Julie & Julia

"Julie & Julia" is based on the book by the same name, which is based on the true story by Julie Powell about "The Julie & Julia Project". Julie (Amy Adams) is a government employee working in New York City in the year following 9/11. She, her husband Eric (Chris Messina) and their cat live in an apartment above a pizza parlor. All of her friends are successful in their careers. Julie is not. Of course, we all know who Julia Child is!! Meryl Streep was a fantastic Julia Child, who started out as a bored housewife in Paris looking to fill her time and ended up being a major influence on American cuisine.

One evening, while bemoaning the lack of meaning in her life, Julie picks up Julia Child's cookbook and decides to cook all 524 recipes in the book in a year, while blogging about her experience. At first, no one is interested, but as time goes by, Julie gets more and more followers of her blog.

I liked the parallel stories of Julia and Julie. They had similar experiences, yet there were drastic differences. Julia's husband Paul (Stanley Tucci) was extremely encouraging of Julia's cooking, while Julie's husband was kind of a jerk!! He was not very supportive of Julie's project. Seriously, if someone was going to be cooking me delicious food for a year, I would be 100% encouraging them along every step of the way!! Julia and Paul had a beautiful residence (with a maid!!), while Julie and Eric lived in a tiny apartment.

I enjoyed seeing the delicious meals both Julia and Julie prepared, especially boeuf bourguignon (YUM!!!). One of my favorite scenes in the movie was when Julia's sister Dorothy (Jane Lynch) comes to Paris to visit her. It was adorable to see two grown women squealing like little girls because they are so excited to see each other. There was quite a bit of passion in this film – passion (romantic and non-romantic) for each other and passion for food.

The movie dragged a bit, with a running time of just over 2 hours – I thought some scenes could have been trimmed down a bit.

Overall an enjoyable dish – go see this movie with your mom, your sister, or your best friend. Whatever you do, DON'T go hungry because you will regret it!! Madison Monroe - iratefilms

Twenty years after writing her best screenplay so far, When Harry Met Sally... (movie directed by Rob Reiner), Nora Ephron has finally matched it, at least with one story in her latest attempt titled Julie & Julia. In the meantime, combining it with her writing talents, she has directed a string of movies, including her commonly most acclaimed film Sleepless in Seattle, as well as seriously under-appreciated, though oddly amusing lineup of eccentric characters, brought together in the movie Mixed Nuts, remade from its French original.

Julie & Julia has immediately placed itself on top of my personal list of her self-penned directorial accomplishments. Based on two true stories, movie combines six decades separated lives of Julia Child (Meryl Streep), wife of an American diplomat (Stanley Tucci) in post-WW2 Paris, discovering her passion for French cuisine, then introducing it to American amateurs, and modern era Julie Powell (Amy Adams), professionally reduced to a hot line counselling 'cubicle girl', desperately entertaining her unfulfilled literary ambitions via blogging about her attempt to try and finish all 524 recipes from Julia Child's cookbook in 365 days.

Ms. Streep's acting is great as always, this time even aided by the physical grandeur of her greater-than-life on-screen persona, undoubtedly achieved by means of never visible pair of platform shoes, providing that she's impersonating genuinely tall person, as real Julia Child apparently was. Adding to it Mr. Tucci's notable performance in his role of a diplomat and supportive husband, as well as Ms. Adams's, well, not so remarkable, but still passable performance in her role of Julie, backed by yet another understanding and supportive husband (Chris Messina), combined they present us with the movie abundant not only with gastronomic treats, but cinematic ones, as well. (8-star rating as a rounded up average between 9-star Julia's and 6-star Julie's story.)

Meryl Streep continues to amaze. There's never been an actress quite like her. Her body of work is a gallery of character without parallel. After 3 decades she is still brand new. She never became a parody of herself like many other great actresses before her and, chances are, she never will. Here she recreates a popular icon, fearlessly. Her joy is utterly contagious and her side of the film is a marvel. Amy Adams, good as she is, becomes an unwelcome distraction. We want to stay with Meryl's Julia all the way. I think that Norah Ephron (Mixed Nuts) must have known, she must have! Didn't she notice in the cutting room, that we were going to be turning away from the story every time we move away from Julia Child? In any case I'm glad we had the chance to see this new Meryl Streep creation. Kudos also to Stanley Tucci. Stanley and Meryl create one of the most original believable couples in decades. Thanks to modern technology we will be able to re-edit the film for private consumption and have a sensational short : Julia in Paris.

The good parts of "Julie and Julia" are so darn strong, beautiful, and new that J&J becomes an instant classic. Grateful audiences are going to be laughing and crying and being inspired by this movie for a long, long time. The Julie portion is the weaker of the two, but not so weak that it sinks the film.

Meryl Streep as Julia Child is one of the most endearing, arresting performances ever. That the real Julia Child and her groupies irritate me no end in no way interfered with my appreciation of Streep's amazing characterization. I laughed and cried several times, I was so engaged in the cinematic Streep/Child's story.

Streep's chemistry with Stanley Tucci as Paul Child, Julia's husband, is breathtaking. No attempt is made to make Streep or Tucci conventionally attractive. No attempt is made to make them look young and dewy – they weren't – Julia married Paul when she was in her thirties and he was ten years older. Julia is tall; Paul is short; Julia is loud; Paul is bald, quiet and retiring. It is implied that they can't have children. They don't share conventionally romantic movie moments; they don't "meet cute," there's no candlelight, no slow dances, no full frontal nudity, no vulgar language (with one hilarious exception involving cannelloni).

All Paul and Julia do is share the drudgery and rewards of working life: hers as a cook, his as a state department official. The key to Streep and Tucci's chemistry is that they portray two characters who love each other. Watching a loving, married couple in a marriage that works is one of the great, and sadly rare, pleasures of this film. Steep and Tucci are every bit as charismatic a couple as Tracy and Hepburn. Jane Lynch is also brilliant in a small role as Julia's sister.

The Julia segments take place in post-war Paris, and the Paris of this film, one of elegant cafes, haute couture and vintage cars, is someplace we all wished we lived (except for the ever-present cigarette smoke.) No matter how you feel about cooking, the film gets you to care about Julia's slowly being drawn into her destiny as one of the legendary chefs of all time. You also care about, and respect, Paul, his career and its ups and downs in the McCarthy era, and his support of his wife.

The Julie Powell portion of the movie is the weaker portion. I really like the film's structure of switching back and forth between contemporary Queens and post-war Paris, contrasting a career woman's attempt to cook all of Julia Child's recipes with Julia Child herself, before she became famous. I just think that the film fails its own structure by simply not making the Julie Powell portion as interesting as the Julia Child portion. Some have complained that Queens is depicted as being too dismal, and Paris too elegant. It's more than that, though.

I think Ephron, a brilliant filmmaker, drops the ball with Julie Powell because she never engages the tough questions about Powell's experiment. Was Powell just someone eager for fame in the Warhol era of "Everyone is famous for fifteen minutes"? Was Powell parasitizing Child's fame? Was Powell a bad wife to her husband as she obsessed on completing her self assigned task? Have blogs killed quality writing? Was Julia Child correct in her condemnation of Powell? I am not saying that the answer to any of the above questions is "Yes." I'm not bashing Julie Powell. I'm saying that by not engaging them, Ephron made the Julie portion of the film simply not as interesting as it could have been had these very real questions been engaged. Instead, Ephron tries to turn Julie into a cute, bland Meg Ryan character, and it never works, not for an instant. When Powell has lunch with her career gal friends, her friends are such Gordon Gecko style sharks that we care less for Powell for being so needy as to want to impress them. The absolute worst scene in the movie comes when Powell, who has never been depicted as feeling happy or fulfilled, not with her job, not with her husband, not with her home life, plays 65 answering machine messages from agents, editors, and publishers who want to make her famous. As these messages play, she has sex with her husband, and her husband's comment lets us know that this is the first time in a long while that he has experienced satisfaction from his wife.

The message of that scene is so tawdry, it cheapens the glow created by the Julia portion of the film, that shows Julia Child achieving satisfaction *before she ever becomes famous*. Julia *loved* cooking. Julia *loved* her husband. Yes, she celebrates when Knopf wants to publish her book, but she is so divorced from the rat race that she doesn't even know how to pronounced "Knopf" – whether the initial K is silent.

Julie Powell is depicted as needing fame to feel good about herself, and the movie never interrogates that. Had it done so, the Julie segments would have been as interesting as the Julia ones.

In any case, this is a great film that will enjoy a much deserved embrace by its fans.

Ms. Streep's performance alone makes this film worthwhile--in recent years she has really shown her great talent as a comedian (Adaptation, Devil Wears Prada, this film). She has great comic timing, and always goes just far enough for the laugh, and usually not too far that it feels staged or unnatural.

From the reviews I read, I was really expecting not to like the "Julie" half of this movie--but I was pleasantly surprised. I read both "Julie and Julia" and "My Life in France" earlier this summer, and I have to confess that I didn't love the Julie Powell book. Amy Adams really brings this character to life and makes you care about her (more so, I think than the book did). One problem with the balance in this project is that Julia Child did something really important for cooking in America, and so her story is inherently interesting. Julie Powell wrote a book. That became a movie. Add to that the fact that the heavy hitters in the film all live on the Julia side--Streep, Stanley Tucci, and a great cameo by Jane Lynch--and the deck feels fully stacked. Full credit to Amy Adams and Chris Messina, then, for making us care about the half of the film that teetered on the edge of the perfunctory.

This film is all the more remarkable in that it is so rare to see a film these days that just revels in joie-de-vivre. I'm sure a lot of the rough edges of Julia's personality are smoothed over--but some of the stressful moments are there. I just felt so much affection for Streep's Julia Child in this movie--and I laughed repeatedly and heartily at her antics. A fun time at the movies--which is a rarer pleasure than it should be.