AVALIAÇÃO DA IMDb
6,1/10
183 mil
SUA AVALIAÇÃO
Frank Martin se prepara para entregar a Valentina, a filha sequestrada de um funcionário do governo ucraniano, de Marselha a Odessa, no Mar Negro.Frank Martin se prepara para entregar a Valentina, a filha sequestrada de um funcionário do governo ucraniano, de Marselha a Odessa, no Mar Negro.Frank Martin se prepara para entregar a Valentina, a filha sequestrada de um funcionário do governo ucraniano, de Marselha a Odessa, no Mar Negro.
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Avaliações em destaque
Read through all the reviews of this movie. Big fan of the first two myself and just got back from watching this. Pretty surprised that nobody has articulated the real reasons why this movie doesn't work.
Firstly, if you didn't enjoy the first or second movie all of this probably won't be very relevant. I would have thought that most people watching the third would have likely seen and enjoyed the other films in the series.
So, why is this the weakest film in the series? Anybody's review who criticises it based on a unrealistic plot or implausible action is missing the point. This might be obvious but there are numerous reviews citing these as the reasons for the film being average/bad. It's also an important part of the formula that worked well in the first and second films.
The reason this third effort doesn't work as well and is not as enjoyable is due to a variety of factors - TONE and PACING probably being the key reasons and also areas where it departs from the previous instalments.
By tone i mean a few things. Is there ridiculous over the top action in this film? Yes, most definitely, but the problem is in how it is being presented. The other movies made you laugh in their almost comic book presentation and stunts. This film is genuinely trying to sell itself as a serious action movie. They completely took the humour out of all the potentially very humorous moments through the more 'arty' editing, over the top score dramatic score (soundtrack definitely plays a big part of the different tone in the 3rd movie) and generally lousy script.
This leads on to the pacing, which is far too slow at times. Way too much dialogue between Statham and the girl. Yes we know the character fairly well but the movies were always about the action and less the dialogue. Jason Statham is capable but the script can't really be saved here.
So, a dramatically more realistic Transporter movie but sucked dry of all the humorous and fun tone that made the previous instalments so much fun. As I said there are plenty of silly and deliberately humorous moments but the way it was constructed and presented meant I wasn't laughing anywhere near as much as I was in the other films. This in conclusion is the main failure of Transporter 3 - 5/10 just for being a new movie in an otherwise cool franchise.
Firstly, if you didn't enjoy the first or second movie all of this probably won't be very relevant. I would have thought that most people watching the third would have likely seen and enjoyed the other films in the series.
So, why is this the weakest film in the series? Anybody's review who criticises it based on a unrealistic plot or implausible action is missing the point. This might be obvious but there are numerous reviews citing these as the reasons for the film being average/bad. It's also an important part of the formula that worked well in the first and second films.
The reason this third effort doesn't work as well and is not as enjoyable is due to a variety of factors - TONE and PACING probably being the key reasons and also areas where it departs from the previous instalments.
By tone i mean a few things. Is there ridiculous over the top action in this film? Yes, most definitely, but the problem is in how it is being presented. The other movies made you laugh in their almost comic book presentation and stunts. This film is genuinely trying to sell itself as a serious action movie. They completely took the humour out of all the potentially very humorous moments through the more 'arty' editing, over the top score dramatic score (soundtrack definitely plays a big part of the different tone in the 3rd movie) and generally lousy script.
This leads on to the pacing, which is far too slow at times. Way too much dialogue between Statham and the girl. Yes we know the character fairly well but the movies were always about the action and less the dialogue. Jason Statham is capable but the script can't really be saved here.
So, a dramatically more realistic Transporter movie but sucked dry of all the humorous and fun tone that made the previous instalments so much fun. As I said there are plenty of silly and deliberately humorous moments but the way it was constructed and presented meant I wasn't laughing anywhere near as much as I was in the other films. This in conclusion is the main failure of Transporter 3 - 5/10 just for being a new movie in an otherwise cool franchise.
I just went to the Premiere at Planet Hollywood last night, and if you enjoyed the ridiculous action seen in the first two, you will definitely enjoy Transporter 3. Jason Statham returns and kicks everyone's ass regardless of the situation, and the vehicular action in this one is better than ever. His new "girl along for the ride", played by Natalya Rudakova, serves as a humorously contrasting (and hot) addition to Frank's troubles, and she managed to deliver a half decent performance. Transporter 3 is over-the-top and cheesy at times, but if you don't mind those things in an action movie, then there is much entertainment to be found here.
I loved both Transporter and Transporter 2, and I couldn't wait until opening day of Transporter 3. I recruited a few of my friends and we made a girls' night outing to see it. My big disappointment was with the director's comic fast-frames in the fight sequences. Jason Statham moves so fluidly in fight sequences, that it's both beautiful and a turn-on to watch. However, with jerky camera movements and the ridiculous fast-forwarding, the elements of grace and power were lost. The director tried to substitute plenty of still moments with a shirtless Statham in an attempt to give us some eye candy, but none of this did Jason justice, nor was it a fitting substitute. Natalya Rudakova was much too young for him as a romantic interest (kind of creepy), and I was unconvinced by her cheesy accent and her character's incongruent language mastery. Her character went from describing gourmet delicacies in perfect English to saying "what means ____" (insert basic word).
I loved François Berléand again, and of course Jason put in another outstanding performance. Natalya could have been a fun character, without the bad accent and romantic twist to the plot.
Please give us a Transporter 4 more in line with the previous two films!!
I loved François Berléand again, and of course Jason put in another outstanding performance. Natalya could have been a fun character, without the bad accent and romantic twist to the plot.
Please give us a Transporter 4 more in line with the previous two films!!
I'm beginning to see a pattern here, and I'm thinking that The Transporter, if it has the legs for more movies, could be the franchise equivalent of being a poor man's cousin to James Bond. Created and written by Luc Besson and Robert Mark Kamen for three installments so far, the character of Frank Martin is a roguish looking strongman with a penchant for suiting up when going about being the best of the best in personalized delivery, with no questions asked, no names, and a whole host of other rules which he will of course break during the course of the movie.
Like Bond, he drives a cool, sponsored signature car. While Bond has his Aston Martins and BMWs, Frank Martin traded his BM in the first movie, for the armoured Audi A8 W12 which he has brought over from the second film, and here, that sweet supercar got to be put through even more punishment. It also shows itself to be a cut about the rest in being waterproof too, and an occasional dunk in the river won't put out the powerful engine, with tyres that self-inflate too (ok, so just in case you don't realize, I'm pointing out mistakes).
And it follows the Bond formula in having the Chick of the Flick highlight too. Shu Qi came on board in the first film as the vixen who traded her body to convince Frank to take the job. Then we had the good girl-bad girl combination for Part 2 with Amber Valletta and Kate Nauta respectively. Here, model Natalya Rudakova, with her very obvious freckles getting in the way, continues from where Shu Qi left off, being the flower vase who can't speak English fluently no thanks to her strong accent, and that's fine since their characters hail from a non-English speaking country.
Director at the helm has been round robin too (now by Olivier Megaton), with Hong Konger Corey Yuen crafting the first movie, before taking the back seat in every film by taking charge of how Frank Martin does hand to hand combat. So we do get to see some consistency in the technique that Jason Statham adopts in performing martial arts and various stunt work on his own, and Statham definitely has what it takes to fill up the void of having the lack of Western action heroes on the big screen. I suppose with more hits under his belt (pardon the pun) he could cement this status, and I sincerely hope that he avoids the plague of being relegated in his later years to the direct to video market.
As far as the story goes, it just provides a basic premise and an excuse to see how our hero gets to sit behind the wheel again. The Frank Martin now is more laid back, and spends most of his leisure time with the French detective Tarconi (Francois Berleand) whom he has befriended now. Until of course his reputation catches up with him, and in a Crank inspired moment, has to do what he does best for the bad guys, much against his wishes. The villains almost always seem to be part of what's topical at the moment, and this time Frank Martin has to contend with some eco-terrorists who are blackmailing a minister, involving some permit for industrial waste.
But who cares about any semblance of the plot anyway? We're looking for some adrenaline pumping, high octane action aren't we all? And here's where it takes a slide for the worse actually. Unlike Bond, there isn't anything new or refreshing to keep the audience engaged and away from the deja-vu feeling. For some reason, Besson and Kamen's story seemed to be stuck in a lot of drama and talk-talk-talk, giving our hero not much time to flex his muscles. And when he gets the chance to, it's the same old one-man-surrounded-by-thugs routine where he effortlessly dispatches them all with aplomb.
Such fight scenes are becoming common in The Transporter franchise, and Corey Yeun definitely needs to rejuvenate his action sequences designed for the franchise pronto. There are only two major fisticuffs scenes, and they all follow the same routine, which spells boring. And apart from that, we get the usual complementary car chases which seem to be rather standard with the usual camera shots and angles capturing the action too.
Fans of the series and of Statham will no doubt make a bee line at the box office for this, but I suspect that should there be any more thoughts on extending the franchise beyond the three films, then while the formulaic plot format can be kept, the action better be innovative because nobody likes seeing the same thing twice. Since different directors got a chance to have a go at the franchise, perhaps a change in action choreographers might give Frank Martin the lift that he needs.
Like Bond, he drives a cool, sponsored signature car. While Bond has his Aston Martins and BMWs, Frank Martin traded his BM in the first movie, for the armoured Audi A8 W12 which he has brought over from the second film, and here, that sweet supercar got to be put through even more punishment. It also shows itself to be a cut about the rest in being waterproof too, and an occasional dunk in the river won't put out the powerful engine, with tyres that self-inflate too (ok, so just in case you don't realize, I'm pointing out mistakes).
And it follows the Bond formula in having the Chick of the Flick highlight too. Shu Qi came on board in the first film as the vixen who traded her body to convince Frank to take the job. Then we had the good girl-bad girl combination for Part 2 with Amber Valletta and Kate Nauta respectively. Here, model Natalya Rudakova, with her very obvious freckles getting in the way, continues from where Shu Qi left off, being the flower vase who can't speak English fluently no thanks to her strong accent, and that's fine since their characters hail from a non-English speaking country.
Director at the helm has been round robin too (now by Olivier Megaton), with Hong Konger Corey Yuen crafting the first movie, before taking the back seat in every film by taking charge of how Frank Martin does hand to hand combat. So we do get to see some consistency in the technique that Jason Statham adopts in performing martial arts and various stunt work on his own, and Statham definitely has what it takes to fill up the void of having the lack of Western action heroes on the big screen. I suppose with more hits under his belt (pardon the pun) he could cement this status, and I sincerely hope that he avoids the plague of being relegated in his later years to the direct to video market.
As far as the story goes, it just provides a basic premise and an excuse to see how our hero gets to sit behind the wheel again. The Frank Martin now is more laid back, and spends most of his leisure time with the French detective Tarconi (Francois Berleand) whom he has befriended now. Until of course his reputation catches up with him, and in a Crank inspired moment, has to do what he does best for the bad guys, much against his wishes. The villains almost always seem to be part of what's topical at the moment, and this time Frank Martin has to contend with some eco-terrorists who are blackmailing a minister, involving some permit for industrial waste.
But who cares about any semblance of the plot anyway? We're looking for some adrenaline pumping, high octane action aren't we all? And here's where it takes a slide for the worse actually. Unlike Bond, there isn't anything new or refreshing to keep the audience engaged and away from the deja-vu feeling. For some reason, Besson and Kamen's story seemed to be stuck in a lot of drama and talk-talk-talk, giving our hero not much time to flex his muscles. And when he gets the chance to, it's the same old one-man-surrounded-by-thugs routine where he effortlessly dispatches them all with aplomb.
Such fight scenes are becoming common in The Transporter franchise, and Corey Yeun definitely needs to rejuvenate his action sequences designed for the franchise pronto. There are only two major fisticuffs scenes, and they all follow the same routine, which spells boring. And apart from that, we get the usual complementary car chases which seem to be rather standard with the usual camera shots and angles capturing the action too.
Fans of the series and of Statham will no doubt make a bee line at the box office for this, but I suspect that should there be any more thoughts on extending the franchise beyond the three films, then while the formulaic plot format can be kept, the action better be innovative because nobody likes seeing the same thing twice. Since different directors got a chance to have a go at the franchise, perhaps a change in action choreographers might give Frank Martin the lift that he needs.
I read many of the reviews on rottentomatoes and almost did not go to see this movie. What a mistake that would have been. If you want to go to a movie,sit down and be entertained for 1 hour and 40 minutes with non stop action then this is the movie for you. I am not a serious movie critic I am just an average guy who wants to go to a movie that will be enjoyable. This movie is fun to watch from the beginning to the end. I asked others that were sitting near me what they thought of the movie and they all liked it. I thought that Jason Statham was perfect as Frank Martin. I wish that I had a body like that, I would do a striptease for a living. I enjoyed that the French Inspector was more involved in this movie over the last 2. He brought a lot of humor. The girl at first was annoying but she kind of grew on me and by the end of the movie I liked her.
Você sabia?
- CuriosidadesNatalya Rudakova, who was a hairdresser with no acting experience prior to this film, was discovered by producer Luc Besson as he was walking down the street in New York. Besson caught up to her and asked her to take some acting lessons and then come in for an audition.
- Erros de gravaçãoNear the beginning of the movie, when the two ship crewman die after being exposed to poisonous chemicals inside the cargo container, their skin is bloodied and appears melted from chemical burns which implies some type of biological poisonous gas deadly to skin contact; however, shipmates investigating the cargo container break-in are wearing gas masks with their face/hand skin exposed.
- Citações
Frank Martin: You don't want to do this.
Mighty Joe: I don't think you're in a position to tell me what to do or don't what to do. You have ten seconds to change your mind.
Frank Martin: I'll give you five seconds to remove your hand.
- ConexõesFeatured in Great Movie Mistakes (2010)
- Trilhas sonorasWherever You Were
Written by Don D. Robey (as Don Robey) and Vernon Morrison
Performed by Holly Golightly
(c) Duchess Music Corp.
(p) 1995 Damaged Goods Records
Taken from the Album "The Goods Things" (Damgood 65)
www.damagedgoods.co.uk
With Courtesy of Universal Music Vision
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- El transportador 3
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.715.062
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.063.452
- 30 de nov. de 2008
- Faturamento bruto mundial
- US$ 108.979.549
- Tempo de duração1 hora 44 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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