Ainda Adoráveis

For a first time director/writer, this film is amazing. The sweet and the sour are both represented and displayed in such beautiful style. There is no question that the power of love is alive and well in this amazing story.

All of the actors really took to their roles; for me this is always a sign that a great director is behind the project. Can anyone say Clint Eastwood?

See this film, and tell everyone you know to see this film. We loved it.

Major distribution will pick this one up.

I am both a Martin Landau and an Ellen Burstyn fan, so I was especially looking forward to seeing them act. I expected formidable acting muscle, sparks, confrontations: things befitting their Actor's Studio origins. What instead greeted me was a Landau so frail and docile...and frightened. His character, Robert Malone, is a man who treads warily and uneasily through life. He is a single man, and we assume he has simply been unlucky in love. Burstyn is the loving, open-hearted, yet lonely, woman who sweeps into his life one Christmas and changes it forever. One thing about Landau in this film: the actor looks shockingly aged, and I'm sure this has been deliberately used by both the filmmaker and Landau himself as a sort of effect to win us over to sympathy for Malone. Yet I had no doubt that this is a consummate performance. Landau, in life, is likely vital and engaged whereas Robert Malone, as I have said, seems on the brink of terror nearly every moment of his day. (The "wakeup" sequences are especially effective conveying this.) The love story plays out in an even-handed way. Underneath this blossoming love, of course, is the shadow of mortality. There occurs--over two-thirds into the film--a dramatic event that I won't reveal or spoil, but it causes the viewer to look back over events that occurred and reflect on them...in a rewarding way. The drama is never cheap nor unjustified. I come away with satisfaction and admiration for the unexpected performances, for the tender core of the film, and for a fresh perspective on the elderly that is anything but cloying or cliché. This movie is in fact--particularly with the presence of Death hanging over events (as another character in the film)--as gripping and occasionally breathless as any thriller.

Fortunately, I saw the preview recently in Tokyo. That was great. You should see this. When you see the press conference (Q & A) after the Toronto Film Festival, you can understand that the actors (Martin Landau, Ellen Burstyn and etc) and the young director Nicholas Fackler trusted entirely each other. The actors were fascinated by Nik's talent. They realized his genius potentials into the marvelous work. I was amazed at how such a young (at age of of 23) "student" could have directed this excellent movie. Therefore, it is too bad that this movie is, so far, ignored by major studios and distributors in the US.

Nick Fackler knocked "Lovely, Still" out of the ballpark. This is a love story at heart that engages you with humor, drama and honesty. Why this movie was overlooked by the Golden Globes, Oscars and SAG awards will be a mystery to me. I would vote it best Indie out there. Martin Landau and Ellen Burstyn gave exceptional performances along with Adam Scott and Elizabeth banks. What we think at the beginning is a love late in life romantic comedy between a curmudgeonly elder and a lonely widow turns into a beautifully crafted compelling drama. We all had a father or dear uncle like Martin landau's character Robert Malone who late in life doesn't always seem to be all there. I highly recommended.

Ellen Burstyn and Martin Landau are so natural and graceful, they make even the corniest and most telegraphed moments almost work…almost. A movie that hinges on its charm (which works) and its twist (which does NOT work), the melodramatic and maudlin soap opera story overbears the fantastic performances.