A Garota de Mônaco

With a title like "The Girl from Monaco", a picture of a bodacious babe on the cover, and a description about a neurotic lawyer defending a gangster's mother charged with the murder of a gigolo, I figured this would be a crazy comedy... something between "Legally Blonde" and "My Cousin Vinny" but in French. Boy was I wrong.

Certain filmgoers react negatively when they don't get what they expect. Me, I don't care as long as it's good. And this movie is definitely good. It begins with enough light-hearted comedy to draw you in at the opening scene. Other good laughs are peppered throughout the first half. But you soon realize that it's all a clever candy-coating, masking a dark, winding story beneath. In that respect, I'd compare it to "Art School Confidential" (2006) or "Jeux d'enfants" (2003) or even "Good Morning Vietnam" (1987) which begin as comedies but soon trick us down a different path.

If you go into this film with zero expectations, or better yet, expecting to be led to an unknown destination, I can't imagine you not liking this film. The acting is top notch, creating believable characters who are instantly likable despite their personality quirks. Even the Girl, who is basically a slut of the highest magnitude, comes across as cute, charming and breezy. It's hard not to see elements of the legendary Brigitte Bardot in her unapologetic sexuality.

And that's what this movie is really about: expression vs repression, openness vs modesty, freedom vs self-control. And we see the crazy results of people attempting to bridge between the two worlds. This movie is every bit as compelling as the Bardot films that first explored these sexually-charged themes almost 50 years ago. We see that they're still topical today.

A quick note about content... Even though this is a very sexual story, it's not too explicit, and I think there's only 1 brief nude scene (the girl topless in bed). Most of the steamy stuff is implied through dialogue.

Watch this back-to-back with the Bardot classics "And God Created Woman", "Night Heaven Fell", "Love is My Profession", and so on. Maybe you'll agree it's been a while since a director has been able to capture that same spirit. This movie is so much more than a comedy. Soooo much more.

Greetings again from the darkness. I live a charmed life. Very few things are more frustrating to me than a movie that has one or more good ideas and manages to do absolutely nothing with it/them. Director Anne Fontame has a good track record, but here a few bucks tossed towards a screen writer would have worked wonders.

The trio of prestigious lawyer Bertrand Beauvois (Fabrie Luchini), serious security guard Christophe (Roschdy Zem) and wild child weather girl Audrey (Louise Bourgoin) set the stage for some fascinating interwoven story lines. Instead we get a few good one-liners and a confused mixture of funny and dark.

I am not trying to bash the film as it is enjoyable enough, but it is certainly a poster child for wasted potential.

I read the reviews on iIMDb before watching the movie so that I knew what to expect, and, thus, I was not disappointed. One very positive thing about it is that it was not boring. In addition, thanks to my local public library, I saw the movie for free (unless I count the thousands of dollars I pay each year in property taxes that go to my local school and library system).Therefore, I gave the movie 7 out of 10 points.

La Fille de Monaco starts out as a comedy and ends up in a disturbing but well done drama. I don't consider this a fault; Romeo and Juliet is also of this structure. If you come in expecting this to be a light comedy, you will enjoy the first hour and then be woefully disappointed, but if you expect to be drawn in by laughter and brought into a darker movie, you will find beauty in the craftsmanship of this film.

The main parts of Bertrand (Fabrie Luchini), security guard Christophe (Roschdy Zem) hippie/loose Audrey (Louise Bourgoin) were well chosen and well acted.

The movie is one of the best I've seen for a dramatization of the "overly sexual woman develops complete power over a respected man" dynamic. It was believable, and because of that, disturbing. In other words, a good film.

Fontaine's new film seems on the surface simply a brightly colored Riviera toy, a romantic comedy with some Chabrol-eque twists at the end. There's a bit more; the salt-and-pepper casting of Fabrice Lucchini and Roschdy Zem is at least meant to be sly, the use of newcomer Louise Bourgoin an amusing experiment. Since this is Anne Fontaine, the comedy-drama is also a study of unexpected sexual attractions. It's a somewhat bizarre threesome: a famous lawyer, Bertrand (the soft, mercurial, witty Lucchini); his assigned and initially unwanted security guard, Christophe (the chiseled, tight-lipped Zim); and an air-headed but voluptuous TV weather bunny, Audrey (Bourgoin, a méteo presenter and TV personality in real life). But if the approach and the thinking are individual, the result is still pretty bland and generic.

Bertrand is a crack trial lawyer--and that's an excellent role for the ultra-articulate Lucchini. He's engaged in a high-profile trial in Monaco in which he is defending a posh lady, Édith Lassalle (a rather wasted Stephane Audran) who murdered, by stabbing, her younger Russian boyfriend, a gigolo characterized in court as having been spectacularly well hung. The family's rich, the case is high profile, and the boyfriend was a a sleazy, possibly mafioso Russian, so Édith's son Louis (Gilles Cohen) has engaged a full-time bodyguard for Bertrand.

He, Christophe, maintains his distance, but the cliché happens: Bertrand notices him and, not to be bothered by his hovering, invites him to dinner. There not being any real physical danger anyway, Chirstophe soon becomes simply Bertrand's girl wrangler, disposing of an annoying ex-girlfriend of the lawyer (Jeanne Balibar) by bedding her, then keeping Audrey at bay when she begins seducing the lawyer in the middle of the trial. The surprise (but isn't it another comedy cliché?) is, Christophe and Audrey have a history. Why not? She's screwed everyone on 'The Rock.' He pretends to be the strong silent type, but the new Bertrand-Audrey story complicates the buddy-picture aspect of things by making Christophe both more personally protective of Bertrand and dangerously jealous of him, when this strong silent type turns out not to have gotten that girl out of his system. Christophe reacts with repressed rage toward Audrey, and the film turns strangely serious. But not serious enough to make an impression. And the comedy wasn't funny enough to be memorable either. The screenplay might have worked better if Fontaine had chosen one direction or the other and flown with it.

Sure, this is a good cast and the colorful, free Monagasque atmosphere is made integral to the action. But truth to tell Bourgoin is just a tasty bauble who's not drop-dead gorgeous or soulful enough to have a great future ahead of her. Whatever they may have thought, Bardot she's not. Fontaine's strict directing of Lucchini (who is far wittier and funnier on TV and probably in his stage performances) and Zem (whose role remains relatively servile here), holding both back from "doing" much, or being fully themselves, fails to make the most of either. Lucchini is always fun to watch (and to hear talk) but he's more fun to watch when he's just being himself. It's obvious that a Chabrol treatment of this theme would be better and his recent 'Girl Cut in Two' has more depth--without having much depth.

Ultimately, and, alas, well before the last scene, this is a movie that disappoints. Will Sloan wasn't far from the mark when he commented that this illustrates Matt Groening's notion of "cinema's greatest paradox," that "the French are funny, sex is funny, and comedies are funny, yet no French sex comedies are funny." It's true of this one at least. A perusal of 'How I Killed My Father' and the less often mentioned but intriguing 'Dry Cleaning' will show how far this piece of frippery is from Anne Fontaine's best work.

'La fille de Monaco' debuted in Paris August 20, 2008, to satisfactory reviews. Shown as part of the Rendez-Vous with French Cinema at Lincoln Center, March 2009. It has been bought for distribution by Magnolia Pictures for an early July US release. with US release planned for early July. 2009