Alien Trespass

This Movie does not Make Fun of Itself. The Movie Itself is Fun. A Completely Straight Rendition of a 1950's Sci-Fi Movie that is a Loving Homage. There is some Inherent Humor Culled from the Zeitgeist of the Time and it Looks Gorgeous.

A Film that Time-Travels to a Distant and by Now a Completely Foreign Land, that of America Circa 1957 where Wives Wear Pearls while Cooking Breakfast. It is a Smart Movie that is Hardly Witty or Clever it just goes about its Business of Making a Movie as it might have been made when things like this were being Made for the Matinée Crowd and Drive-Ins.

It's Entertaining and a Love for the Fifties Sci-Fi, the Very Good Ones along with the Cheapies and the Utterly Exploitive, will Benefit the Viewing Experience. All the Cast Hits the Right Note and the SFX are Impressive at Recreating the Limitations of the Era.

Overall, a Must See for Movie Buffs with Wide Appeal Unlikely. But if You Love this Stuff there is Much to Love in this Little Take on a Time and Place that will Never Again Exist Except in Nostalgic Memories and for that this One Deserves Applause.

First, this is not a comedy. It's clear that the filmmakers were sincere in making this movie and tried to recreate a movie with the feel of a 1950's sci-fi, including the same kind of humor (for the most part). Sure, a comment that Edsels would be around forever, but there's not even a whole lot of that.

This film was made for people who enjoy watching the monster movies made 50 years ago. This has it all; small town in the desert, unusual goings-on in the hills; teenagers that adults won't believe; even the local scientist. It's an homage in the finest tradition.

As such, if you can't stand watching old '50's sci-fi, then don't bother with this. But if you catch yourself at the video store looking for some forgotten red-scare flying saucer thriller, or if your copy of This Island Earth is in regular viewing rotation, then Alien Trespass is intended for you, and you should see it.

If you love sci-fi films from the 1950's -especially IT CAME FROM OUTER SPACE or THE BLOB- and / or homages to or parodies thereof, then ALIEN TRESPASS should hit the spot!

It's a tribute to those alien invasion movies, usually involving a misunderstood E. T., or some hideous monster causing mayhem.

When a UFO crashes into a mountainside releasing a deadly creature, the otherworldly pilot of the craft must track it down. Eric McCormack is dead-on as both the intrepid scientist investigating the situation and the alien. Robert Patrick co-stars as the jaded, mean cop.

This movie is a delightful diversion...

Aien Tresspass is in my opinion a genuine horror movie: not only does it belong to the tradition of horror films in the broad sense of the term but it is a modern recreation of a genre that is pure horror cinema: films meant to scare the audience. This is particularly true of the American films of the 50s that came into existence within context of the Cold War and the possibility of a nuclear war. The ideological confrontation between two "alien" worlds was simply transposed in a S-F kind of setting. This is the innocent homage to that outmoded genre that this film is modestly offering us, succeeding, at any rate, in lighting it up with a delicious vintage flair. I absolutely recommend it.

For a moment I thought I was really back in my teen-age 1957, the big-finned cars, the flouncy dresses, the sci-fi saturated drive-ins. Okay, I'm nostalgic, but it really is a good flick, well acted, produced and written; plus, entertaining all the way through. So how will space-ranger Urp defeat the man-eating Ghota whose flying saucer has crashed into the North American desert. Good thing Urp borrows Dr. Lewis's body if not his hormones. At the same time, the village towns-people have to overcome their disbelief in alien space craft and shape-shifting monsters. What with all those vulnerable blonde cuties, I was really worried.

There are touches of satirical humor trading on 50's sci-fi, but the flick's too well rounded to qualify as just a spoof. In many ways, however, it does suggest a version of 1951's The Day The Earth Stood Still, from the latter's metal clad Gort to Klaatu's cosmic police force. However that may be, I was grabbed by that suburban house and its grassy yard sitting alone and in the middle of the immense desert, like a surrealist illusion. Actually, it's likely meant to show Lewis and wife's middle-class status among the town's backwoods types. And how about the parallel theatre scene with the panicked audience from 57's The Blob. It's an imaginative touch tying in with both AT's plot and the time period. Sure, the movie's gangly monsters are on the silly looking side, at least before they reduce you to goo. Still, it's an imaginative and well-done sci-fi, and a tribute to its 50's predecessors.