Mamãe & Papai

I thoroughly enjoyed this ensemble piece, despite what has been previously posted the performances were good( newcomer included)as strange dysfunctional 'family'. Perry Benson( Dad) seems have relished in seedy elements of his character, and Dido (Mum)plays it with just enough detachment to make really creepy. As for character of "Birdy", she is just so evil & manipulative .. Oh she reminders of my older sister. Do think some of nuisances will only appreciated by a British audience(especially with regards a Christmas scene) or someone who has been stuck in an after it closes. Seek it out if you like your horror served with a wry smile.

As an obviously low-budget film I'd say this is a job well done within the limitations that such lack of finance offers. From the moment that Lena is taken back to Birdie's house the intensity is sustained, admittedly over the top at times but it held my attention. I don't feel I need to know why the dad is as he is, what motivates the mother or why the other two 'children' haven't tried to escape, as a claustrophobic, hellish situation the film does work. There are the inevitable predictabilities as this scenario is a variation on the theme of plenty of other films but without pointlessly harping on about comparisons I feel that Mum & Dad achieved as good a film as it could have been, an accomplishment which should lead to the writer/director being given a longer leash on his next venture. As a footnote, I'd say that Olga Fedori has enormous presence and I hope the quality of work comes her way to realise what, to me, seems to be great potential.

What better way to start the new year than with a gritty British horror flick. New horror talent is rising everywhere and the Brits can't lag behind. Not that they can keep up with the best, but they manage to uphold a good standard of dirty and raw horror flicks. Enter Mum & Dad.

Horror films come in all different sizes and flavors. Gore, ghosts, werewolves, suspense, torture and whatnot. Sheil's Mum & Dad is a little different though. Rather than hit the audience with full-frontal ugliness it gambles on weirdness and plays the freak card. While some might call it another variation on the crazy family theme, it holds more in common with a film like Killers (or Real Killers, as it is also known) than it does with the Chainsaw Massacre or Rob Zombie flicks.

One thing about horror flicks is that you can often derive a lot from the title of the film. The cooler and tougher it sounds, the softer it usually is. And so you have to admit, Mum & Dad leaves a good solid base for some slick and freaky horror fun. Central to the film are both characters referenced in the title. Mum and dad might look like ordinary people from the outside, they certainly are a little different from your regular household setup.

The fun starts when one of their children drags in a Polish immigrant girl who gets "integrated" into the family. It quickly starts to dawn that mum and dad are not as ordinary as they seemed at first and off you go for a good 60 minutes of weirdness. Much like Calvaire, the film plays on equal levels of awkwardness, grit and humor which makes for a pretty compelling viewing. As much as you are repulsed, there's always some mad streak that sports a dark grin.

The film is obviously a low budget affair and even though Sheil does his best to conceal this fact, from time to time it does look its budget. Visually there are interesting shots and sequences but the overall effect remains pretty inconsistent, with some rather amateurish shots in between. Same goes for the soundtrack of the film. Some dark ambient background music and good use of sound effects, but it never really gels into an audiovisual trip.

Luckily mom and dad themselves make the film a pleasure to watch. Their appearance alone, especially dad's, gives the film a pretty twisted feel. Fat English accents and an overly greasy facade only add more flair to the family. Both daughter and son are nice additions too, adding their share of weirdness to the whole setup.

While the level of gore is not noteworthy the film is pretty damn filthy in its own right. The creepiness of the family creates a bigger punch for what is actually shown on screen. On the other hand, the film never loses its touch of humor, keeping it clear from the realm of films like Martyrs. Add some nicely built up tension near the end and what you have is a pretty neat little horror flick that is sure to entertain and repulse at the same time.

Mum & Dad is not as good as any of its influences as Sheil's style is a little less refined. Still, there is potential aplenty and if the idea of a mellowed down mix between Calvaire and Martyrs appeals to you this is definitely a film worth watching. 4.0*/5.0*

Loosely inspired by Fred and Rosemary West sick murderous activity "Mum and Dad" doesn't disappoint when it comes to brutality.Mum and Dad and their 'adopted' children,Birdie & Elbie,work at the airport.The family live off whatever they scavenge from cargo holds,offices and hotels - including a steady stream of transient workers who populate the airport's soulless hub.When Lena,a young Polish office cleaner,is befriended by Birdie,she gets drawn into a nightmarish world of torture,murder and perversity.Imprisoned in a suburban House of Horrors and designated a 'Mummy's Girl',Lena's only options appear to be to become part of the family-and join them in their insanity-or die painful death.The film despite its general misanthrophy and unsettling violence plays like a black comedy.It certainly has plenty of humorous moments to relieve the tension.It's quite disturbing and torture-laden too.8 out of 10.

I've watched countless horror films and this is one of the very best.

I agree with a previous reviewer that the Americans are generally better at making these sorts of films, but this particular film proves beyond doubt that the best British efforts are at least as good as anything the Yanks can do.

If this really was made on a budget of £100k it just goes to show how much bang for your buck you can get with the right writer/director and cast. The whole feel of the film is effortlessly authentic. The cast is superb throughout and the dialogue completely natural and believable.

The director deserves credit for putting some very brave moments on camera, moments that even in today's battle hardened torture porn times elevate this movie to the sublime.

Far from being in any way inferior to an American production, this is in fact near perfect execution of modern horror storytelling.