[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
  • Perguntas frequentes
IMDbPro

Vincere

  • 2009
  • Unrated
  • 2 h 8 min
AVALIAÇÃO DA IMDb
6,8/10
6 mil
SUA AVALIAÇÃO
Vincere (2009)
The story of Mussolini's secret lover, Ida Dalser, and their son Albino.
Reproduzir trailer1:59
2 vídeos
30 fotos
BiographyDramaRomance

Adicionar um enredo no seu idiomaThe story of Mussolini's secret lover, Ida Dalser, and their son Albino.The story of Mussolini's secret lover, Ida Dalser, and their son Albino.The story of Mussolini's secret lover, Ida Dalser, and their son Albino.

  • Direção
    • Marco Bellocchio
  • Roteiristas
    • Marco Bellocchio
    • Daniela Ceselli
  • Artistas
    • Giovanna Mezzogiorno
    • Filippo Timi
    • Fausto Russo Alesi
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    6 mil
    SUA AVALIAÇÃO
    • Direção
      • Marco Bellocchio
    • Roteiristas
      • Marco Bellocchio
      • Daniela Ceselli
    • Artistas
      • Giovanna Mezzogiorno
      • Filippo Timi
      • Fausto Russo Alesi
    • 36Avaliações de usuários
    • 117Avaliações da crítica
    • 85Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 47 vitórias e 40 indicações no total

    Vídeos2

    Vincere: U.S. Trailer
    Trailer 1:59
    Vincere: U.S. Trailer
    Vincere: International Trailer
    Trailer 1:40
    Vincere: International Trailer
    Vincere: International Trailer
    Trailer 1:40
    Vincere: International Trailer

    Fotos30

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 24
    Ver pôster

    Elenco principal52

    Editar
    Giovanna Mezzogiorno
    Giovanna Mezzogiorno
    • Ida Dalser
    Filippo Timi
    Filippo Timi
    • Benito Mussolini…
    Fausto Russo Alesi
    Fausto Russo Alesi
    • Riccardo Paicher
    Michela Cescon
    Michela Cescon
    • Rachele Mussolini
    Pier Giorgio Bellocchio
    Pier Giorgio Bellocchio
    • Pietro Fedele
    Corrado Invernizzi
    Corrado Invernizzi
    • Dottor Cappelletti
    Paolo Pierobon
    Paolo Pierobon
    • Giulio Bernardi
    Bruno Cariello
    Bruno Cariello
    • Giudice
    Francesca Picozza
    • Adelina Dalser
    Simona Nobili
    • Madre Superiora
    Vanessa Scalera
    • Suora Misericordiosa
    Giovanna Mori
    • Tedesca
    Patrizia Bettini
    • Cantante
    Silvia Ferretti
    • Scarpette rosse
    Corinne Castelli
    • Lacrime
    Giovanni Vettorazzo
    • Poliziotto di guardia
    Giorgio Santomaso
    • Secondo poliziotto di guardia
    Fabrizio Costella
    • Il piccolo Benito Albino
    • Direção
      • Marco Bellocchio
    • Roteiristas
      • Marco Bellocchio
      • Daniela Ceselli
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários36

    6,86K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    8Eternality

    A decent entry into Palme d'Or selection, but it is by no means stunning.

    In competition for 2009's Palme d'Or, Vincere is a new film by Marco Bellocchio. It is set in the early 20th century in Italy, during a dangerous time of oppression and political revolution, which cumulated in the evil that was Fascism. The story is not about the horrors of Fascism per se or how it rose to become an ideology matched in its ghastliness only by Nazism, but of its dictator Benito Mussolini and his private life.

    Vincere tells the true story of Mussolini (Filippo Timi) and Ida Dalser (Giovana Mezzogiorno), his secret lover whom he had a passionate but somewhat sordid affair with. In the film, Dalser gives birth to a son who is taken away from her. She is also sent to a mental institution for claiming that she is the "rightful wife" of Mussolini; the latter is married and denies the affair with Dalser.

    Much of Vincere revolves around Dalser, whom is portrayed as a sympathetic figure, a person who loved and trusted Mussolini with all her heart, but ended up suffering the ignominy of being a "prisoner of a vile dictator". Mezzogiorno's performance is noteworthy. She switches effortlessly from a seductive woman who oozes sexual allure (she appears completely nude in a number of shots) to a frustrated person devoid of the freedom to pursue personal justice.

    Timi also plays Mussolini with a fierce affection. But he fizzles out in the second half of the picture after Bellocchio rightly gives more screen time to Mezzogiorno. Even though the core of Vincere rests upon the relationship (or lack of) between Mussolini and Dalser, the political themes of the film remain in the consciousness of the viewer throughout.

    Bellocchio inserts old black-and-white footages of history into the film, drawing our attention to the fervent and violent political and nationalistic attitudes of that era. The shouts of "Italia! Italia!" and the real Mussolini giving a powerful speech about war are, at the very least, disquieting. Matched with a loud, rousing score with lots of brass and choir, the film is quite strong in creating a mood of paranoia.

    Vincere somewhat ends too quickly. Even for a film that is slightly longer than two hours, it seems like more exposition is warranted and would have been greeted more positively than not. Thus, the film feels incomplete but it is still a well-made film with its cinematography, in particular, an aspect to appreciate.

    It may seem ironic but in Vincere's most emotional sequence, Bellocchio uses clips from Chaplin's The Kid (1921). In The Kid, Chaplin's character is devastated when his young son is taken away from him by the state. Dalser, who watches the film in an open-air screening, draws strength from it in the hope that she will one day see her son again.

    Bellocchio's Vincere is a decent entry into the Palme d'Or selection, but it is by no means a stunning piece of cinema. The private story of Mussolini (or rather Dalser's) is compelling enough to last the two hours, though it would have been better received with a more complete approach.

    SCORE: 7.5/10 (www.filmnomenon.blogspot.com) All rights reserved!
    davidtraversa-1

    Splendid movie.

    I found this movie extremely absorbing, from beginning to end. It's true what other critics have observed that the real Mussolini in the old newsreels looks quite different from the actor personifying him, and the sudden confrontations between one and the other are quite unsettling.

    Could it be that recreating this historical newsreels with this actor as Mussolini was not possible due to the insufficient budget? Or maybe the director wanted to show us the real Mussolini to give us a good idea about the individual? Another confusing issue: The actor playing Mussolini also plays his adult son.

    And we don't get to see the final days of this dictator, when he was involved with Clara (Claretta) Petacci, his last lover, twenty eight years younger and executed with him (and both corpses hanged upside down in the public square).

    The photography and the camera work are exquisite, as are the lighting --absolute perfection-- the acting --masterful-- and the music --excellent.

    Very somber movie, shot most of the time in heavy darkness; there is no comic relief whatsoever, not even light humor, but then, the story is extremely dark and tragic, something that could have come out from a Dorothy Parker story.
    9alicecbr

    Once Again, the Catholic church screws Up

    If the film-writer wanted to emphasize WHY the young Mussolini hated the church, he did a great job. The church's role in backing the power-mad dictator is demonstrated again and again. The movie shows his wife as clear-minded, yet her actions even after the priest has cautioned her on how to 'act' and appear to submit, indicate a crazed woman who can't believe that her actions are hopeless in the light of the corrupt country that Italy has become. there are many parallels to the United States here, as our country becomes increasingly an oligarchy, ruled by corporations with few in Congress not bought by their bribes.

    Makes you wonder if speaking out does any good in such a hypocritical, ignorant time in which the T-Partiers, not realizing they embody the rants of Mussolini, speak to the low-esteem, the animalistic urges of the masses. This was a fantastic movie and I was amazed that there were so few in the audience, though not amazed that it appeared at our art movie houses here in Boston (the West Newton's adjunct, the Arlington's Capitol).
    7Bunuel1976

    VINCERE (Marco Bellocchio, 2009) ***

    Bellocchio's latest is yet another look at a controversial Italian political figure, Benito Mussolini; however, it deals with a phase of his life which was kept 'in the shadows' for a great many years – the dictator's first marriage, which even yielded him a son! As was the case with GOOD MORNING, NIGHT (2003) – in which the film-maker had treated the abduction and execution of ex-Prime Minister Aldo Moro – the politician emerges not to be the central figure after all (remaining, similarly, little more than a cipher); here, in fact, the protagonist is Mussolini's secreted – or, more precisely, rejected – wife, who even winds up in a mental institution (a fate which also befalls their offspring, where both would die eventually)! The meticulous period reconstruction (and emphatic score) was to be expected, yet the human drama – and, by extension, the fine leading performances of Giovanna Mezzogiorno and Fabrizio Timi – is ultimately what renders the movie compelling; interestingly, while Mussolini as an older man is shown only via authentic newsreel footage, Timi plays both father and son as a young adult! Needless to say, the director distances himself from the Fascist fervor which had gripped his nation in those pivotal war years – choosing to depict Mussolini as godless (the film begins with him defying the Almighty to strike him down) and inhuman (both in the treatment of his first family and in his animalistic sexual prowess: the latter scenes, of which there a few, would otherwise have no discernible point) and even goes so far as to ridicule him by having son repeatedly caricature father's famously arrogant mannerisms while speechifying (with this in mind, the title – which translates to "Winning" – is clearly ironic, since what it presents is anything but the correct fighting spirit)!
    9gradyharp

    Marco Bellocchio's Dark View of Mussolini's Private Life

    Marco Bellocchio directed and wrote (with Daniela Ceselli) this very dark version of the private life of Benito Mussolini, a portion of his life that centered on his mistress and the mother of his son, one Ida Dalser. Though the film never really reveals whether Ida Dasler and Mussolini were married (Mussolini already had a wife and child when he me the devastatingly beautiful and erotic Ida) but that simply doesn't seem to matter while watching this artistic triumph of a film. What the director does manage to portray is the life and times of Italy before, during, and after WW I, a time during which Mussolini began his influence as a socialist and ultimately founded Italian Fascism, becoming the Fascist dictator of Italy. The many permutations of the concepts of monarchism and socialism and eventually Fascism are delineated by the film, if at times as shadowy in their explanation as is the director's love of dark in lighting the screen during almost all of the action. Bellocchio uses black and white film clips throughout his film giving it a somewhat documentary flair, but the performances by the actors make this film very much a visceral drama and not a dry rehash of history.

    Filippo Timi gives a gripping performance as both Mussolini the ardent and handsome lover and politician whose life is always controlled by the term 'Vincere' ('Win'). Aptly, when the bulky monster Mussolini rises out of the socialism into fascism and the war the part of Mussolini is 'played' by the film clips of the real person. But as the film draws toward the end of his life, Timi once again enters the film in the role of his son Benito Albino Mussolini, a lad stricken with insanity and confined to a sanitarium. As Mussolini's mistress (aka 'wife' by her accounts) Ida Dalser, Giovanna Mezzogiorno offers one of the strongest cinematic portrayals of an important woman of history. She is simply riveting - erotic when the romance begins, faithful even when she discovers Mussolini has a wife, and uncontrollably fierce as she is confined by the government (with Mussolini's approval) to an insane asylum. This is one of those performances that will live in memory long after this film is seen and hopefully will garner awards when the Oscar season comes round.

    In all this is a beautifully wrought, intelligent, beautifully acted, occasionally confusing melodrama that sheds light on the man Mussolini, his rise to power, and the women who came under his influence. Recommended.

    Grady Harp

    Mais itens semelhantes

    Gente da Sicília
    6,7
    Gente da Sicília
    Bom Dia, Noite
    7,1
    Bom Dia, Noite
    O Anjo Branco
    6,5
    O Anjo Branco
    A Hora da Religião
    7,0
    A Hora da Religião
    De Punhos Cerrados
    7,5
    De Punhos Cerrados
    Marx Pode Esperar
    7,2
    Marx Pode Esperar
    Sangue do Meu Sangue
    6,1
    Sangue do Meu Sangue
    Arroz Amargo
    7,6
    Arroz Amargo
    Belos Sonhos
    6,5
    Belos Sonhos
    O Divo
    7,2
    O Divo
    La balia
    6,7
    La balia
    Guardas e Ladrões
    7,7
    Guardas e Ladrões

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Most Italians had no idea that Mussolini had a first wife and child until a documentary broke the story on TV in 2005.
    • Erros de gravação
      The woman who is two beds down from Ida on her right says that the nurse's threat to tie her down is pointless because she already is that way. However, she was one of the woman standing around Ida's bed only minutes earlier.
    • Citações

      Benito Mussolini: With the guts of the last pope, we'll strangle the last king!

    • Conexões
      Features A Paixão de Nosso Senhor Jesus Cristo (1916)
    • Trilhas sonoras
      Inno di Garibaldi (Va' fuori d'Italia, va' fuori stranier)
      (uncredited)

      Performed by Pier Giorgio Bellocchio and Filippo Timi

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Perguntas frequentes20

    • How long is Vincere?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de julho de 2010 (Brasil)
    • Países de origem
      • Itália
      • França
    • Centrais de atendimento oficiais
      • Official site (Japan)
      • Official site (United States)
    • Idiomas
      • Italiano
      • Alemão
    • Também conhecido como
      • Vèncer
    • Locações de filme
      • Trento, Trentino, Itália
    • Empresas de produção
      • Offside
      • Rai Cinema
      • Celluloid Dreams
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 13.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 619.162
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 18.096
      • 21 de mar. de 2010
    • Faturamento bruto mundial
      • US$ 5.701.481
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 8 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    Vincere (2009)
    Principal brecha
    By what name was Vincere (2009) officially released in Canada in English?
    Responda
    • Veja mais brechas
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.