A Órfã

I had been reading a lot about this film. Internet rumors made "Orphan" sound depraved. Advocacy groups protested that the film is offensive to adoption. "Orphan" is neither depraved nor offensive if you watch it as a thriller.

The plot development and character development are on the same level as most Hitchcock films. Vera Farmiga and Peter Sarsgaard are excellent as the parents. The three child actors also do a good job. Expert direction by Jaume Collet-Serra and first-rate production values also make this film worth seeing.

"Orphan" is not a film where you can take your children. However, it is a decent film if you approach it as a thriller.

Every once in a while a film seems destined to slip under the radar either by poor promotion or a trailer that makes the viewer go "meh". Orphan is one of those flicks that, while benefiting from a decent studio push, simply didn't impart any compelling reason to check it out based on the trailer, which is too bad because this is actually one tight little thriller.

Directed by Spain's Jaume Collet-Serra (House of Wax), it tells the story of Esther (Isabelle Fuhrman), a 9-year old Russian orphan who is adopted by Kate and John Coleman (Vera Farmiga and Peter Sarsgaard) , a decision motivated in part by the stillborn birth of their third child.

An oddball from the start, Esther at first charms the Colemans with her personality, artistic flair, and independence, however it's apparent that there's more going on with Esther than meets the eye. She quickly forms a bond with Max (Aryana Engineer), the couple's deaf daughter, by learning sign language, but is resented by their son Daniel (Jimmy Bennett) who views her with contempt. All of which forms a basis for familial tension, further compounded by the skeletons of Kate's history of alcoholism and John's past infidelity.

Telling a surprisingly layered story that strays into uncomfortable territory given how it deals with children in peril, the shiniest gem in this entertaining nugget is that of Isabelle Fuhrman, upon whose performance the movie succeeds or fails. While acting is uniformly top notch throughout, Fuhrman spectacularly establishes herself as one of the most remarkable young talents currently working in cinema, and that's a statement not to be taken lightly. This 12-year-old, who had only one prior film credit on her resume, simply blazes her way across the screen in a performance that ranges from sweet to seductive to psychotic. This is her movie and she makes the most of it, and if she doesn't mature into one of Hollywood's premier stars, I'll be most surprised.

Orphan won't win any awards (despite Fuhrman's impressive performance) and might well get passed over by many based on the trailer, all of which is too bad because this is one stray that movie audiences would do well to adopt.

Dark, edgy, twisted, effective, clever, intense, and blackly comic - one of the best "evil child" films I've seen. It's brilliantly cast - Vera Farmiga and Peter Sarsgaard are top-notch as usual, but what really stood out where the natural performances director Jaume Collet- Serra was able to get from the child actors. Usually child actors are painful to watch, but 12- year-old Isabelle Fuhrman gives a terrifying, chilling performance that is worthy of praise. Aryana Engineer in her screen debut as the deaf little sister Max is adorable and almost steals the show in every scene. The stylish cinematography, editing, and sound are fantastic as well.

I saw Orphan at a packed advance screening and the audience had a blast. Collet-Serra knows how to pull the strings and engage the audience, as they were screaming and laughing at all the right moments. There are plenty of fun and playful tension-relieving scenes, and several cathartic moments when the audience erupted into cheers. When the credits rolled the audience even applauded.

The second showing I went to was just as receptive - the audience went nuts. They were collectively screaming, cheering, yelling at the screen, cringing, applauding, and enthusiastically welcoming the comic relief. One guy commented afterwards: "I never get scared by movies but that was the scariest movie I've ever seen." Audience participation for both screenings I went to were very high.

The film improves upon second viewing, with the knowledge of the twist. I was able to focus more on details and clues, and the anticipation of my favorite scenes made for a much more rewarding experience. It's even more chilling and cathartic the second time around.

It's far from perfect though - there are way too many predictable jump/false scares, with the soundtrack blaring to try to startle the viewer. The last part of the movie becomes a slasher flick replete with clichés and a one-liner. There is a talky scene where Esther reveals herself to her adoptive mother that is totally unneeded, as well as a crucial line regarding Danny, the older son, which really should've been cut. It's also a bit long at 2 hours - for an exploitative "B" movie this is unusual, although time is devoted to character development. Esther is multi-dimensional and even sympathetic at times - I would love to see a prequel based on her character.

Orphan is definitely not for kids - aside from the "anti-adoption" angle, there is plenty of dangerous imitable behavior. The violence committed by and toward children is shocking, realistic, and brutal. This is a ballsy film that throws kids into horrific ordeals.

It may be a "B" movie, but it's a damn good one that knows its audience. The basic idea is nothing new (except for the unexpected twist), but you knew that from the trailer and synopsis. If you were still interested or if you're a horror fan that is able to look past some clichés and logical jumps in exchange for horrific chills, you'll have a fun time. The phenomenal child performances alone are enough to recommend Orphan.

The movie is overall good but the husband in this movie is stupid

You either love it or you hate it. That's really the effect of any great twist. I was one of those who absolutely loved it and found this creepy, disturbing movie even more terrifying with the reveal. Vera Farmiga (Conjuring) stars as a mother whose just gone through a miscarriage and with her husband played by Peter Sarsgaard (Skeleton Key) decides to adopt a mysterious young girl played by a very creepy Isabel Fuhrman (Hunger Games). At first Esther seems a little off but it's mostly acceptable until people begin having horrific accidents and some go missing. There is a palpable sense of dread that builds throughout the film and so many setpieces are expertly executed. The scene in the playground is an especially effective one. The film culminates in a surprising and edge of your seat fashion and all though there's a small loop hole here and there. Its completely successful at being a stylish, unique, intense piece of genre.

4/5