Deixa Ela Entrar

What would you do, if you just couldn't change, so set in your ways, with habits quite strange; how would you live, in a divisive world, when the city's awake, while you're hidden and furled; would you hold out your hand, to stave off the brink, would you stake all you've got, just float and not sink; when you look in the mirror and nothing is there, in the darkness of night, only pain and despair; then a saviour appears, with their own set of fears, an innocent soul, undefiled, sincere; someone to trust, a protector by day, who'll carry your secret and promise to stay; unaware of the pact that you've drawn them into, endeavours they'll end up performing for you; until the time comes, to repeat and replay, like a school game of tag, I think it's called, child's play.

I am not particularly fond of the vampire genre, but this movie is so much more. It is artistic, poetic, and in many ways a very profound movie exploring the nature of good and evil. It does so through the world of a child where both pure evil and pure goodness are somewhat discernible, and it achieves an astounding array of contrasts that allow us to see that good and evil can coexist side by side. Doing so, this movie is very thought-provoking, leaving the audience yearning to read the novel. In short, this movie is a gem. There is no need to remake this movie which according to IMDb.com they will be. You don't need to wait until 2010, you should watch this movie now.

I saw several movies at the Seattle International Film Festival this year, and Let the Right One In was by far my favorite of the bunch. It's primarily a movie about how friendship can help you find your own personal strength. Two lonely children meet and change each other's lives. The fact that one is a vampire makes the movie even more interesting and unique, but it's not the most important plot detail. The cold darkness of Sweden makes the perfect backdrop for the story. It was so refreshing to see a vampire movie that doesn't rely upon cheap scares, fangs and gore. The only scene I didn't enjoy involved cats with computer animated faces - it looked very stupid and out of place, but this was a small disappointment in an otherwise outstanding film. I highly recommend this movie.

Twelve year old Oskar (Kare Hedebrant) lives with his mother in an apartment block, at school he is called Piggy and is relentlessly bullied by three other boys. Then he meets his neighour Eli (Lina Leandersson), who tells him "I am twelve, but I have been twelve for a long time" - brilliant! Oskar is a bright kid, a series of murders in which victims are drained of blood and Eli's ability to climb walls combined with her nocturnal lifestyle leads him to ask if she is a vampire. Let the Right One In is a vampire movie, but it is more than just horror, it is also a coming of age drama and indeed a love story. The two leads are amazing, two of the best child performances that I have seen. One other thing that impressed me was the snow covered Swedish landscape, not only does it look wonderful but it gives the film a cold, bleak look.Red blood on snow, very effective. This movie isn't for everyone - if you don't speak fluent Swedish then it means subtitles, and at almost two hours it may prove too long for viewers who become impatient with slow burners. This was my second viewing, both times during Winter as I think watching it during warmer months may lessen the impact. Essential viewing for lovers of European horror and contemporary vampires.

I saw it in Bangkok International Film Festival 2008 and love this movie very much.

It has something big and stunning about this lovely storyline to rivet my attention from the beginning to the end. Moreover, the cinematography and atmosphere in this film are undeniably superb. The chemistry between two preteen protagonists is outstanding and very believable. Everything in this film is well-made in synchronization.

This is the first film related to a vampire that I think is least connected to Vampire's teeth baring at audience all the times, like other familiar horror we used to see. Other than some gory scenes in this film, we can yet see some flesh and blood moment of humane Vampire. And that is truly written to the core plot.

The last scene at swimming pool is totally mesmerizing and mind-blowing.

By the way, if Sweden submits this movie to be in competition with other nominees around the world for Oscar foreign-language film category this year, this masterpiece should win or at least be short-listed for the final fives.

10 out of 10