Em um funeral judeu com seus pais, uma estudante universitária se depara com seu "sugar daddy".Em um funeral judeu com seus pais, uma estudante universitária se depara com seu "sugar daddy".Em um funeral judeu com seus pais, uma estudante universitária se depara com seu "sugar daddy".
- Prêmios
- 11 vitórias e 37 indicações no total
Avaliações em destaque
We need Emma Seligman to direct a thriller/horror movie...like tomorrow. 😱
This was tense, creepy, claustrophobic. It's not one of those comedies that you laugh a lot, it's more about the absurd of the situation, but this was great.
I wasn't expecting to like this this much and this a fantastic debut for Emma. Great acting by all, but especially Rachel Sennott.
This was tense, creepy, claustrophobic. It's not one of those comedies that you laugh a lot, it's more about the absurd of the situation, but this was great.
I wasn't expecting to like this this much and this a fantastic debut for Emma. Great acting by all, but especially Rachel Sennott.
This movie definitely exceeded my expectations. If you enjoyed Trey Edward Schultz's "Krisha", and you want another story of a woman at a family gathering with an atmosphere of uncomfortable tension punctuated by a low-key score, but as a comedy, you'll probably really enjoy this movie.
Maintaining a strong sense of energy/tension/discomfort/hilarity for a whole movie IS VERY VERY DIFFICULT and VERY IMPRESSIVE.
From the perspective of the protagonist Danielle everyone else seems to have their lives figured out and her refusal to be honest about her uncertainty of where her life is going leads to plenty of awkward miscommunication and amusing moments. The performers' delivery of the script is great, which is a huge relief, because great scripts, particularly for comedies, can fall flat if the delivery isn't perfectly in-sync with the screenwriter's intent. Plenty of indie comedies with decent scripts lack convincing dialogue delivery.
The tension builds along with the intensity of the score and the suffocating way the shots are composed. The grinning faces of Danielle's elderly relatives are occasionally framed in a way that they appear comically menacing.
I'm always looking for good comedies, which can be hard to come by. This is sincerely the best comedy movie of 2020. EXCELLENT JOB EMMA SELIGMAN I AM NOW A FAN!
Maintaining a strong sense of energy/tension/discomfort/hilarity for a whole movie IS VERY VERY DIFFICULT and VERY IMPRESSIVE.
From the perspective of the protagonist Danielle everyone else seems to have their lives figured out and her refusal to be honest about her uncertainty of where her life is going leads to plenty of awkward miscommunication and amusing moments. The performers' delivery of the script is great, which is a huge relief, because great scripts, particularly for comedies, can fall flat if the delivery isn't perfectly in-sync with the screenwriter's intent. Plenty of indie comedies with decent scripts lack convincing dialogue delivery.
The tension builds along with the intensity of the score and the suffocating way the shots are composed. The grinning faces of Danielle's elderly relatives are occasionally framed in a way that they appear comically menacing.
I'm always looking for good comedies, which can be hard to come by. This is sincerely the best comedy movie of 2020. EXCELLENT JOB EMMA SELIGMAN I AM NOW A FAN!
Loved this film. I thought it was highly relatable as a gay-jewish man. Lots of family similarities. Each character was perfectly casted and realistic. Rachel Sennott was great, the audience really can empathize with her and feel her anxiety and panic rising with each scene. The way the soundtrack and music correlated with the scenes was perfect. I've been seeing some reviews compare it to a horror film, which is quite accurate, considering a family gathering can be horrific, traumatic, especially for a teenager / young-adult. I also found this film really funny, in a dark, unintentional way. Each character was just so absurd and an over-the-top caricature of what a nagging old Jewish lady could be like. The actress who played her mother was perfect as the over-bearing Jewish mother, with constant interrogation of her personal life, and crude jokes. I felt like the movie could have been a long pilot episode for a TV series. The ending was a bit abrupt, but other than that, it was an enjoyable film.
Rachel Sennott plays a college girl who leaves a night spent with her sugar daddy to head to a traditional Jewish wake. At that wake, she runs into her not-so-secret "scandalous" ex-girlfriend... and that very same sugar daddy, fully in tow with his wife and newborn baby. The first-time feature from director, Emma Seligman, plays like an awkward comedy and a claustrophobic horror. Sennott is spectacular in the lead role... and the extensive supporting cast is fakakta brilliant.
Você sabia?
- CuriosidadesKim (Dianna Agron) is referred to as a "shiksa", meaning non-Jewish woman. However, Dianna Agron is actually Jewish in real life, unlike lead actress Rachel Sennott, who was raised Catholic.
- Erros de gravaçãoAll mirrors must be covered during the Shiva period. In the bathroom it's uncovered.
- ConexõesFeatured in WatchMojo: Top 10 Best Movies of 2021 (So Far) (2021)
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- How long is Shiva Baby?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Şiva Bebeği
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 204.435
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.160
- 4 de abr. de 2021
- Faturamento bruto mundial
- US$ 502.047
- Tempo de duração
- 1 h 17 min(77 min)
- Cor
- Proporção
- 2.39 : 1
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