Coringa: Delírio a Dois

If Joker 2 was meant to expand on the tortured psyche of Arthur Fleck, it succeeded only in expanding my boredom. What made the first film so intriguing-the slow descent into madness-was replaced with a frantic, disjointed attempt to outdo its predecessor without any real sense of direction. Fleck's evolution (or lack thereof) feels more like a series of erratic, isolated scenes than a cohesive narrative.

The film struggles to find its tone, oscillating between forced social commentary and a carnival of absurdity, leaving neither thought-provoking nor entertaining moments to cling to. It's as if the filmmakers believed that more chaos automatically equals more depth, but instead, it comes off as empty spectacle with none of the philosophical grit that made the original resonate. The character development was shallow, almost as if they hoped we wouldn't notice the lack of story under the avalanche of neon-lit chaos and ominous laughs.

Joaquin Phoenix, ever the committed actor, did his best, but even his performance couldn't save a script that feels more like a checklist of provocations than an actual journey. Joker 2 is a poor imitation of its own predecessor, like trying to laugh at the same joke twice-only this time, it falls flat, and you're left wondering why you ever found it funny in the first place.

Verdict? Skip this punchline.

The story falls flat due to weak writing. While a few scenes are dramatically well-executed, they fail to captivate the audience, making the movie feel tedious from the start. The progression in both writing and direction is lacking, raising the question of whether a sequel was necessary in the first place.

Joaquin Phoenix once again delivers a remarkable performance, but it is difficult to fully appreciate or enjoy it given the film's flaws.

Lady Gaga's portrayal of Harley Quinn is underwhelming.

Even Todd Phillips' competent direction does little to elevate the movie.

I don't recommend watching this film. Instead, revisit the original "Joker."

Joker 2 attempts to once again dive into the mind of Arthur Fleck, but unfortunately, it treads too much of the same ground as the first film. The original Joker was such a meticulous and thorough character study that by the end, it felt like there was little left to uncover. That exact feeling haunts this sequel, as it struggles to find new dimensions to Arthur's complex psyche, leaving the film feeling more like an epilogue rather than a fresh narrative.

Joaquin Phoenix, as expected, delivers an excellent performance as Arthur Fleck, further cementing his unsettling portrayal of the Joker. Lady Gaga also brings depth to her role as Harley Quinn, adding a new dynamic to Arthur's story. However, the movie continuously pulls away from their strong performances with unnecessary musical numbers and courtroom drama that feel out of place.

Ironically, the movie feels its best when it alludes to the iconic scenes and atmosphere of the first film, rather than when it tries to experiment with new elements. The callbacks to Arthur's lonely and disturbed journey in the original film evoke the same eerie tension and emotional weight that made Joker so powerful. However, the attempts to add new layers with the courtroom drama and out-of-nowhere musical sequences ultimately detract from the story's flow, feeling more like distractions than meaningful additions.

The film shines brightest when it focuses on the twisted and toxic relationship between Joker and Harley. The chemistry between Phoenix and Gaga adds a fascinating layer to the film, but unfortunately, these moments are too few and far between.

Ultimately, Joker 2 feels more like a continuation that didn't have much more to say. While it has its highlights, particularly in its performances, the film feels like an unnecessary add-on to the first rather than a compelling new chapter. For fans of the original, it might feel redundant, offering little new exploration of Arthur's character or the world he inhabits.

Before watching the movie, I avoided reading reviews or watching trailers because I had incredibly high expectations. With stars like Joaquin Phoenix and Lady Gaga, I was hoping for an intense and profound portrayal of the Joker-a character known for his dark, complex, and psychopathic nature.

While Phoenix and Gaga give solid performances, the film falls flat in delivering the story we all wanted. Instead of diving deep into the Joker's twisted psyche, we're given an odd mix of musical numbers and dance sequences that feel out of place, often popping up every few minutes without any real purpose. The Joker's torment, his darkness, and his complexity-all of that is missing.

What makes it worse is that we all know this isn't the *real* Joker from the comics or earlier films. But even with that freedom, the movie wastes the potential to explore the more psychological, chaotic side of the character. Instead, we're left with a shallow version of what could've been a gripping dive into madness.

The supporting characters, like Harley Quinn (played by Gaga), are equally underserved. Instead of playing into their notorious, toxic dynamic, her character feels one-dimensional, with little depth to their connection. The lack of meaningful interaction between the Joker and figures like Murray Franklin or even Arkham inmates drains the story of any tension or intrigue.

It's a real shame because, with the right direction, this could've easily been one of the best films of the year. Instead, it's a disappointment. Save yourself the time and money-this one doesn't live up to the hype.

• Rating is 6.5/10
• Watched on Sept. 30 2024 @ Fan First Premiere (First Watch)
• Format: (Digital) IMAX

Todd Phillips repeats exactly what he did to The Hangover trilogy with Joker 2. The director goes on to make a sequel that is unfortunately empty and has no character development.

Phillips outdone himself in directing a film that has an outstanding cinematography/visuals that portrays every feeling and emotion that it wants to tell and express. BUT, he failed in creating an engaging storyline. From a part one to a part two, usually the characters of the film change. Their arc either declines or inclines. Their personalities change. Events/obstacles come along their way to shift their lives. OR new character/s enter their life which opens the door for more interesting events to come along their way resulting in a "Folie à Deux". In this film, Joker's/Arthur Fleck's life doesn't seem to change much as Gaga's character, Lee, is added. Instead, the film keeps repeating its events by REvisiting the past (the first Joker film) or reacting some of its scenes. It also keeps coming back and forth to the same locations and events within this film itself. Resulting in an overall dull film that is ONLY visually entertaining.

This film introduces two major characters within the Gotham world, Harvey Dent, who is played terribly by Harry Lawtey and written even worse. By the end of the film, I felt like he was useless and is taken advantage of because of his 'name' within the comic books fandom. Same goes to Lady Gaga's Lee that simply felt like it wasn't even in this film.

I enjoyed how this film uses music/songs to showcase that it's an ESCAPE for our inner selves. But, the song choices weren't on point. On the other hand, their performance was well done by Gaga or Joaquin Phoenix and Lawrence Sher's cinematography skills.