cinema. His films Raspberry Reich, Hustler White and Skin Flick, among others, endeavor to explore themes such as alienation, fascism, terrorism, persecution but are held together by Bruce's real "meat 'n' potatoes" - hardcore gay sex (and in one case, amputee sex).
Somewhere in the near future where zombies are the norm (particularly homosexual ones) and have somewhat evolved from mindless flesh-eaters into talking, rational-thinking corpses, Otto is rising from the grave. He doesn't remember anything about his past so he begins to wander the streets aimlessly, eating roadkill as he goes. Otto cant bring himself to kill & eat a human - he muses that maybe he was a vegetarian in his former life.
Otto is soon "discovered" by Medea Yarn, an avant-garde filmmaker. Medea is close to finishing her epic political-porno-zombie movie, Up with Dead People, and wants to begin on a docu-drama starring Otto. Medea's crew consists of her brother, Adolf and her lesbian partner Hella Bent, a silent screen siren who is always seen in scratchy black 'n' white.
Intermittently Otto has minor flashbacks to what he thinks was his life before he became one of the undead. When he eventually discovers his wallet in his back pocket, he finds in it little clues to who he once was, one being an ex-boyfriend's phone number. He arranges to meet up with this ex and through him learns some important details about his past.
"An original and inventive take on the zombie genre" Otto; or, Up with Dead People is a German/Canadian co-production predominantly shot in Germany with local actors. The majority of the dialogue in the film is presented as voice-over narration either by Otto or Medea, who we are introduced to, and who continues to address us via interview-type footage. The elements of satire are pretty blatant when it comes to Medea, the utterly pretentious filmmaker with her long indulgent diatribes against our capitalist, consumer-driven society. Then there's the queer-zombie bashing, Otto the mindless teen zombie (product of a consumerist society?) and the sense of disdain that the general public regard Otto with.
Sex 'n' gore-wise I didn't find the film too over-the-top; yes there are a few cocks and some gay sex but no XXX scenes. One of the more notable scenes is in Medea's film Up with Dead People where the lead zombie penetrates his partner's recently inflicted stomach wound. With regards to the typical gory zombie film though, I don't think Otto can really compete, there's very little grue, just the odd eating of roadkill.
One of the questions the film asks is - is Otto really a zombie? At the beginning it seems rather obvious that he is but as the film develops you discover that before he "died" he was committed to a psychiatric hospital after being diagnosed with schizophrenia and a severe eating disorder. Throughout the film people are constantly commenting that "he thinks he's a zombie" and wonder what is wrong with him.
Otto; or Up with Dead People is an original and inventive take on the zombie genre, although for some, the lack of typical genre staples may disappoint. Recommended for Bruce LaBruce fans and/or indiscriminate zombie film lovers.
Somewhere in the near future where zombies are the norm (particularly homosexual ones) and have somewhat evolved from mindless flesh-eaters into talking, rational-thinking corpses, Otto is rising from the grave. He doesn't remember anything about his past so he begins to wander the streets aimlessly, eating roadkill as he goes. Otto cant bring himself to kill & eat a human - he muses that maybe he was a vegetarian in his former life.
Otto is soon "discovered" by Medea Yarn, an avant-garde filmmaker. Medea is close to finishing her epic political-porno-zombie movie, Up with Dead People, and wants to begin on a docu-drama starring Otto. Medea's crew consists of her brother, Adolf and her lesbian partner Hella Bent, a silent screen siren who is always seen in scratchy black 'n' white.
Intermittently Otto has minor flashbacks to what he thinks was his life before he became one of the undead. When he eventually discovers his wallet in his back pocket, he finds in it little clues to who he once was, one being an ex-boyfriend's phone number. He arranges to meet up with this ex and through him learns some important details about his past.
"An original and inventive take on the zombie genre" Otto; or, Up with Dead People is a German/Canadian co-production predominantly shot in Germany with local actors. The majority of the dialogue in the film is presented as voice-over narration either by Otto or Medea, who we are introduced to, and who continues to address us via interview-type footage. The elements of satire are pretty blatant when it comes to Medea, the utterly pretentious filmmaker with her long indulgent diatribes against our capitalist, consumer-driven society. Then there's the queer-zombie bashing, Otto the mindless teen zombie (product of a consumerist society?) and the sense of disdain that the general public regard Otto with.
Sex 'n' gore-wise I didn't find the film too over-the-top; yes there are a few cocks and some gay sex but no XXX scenes. One of the more notable scenes is in Medea's film Up with Dead People where the lead zombie penetrates his partner's recently inflicted stomach wound. With regards to the typical gory zombie film though, I don't think Otto can really compete, there's very little grue, just the odd eating of roadkill.
One of the questions the film asks is - is Otto really a zombie? At the beginning it seems rather obvious that he is but as the film develops you discover that before he "died" he was committed to a psychiatric hospital after being diagnosed with schizophrenia and a severe eating disorder. Throughout the film people are constantly commenting that "he thinks he's a zombie" and wonder what is wrong with him.
Otto; or Up with Dead People is an original and inventive take on the zombie genre, although for some, the lack of typical genre staples may disappoint. Recommended for Bruce LaBruce fans and/or indiscriminate zombie film lovers.
Bruce LaBruce is (very weirdly) becoming one of my favorite indy film makers. WWaaaay back in the early nineties in film school we saw "no skin off my ass" and I dismissed it then as pretentious soft-core. I was glib and wrong. Ages ago my friends and I went to see "Hustler White" at a midnite showing and frankly we were at once titillated and impressed. Then when "Raspberry Reich" rolled out I was ALMOST convinced....That film struck a pitch-perfect chord between 60's revolutionary porn (I Am Curious Yellow) and modern satire. I just watched "Otto" and I am officially a fan. Through the use of explicit sex and graphic violence M. LaBruce is actually making a point! I'm impressed and pleasantly surprised. This is maybe a "zombie" movie...but more specifically a neat commentary on modern youth with a great sense of humor and a chilling overtone. If you're older and adventurous and want to get a sort of "summary" of the present youth-culture and this whole "zombie thing" this is a great film to watch. Underrated and sublime (after you get-over all the gay sex...if you have to get-over it at all)
I just watched this and I should warn all viewers, especially fans of gore, that Otto; or Up with Dead People starts out remarkably slow paced. This film takes it's time getting started with the plot and it will likely challenge most people to continue watching. It may be too slow for many viewers. However, if you stick with it, you will most definitely be rewarded! This latest film by Canadian filmmaker Bruce LaBruce is fantastic. It's my second favorite Bruce LaBruce film after The Raspberry Reich. It is always an interesting experience to watch any of his films and this one sure didn't let me down! Otto is a gay pornographic zombie horror movie. Judging from that description, it should be quite obvious that this isn't for all tastes. Then again, not all Bruce LaBruce films are! Otto was, in a way, the movie I have always been looking for. I love zombie films, I love horror films, I love gore films, and I love films with gay themes. If you are a fan of all of these genres, this film should satisfy you. It is among one of the more satisfying gay films I have seen for quite some time. The film is scary, it's gory as hell, and the sex scenes rock.
The plot basically follows around Otto, a German zombie with memory problems who has risen from his grave. He travels to Berlin and meets an underground filmmaker who wants to make a political zombie porno and finds a fondness for Otto and chooses him to be the poster child for the film. However, things get complicated when he discovers his boyfriend's identity and agrees to meet with him. From there, things get extreme.
This movie is just plain fun. It works as a satire and as a horror movie in equal measure. I found it to be hilarious at times. The movie-within-a-movie trick often gets misused and can easily turn a film into a mindless mess a clichés. Otto does not fall into this trap. Instead, this film takes the idea in a unique direction. While the film, by no means, should be taken seriously, there is still a lot to admire in the artistic details of the film. The film is startlingly gory at times. There are scenes that go so far over-the-top in shocking behavior that the film manages to walk that fine line on surrealism and tastelessness. Whether it is either of those is irrelevant because it is hilarious to watch some of these scenes take place.
Politically, the film certainly has something to say. While Bruce LaBruce's films have always dealt with politics, this film manages to not push that so far as it does play off of that idea. Bruce LaBruce satirizes himself with the German filmmaker, and as a result the film hits the right clever notes. Otto, the zombie, is ridiculously beautiful to look at. The soundtrack is certainly very cool, as most soundtracks to the films of Bruce LaBruce are. Most importantly, the film is alive and it flows with heart. This is truly the work of somebody who loves the conventions of film and the endless possibilities of originality in film-making. Definitely check this one out if it sounds like your kind of film. You especially won't be disappointed if you're looking for the next great surrealist picture of the 21st Century.
The plot basically follows around Otto, a German zombie with memory problems who has risen from his grave. He travels to Berlin and meets an underground filmmaker who wants to make a political zombie porno and finds a fondness for Otto and chooses him to be the poster child for the film. However, things get complicated when he discovers his boyfriend's identity and agrees to meet with him. From there, things get extreme.
This movie is just plain fun. It works as a satire and as a horror movie in equal measure. I found it to be hilarious at times. The movie-within-a-movie trick often gets misused and can easily turn a film into a mindless mess a clichés. Otto does not fall into this trap. Instead, this film takes the idea in a unique direction. While the film, by no means, should be taken seriously, there is still a lot to admire in the artistic details of the film. The film is startlingly gory at times. There are scenes that go so far over-the-top in shocking behavior that the film manages to walk that fine line on surrealism and tastelessness. Whether it is either of those is irrelevant because it is hilarious to watch some of these scenes take place.
Politically, the film certainly has something to say. While Bruce LaBruce's films have always dealt with politics, this film manages to not push that so far as it does play off of that idea. Bruce LaBruce satirizes himself with the German filmmaker, and as a result the film hits the right clever notes. Otto, the zombie, is ridiculously beautiful to look at. The soundtrack is certainly very cool, as most soundtracks to the films of Bruce LaBruce are. Most importantly, the film is alive and it flows with heart. This is truly the work of somebody who loves the conventions of film and the endless possibilities of originality in film-making. Definitely check this one out if it sounds like your kind of film. You especially won't be disappointed if you're looking for the next great surrealist picture of the 21st Century.
OK, I am open minded, I love filmmakers that think out of the box and I love when genres are messed about with. I love going to the cinema, especially to film festivals where you can discover gems that no one else has seen yet. Sadly this film was not a gem. It did not shock me, it did not thrill me. I found it all a bit amateurish and before you attack me and say it was low budget and therefore excusable then don't waste your time. I don't believe in negative reviews, I like to look at the good and the bad, no doubt I will get eaten (no pun intended) by the super fans. The acting was pretty terrible to be fair and the camera work was at times clumsy. The sexual scenes sometimes seemed to interrupt the films flow, as if they were slotted in there because that is what his fans expect and want. It is important that films like this are made though and the have an audience of die hard fans but I'm just letting other horror fans in particular zombie fans know that this is more of a porn film than a zombie film.
b-grade gay zombie porn semi-mockumentary. repetitive, irritating sound design, jokes milked longer than they should. for some, there's not enough blood and guts. for others, there's not enough porn.
But all LaBruce's films are bad! that is his charm and the charm of no-budget Cult Films! if you expect more, you won't be alone. but if you expect perfection, then you're a fool. like all those people who complained after seeing Tomb Raider or the Super Mario Brothers Movie - what did you expect?
Otto is fun. it's certainly original. it's gay politics are obvious, but accurate. the jokes range from falling flat to funny to shocking. it's polarizing, memorable and thanks to Fritz (Marcel Schlutt), it's damn sexy to watch.
Otto needs to be watched at a film festival amongst the typical gay indie films that are more sincere than their film makers can give credit to. Only then will something like SkinFlick's 'monkey rape' and Hustler White 'Stumping' hit you with the full impact that it should
like SkinGang - can't wait for the full-porno version of Otto
But all LaBruce's films are bad! that is his charm and the charm of no-budget Cult Films! if you expect more, you won't be alone. but if you expect perfection, then you're a fool. like all those people who complained after seeing Tomb Raider or the Super Mario Brothers Movie - what did you expect?
Otto is fun. it's certainly original. it's gay politics are obvious, but accurate. the jokes range from falling flat to funny to shocking. it's polarizing, memorable and thanks to Fritz (Marcel Schlutt), it's damn sexy to watch.
Otto needs to be watched at a film festival amongst the typical gay indie films that are more sincere than their film makers can give credit to. Only then will something like SkinFlick's 'monkey rape' and Hustler White 'Stumping' hit you with the full impact that it should
like SkinGang - can't wait for the full-porno version of Otto
Você sabia?
- Cenas durante ou pós-créditosAny resemblance to any person living, dead or undead is purely coincidental. No similarity to any person living, dead or undead is intended or should be inferred.
- ConexõesFeatured in Brows Held High: Otto, or Up with Dead People (2011)
- Trilhas sonorasMetalipsis
Written by Othon Mataragas
Performed by Ernesto Tomasini (voice and tubular bell), Othon Mataragas (piano), Ayanna Witter-Johnson, Maral Mohammadi and Hannah Schofield (cello)
Published by Othon Mataragas
Courtesy of Othon Mataragas
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- How long is Otto; or, Up with Dead People?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Oto
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 11.295
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.456
- 9 de nov. de 2008
- Faturamento bruto mundial
- US$ 11.295
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Otto; or, Up with Dead People (2008) officially released in Canada in English?
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