Premonição 4

For me, a rating of 5 out of 10 means I didn't like the movie, but I didn't hate it either.

"The Final Destination" is a 3D horror thriller gimmick. Even though I saw this in 2D, there were many elements that were very obviously designed to be in 3D to take full advantage of the medium.

However, the film itself just isn't good.

The acting is terrible. The story is formulaic. There's nothing really interesting as far as the plot. No discussion of death. No new interesting concepts. Lots of fluff in the form of false kills. And the entire film from the opening credits to the closing credits is about the methods in which these people die.

What this movie is really about is killing young, attractive individuals in a manner which will compliment the 3D. Nothing else. It's just killing people using a Rube Goldberg device or a flying object in 3D.

Some of the special effects are good, and a few of the deaths are interesting, however, the film doesn't really do anything for me. It's just kind of there. I don't really hate it, but I don't really like it either. I also don't really care for 3D in general. I think it's a stupid way of getting you to pay a little extra, like IMAX (which is a bigger screen and some extra speakers. Yaay).

Overall, if you like the 3D gimmick; you're just looking for a movie to take a few friends to and have a little fun; and you don't really care about plot, characters, or story, you might have some fun. To anyone else, I wouldn't really recommend it. It's just a studio gimmick and can be easily ignored.

5/10 - Nothing special.

From David Ellis, the director of "Snakes on a Plane" and "Final Destination 2", came the fourth outing for the Final Destination franchise in 2009. It came out during the brief 3-D resurgence in cinema, and it was one of many horror films that received the treatment.

Unfortunately, this was not a patch on the previous three, and crucially there was nothing new offered in this outing. The film suffers as a result, and feels stale. These films are always easy to watch and enjoyable, but by the ending, it has a feeling equivalent to bad fast-food - you've an empty stomach, and you could do with some more.

The plot is the usual in this franchise. A group of people cheat death and one-by-one Death begins to hunt them down. Many of the deaths are over-the-top and left me shaking my head (The pool drain, being the strangest). It was enjoyable enough, but completely pointless and added nothing new for the franchise. I found the CGI to be overdone and very distracting. All the deaths and action looked very fake because of it. The short-run time is worth mentioning, as the film barely clocked in at over 80 minutes. Probably just as well.

This was the worst entry in the series for the following reasons:

1. At approximately 80 minutes the film is too short and there isn't any sort of time given to building up tension.

2. Pretty much all of the deaths are given away in the previews, so when someone dies its no surprise whatsoever. By taking away the surprise aspect the movie was ruined.

3. There is even less of a plot here then the other 3. Granted the basic premise is the same but they didn't even try here.

4. The deaths themselves were very "meh" and fake looking. Way too much CGI was used. Not only that but they cut away from what probably would have been the most visually interesting death. 5. No Tony Todd. He was seen in the first 2 and heard in the 3rd one. At this point the fans expect to see him. They should have tried to get him in here somehow.

I could go on and on. I hope that if they make a 5th one that James Wong (who directed the first and third films) returns to give the series a proper send off as the David Ellis entries to the franchise (the second and fourth films) are definitely the weakest links in the series. To his credit though, part 2 did probably have some of the best deaths in the series (opening premonition, fire escape ladder, and plate glass).

Arriving on local theaters without the benefit of 3-D, the novelty of "The Final Destination" goes doubly kaput, as it not only lacks inspired deaths and sympathetic characters, but also because the flatness of David R. Ellis' body bag-fodder isn't mitigated by whatever shallow entertainment an additional dimension might have brought.

Eric Bress' script wastes no time in shaping its interchangeable characters as, apparently, Death has to immediately dive into placing its cardboard victims in intricate fatalities that have been the series' central gimmick. Nick (Bobby Campo) experiences a premonition of a disaster in a race track and manages to get a few people out, who would have otherwise died. As per the franchise's tradition, Death won't be cheated and it starts to do anything -- like toppling cans and letting waters drip -- to create a ripple of events that would eliminate the survivors.

Despite showing how lame entertainment can be entertainingly lame with "Snakes on a Plane," Ellis -- who also directed "Final Destination 2" -- doesn't strive for an ounce of creativity, resulting to a terribly disposable fare that fails to hit its its mark despite aiming so low. And as embodied by the narrative shortcuts this gorefest constantly employs, the Rube Goldberg set pieces start to feel less impressive than mechanical, which makes one believe that Death has worked itself too much over the last three installments.

If you're a fan of the franchise, you'd know the drill by now, and can probably mentally run through all the cliché moments you'll be expected to see being played out on screen once again. Start with a spectacular death-defying escape from certain demise, and because Death cannot accept those who cheated on him, hence begins that hunter-prey game where the Death's invisible hand starts to design some elaborate life-ending sequence for its victims, sometimes with some wickedly black humour thrown in.

Seriously though, Death has turned hip in the series, allowing a select group of survivors led by a prophetic messenger, if anything just to challenge himself to pick them off one by one through the simple rule of elimination in order of the premonition, dangling the carrot that whosoever can break any of his death traps, will be worthy of a second chance in life, not. One thing's for sure, an audience is not going to just walk in and expect great acting or high drama. All we want, simply and crudely put, is to see how brutal or comical death can result from sometimes the most ridiculous of set ups.

To top its predecessors, this installment had its introductory big scene set in stock car racing, which is the perfect avenue for 101 things to go wrong, and when they do, have thousands of potential victims to pick off from. While the very first movie had a spectacular, and some say too realistic for good taste in having witness from within a plane break up and explode upon take-off, this one had an adrenaline pumping race that got enhanced thanks to the latest gimmick in town, 3D.

And while some films are presented in 3D format without exploiting its 3D elements to the maximum, The Final Destination milked every single sequence that it could. From the get go you have objects darting around and flying toward you, be it huge tyres or mashed body insides, everything got hurled toward you from the screen, which I have to admit made me duck a couple of times, having deliberately chosen to sit up front so that the screen totally enveloped my field of vision. But there were still some sequences that looked quite cheaply done though, akin to the quality of those made for television movies due to a smaller budget devoted to effects. But for what it's worth as a 3D film, this is one of the better contemporary live action ones out there now.

One does not expect Oscar winning material in its storyline or acting, though the eye-candy cast made sitting through this film palatable, even if they're acting range comes with vast rooms for improvement. The film's relatively short, clocking under 90 minutes, and had enough cheat sheet deja-vu moments (which included the opening credits priming you on what to excpect) to repeat itself for the sole purpose of bloating the runtime. It also ran out of steam in its final act, leading to a very convenient and rushed conclusion which was just probably director David R. Ellis' way of saying "I do not know how to end this".

Will there be another Final Destination? Sure, if the writers can dream up of another shocker of an opening sequence to set the stage for more deathly carnage to happen. It's no brainer, and if box office results this opening weekend prove to be stellar, then we should expect this franchise to develop some legs to keep going on. And on. But if that happens, this will be viewed in 3D, or naught.