Arranca-me a Vida

Period pieces in Mexico have been well done almost always, but productions of period pieces had been only made for soap operas, never before had a movie production been so well done.

Although I never read the novel by Angeles Mastretta, I knew it was somehow accurate, since I hear she is a direct descendant from the story's protagonist Catalina -names are changed in the novel and film. This is shown by the richness of dialogs and curious anecdotes which constantly make you wonder which parts were completely true and which sprung from the author's vivid imagination.

Apart from the richness from the story and how the storytelling evolves smoothly throughout the film, the production design makes you feel completely Mexico in the 1930s. The costumes are great also.

The direction is almost perfect. Roberto Sneider takes you by surprise first at about minute 20, then slowly and smoothly hypnotizes you and never lets go.

Much credit goes to the lead Ana Claudia Talancon whose good looks and very well developed character arc make you fall at first for her beauty and innocence, and later for her humanity, courage and cleverness.

Daniel Gimenez Chaco's performance deserves praise also. He captures the Mexican Macho Persona perfectly, his cynical viewpoint of things and comments, bring humor to a character who would be otherwise despicable.

Second characters like de Tavira's and others feel a bit underdeveloped, but in the end all actors do great jobs with their little screen time and their contribution suffice.

The drama never falls for the temptation to go overly melodramatic and dialogs are kept smart enough - even ironic at times - to make this movie a fresh and satisfying take on the Mexican way of life. It actually feels so accurate that deep thoughts of "nothing has ever changed really" do spring a few times.

The music and editing are very well done also.

Congratulations to everybody involved!

I read Angeles Mastreta's book when it first came out and I just loved it. She's written some more afterwards, but I never really liked them as I enjoyed "Arrancame la vida". When I knew that a movie about this story was going to be done I read the book again, and to be honest I went to see the movie with the intention of reinforce that "stories are always better read in books, than depicted in movies". Well I was wrong.

To my agreeable surprise I enjoyed every minute of it, just as much as I did reading the book for the first time. You easily digest a witty yet sarcastic story, picturing a post revolutionary country society that grabs you from the very first second. All the charactersare very well pictured and the scenery is just perfect.

Thank you for this kind of Mexican cinema: enjoyable, brilliant and proudly capable of the quality to be appreciated by any kind of audience of the world.

This movie may contain some strong scenes, but it is a good screenplay that becomes great by the excellent performance of Daniel Gimenez Cacho. Ana Claudia Talancon makes a good performance look even better by her beauty. But unfortunately not all actors in this movie are good, I'm talking of the horrible work that Jose Maria de Tavira does in this movie, its a bad acting work but it looks like garbage compared to his coworker Gimenez Cacho. The screenplay its a great adaptation of the books written by Angeles Mastretta, this screenplay was done by the author of the book and the director, Roberto Sneider. The movie takes a theme that reminds you of La Ley de Herodes, so it portrays the old fashion politicians in Mexico, which still exist. The directors work is a good work which makes you try to remember his name, i personally hadn't seen any of his previews works but now that I've seen this one I'm sure gonna see his next work, he directed Dos Crimenes with Pedro Armendariz Jr. and Damian Alcazar. The movie is worth seeing and you enjoy it a great deal thanks to the acting of Gimenez Cacho, i hope to see more lead roles from him. So i hope you enjoy this one, and it has been already released so i don't know why it is shown as in production still.

In my opinion this is by far the best and most important Mexican movie since "La Sombra del Caudillo". A movie also made from a novel in 1960 that was seized by the army and never released, and was done in the same style of using fictitious names. After I heard that this movie was filmed in my home town Puebla (I'm a US citizen now living in LA), and a candidate for a nomination for best foreign film, I rushed for the book and read it. It didn't take too long for me to realize who and what she (Angeles Mastretta) was talking about, and I loved it. So I rushed for the DVD and couldn't find it, but somehow I saw the movie. In the version that I saw, I noticed an important and brief episode from the book (among others) that was missing in the movie almost at the end. I'm referring to a serenade performed by the best and most popular artists in those days, Pedro Vargas and Agustin Lara (there's a statue of Lara in a park in Los Angeles), that ended in a clean fist fight won by the kid with the motorcycle, that the young daughter of the general loved, and who mysteriously died a few days later in a motorcycle accident (?). Who was the rich kid? Well, who could afford to take these artists to Puebla for a simple serenade? But who wants to be an enemy of the media anyway. I wonder if the richest man in the world, whose name appears at the end in the credits as contributor to the movie, also contributed to the omission of this episode or if it was not filmed at all, that, I don't know. But anyway that is not too important compared to another character that is almost invisible in the book (and movie) by the name of "Don Mike Heiss". If you find out who he really was then do a simple research, like I did, and visit the archives of the New York Times. You'll be surprise of these articles from 1917 (the year Zapata was murdered)-1919 (Villa was murdered a few years later) when USA was about to invade Mexico again just to liberate this special agent ("Heiss") from a Puebla penitentiary. "HEISS" became the richest man in Mexico and probably in the world after Rockefeller, and was the partner of all the richest man in Mexico at the time, with the help of "General Ascencio", who was in charge of making offers nobody could refuse. After "Ascencio" died, "Cienfuegos" became one of the richest men in the world during the six years he was president. All this just proves that unfortunately there is nothing to celebrate next year on the centennial of the revolution the 18th day of November 1910, with the exception of remembering Aquiles Serdan the first martyr of the unconsummated and so-called revolution, initiated also in my beautiful home town of Puebla de Los Angeles (Mastretta?). The acting in this movie is the best I've seen in many years. Thank you Ana Claudia, Daniel and Roberto, from now on you are my favorite actors and director. Please don't go to Hollywood, you all are more needed in Mexico.

With these gushing reviews where this is a tale of a woman enthralled by a sophisticated older man. When in reality it was a poorly conceived story of a lecherous old man preying on a naive juvenile with way too much gratuitous nudity which is a dead give-away to a poor script.

There are ways to portray emotional and physical affection without the women in these movie having to bare their assets in order to get people to watch this drivel. I lost interest in the entire plot when this weak AF cliched sex scenes and especially when Catalina was underage. But this is what we are left with now-a-days as the quality of the end product continues to sink below muck.

Add the dead pan acting of various cast members to the cliched meeting Catalina and the band director as how weak this adaptation of a better reading product which often the case. It seems that these writers just can't take the gist of a good book and get it on film without screwing things up and than having to toss in female nudity to cover up another failed attempt.

Read the Book and bypass this nonsensical rubbish.