Cat City

...even tho I had to watch this film dubbed by Amazon to Spanish, something that was about to make me skip it, I was almost immediately grabbed by the slowly developing plot. (are you getting this, Amazon? Dubbing is for illiterate morons, invest in subs).

True, what the rate busters say it is predictable, the acting is cardboard cliche sometimes but it's not so evident and keeps you watching until the end which, for me at least, was a coin in the air.

Since this isn't going to be aired in any theater anywhere at this time, do watch it; I assure you it will be worth your time. Oh, and watch it 'til the end, the two closing songs are prime musical material.

In sum, a solid indie, 7/10.

I saw Cat City at a film festival. I love noir thrillers but Cat City fell quite a bit short. The plot is predictable. The dialog isn't sharp at all. And the acting in a couple of the major roles is wooden. Dennehy is fine as a retired police officer now doing PI work but he doesn't get a lot of screen time. Julian Sands was also good as a real estate guy up to no good. The two major roles that were poorly acted were Rebecca Pidgeon as Sands wife -- she's very wooden -- and William Shockey as a dot com millionaire. Shockey got screenplay credit too.

It's the kind of movie you'd kick yourself over paying to see at a cinema because it's simply not that good. Tellingly, it appears to be going straight to cable. If you catch it on cable you might pass a pleasant enough hour or two, but it won't stand up well against any good film noir movie.

An outstanding addition to the collection of Modern Noir, Cat City delivers all the familiar elements of the genre in a fresh new setting and story. As noted by other reviews of the film, Palm Springs is an inspired backdrop for this tale of seduction and suspense. The story of a real estate developer who is down on is luck and will do almost anything to secure more financing from a hot young bigwig that comes to town is compelling, as are the characters that get roped into the tale - the developer's insatiable wife, his steamy lover, and the hard boiled detective lured into to surveying them all. Huff masterfully ratchets up the scandal and suspense as the story deliberately clicks towards its extremely satisfying climax.

I highly recommend a viewing of this no nonsense, straight ahead noir thriller.

I give props to the Huffs, they have a lot of really good friends to come on IMDb and sing the praises of this film. One tip for next time, maybe don't have EVERYBODY give it 8 to 10 stars and declare it a modern-day indie Out of the Past because it looks that much more conspicuous for a movie in which the leads don't even seem interested. In fairness, I have never seen Rebecca Pidgeon actually convince me she isn't acting, because she doesn't do it well, but that may be a particular style honed working with Mamet. The only thing to recommend this is Dennehy and he doesn't get nearly enough screen time. Anyway, friends (or hirelings) of the Huffs, just for down the line, a little moderation goes a long way when working the con.

While watching typical cable television fare I stumbled on Cat City. I found the desert noir film to be visually stunning with great use of the Palm Springs location. The best way to describe Cat City is to say it's an intensely atmospheric piece. Director Brent Huff creates a gritty, compelling world thick with the air of venality, corruption and desperation.

Huff proves to have a distinct visual and directorial style. For the most part the actors deliver. Brian Dennehy as the grizzled detective shines. It's refreshing to see Rebecca Pidgeon stand out in a film that is not written and directed by her husband, David Mamet. Julian Sands pulls off the hapless rogue to the tee.

Cat City gets well deserved kudo's from me.