Uma Manhã Gloriosa

It's no secret that people go to see movies touted as being comedies for one reason, they want it to be funny and thereby make them feel a little better, or at least lighten their mood. That's what I was looking for when I went in to see this film. Thankfully, I was rewarded with more feel good value than I had paid for. This film is terrific entertainment.

I'll add that I enjoyed this film on a number of levels.

First, was the pure comedic value, which was high. Rachel McAdams owned nearly every scene she was in with not just her drop-dead-gorgeous-good-looks but with her well applied talent invested into this somewhat quirky, high energy character. McAdams' Becky was a finely crafted portrait of a warm, likable, very intelligent, hyper-kinetic, lovable screwball of a young woman. Her every moment on screen exuded lovable charm by the truckload; she's never looked more appealing or more lovely.

But McAdams certainly didn't have to carry this funny film on her own. She was ably assisted by some of the finest people in Hollywood in the persons of Harrison Ford, Diane Keaton, Jeff Goldblum, John Pankow, Patrick Wilson, Matt Malloy, Ty Burrell, Patti D'Arbanville and a long list of equally great supporters. What a great selection of professionals.

Ford was splendid as the emotionally parsimonious codger of an over-the-hill anchor. Not to be outdone, Diane Keaton was as terrific as ever in her turn as Ford's cynical, combative co-anchor; which she carried off with a wonderful exuberance and energy.

Jeff Goldblum - who always seems to land roles as some kind of "different" personality - was excellent as Ms. McAdams' crabby boss. McAdams' colleague Lenny was well worn by John Pankow who seems to add to everything I've ever seen him in. Patrick Wilson as McAdams' love interest wasn't given much material to work with but his time on screen was well spent, adding a quality performance in just the right place. Ty Burrell was funny and at the same time kind of spooky as an unappealingly unctuous departing anchor. Though a small part, it was pleasant to see Patti D'Arbanville play McAdams' mother with appropriate love and concern.

I saved Matt Malloy for last because he was an unexpected treasure. His portrayal of the show's weatherman suddenly thrust into a new and challenging role was particularly hilarious; the proverbial icing on the cake.

The second area of enjoyment was the overall effort put into the sets, art direction, sound and the other technical areas. Everything was first rate which added to the realism.

Finally, their depiction of the behind the scenes areas of a hectic television studio came across as spot on, actually heightening the chaos that seemed to follow McAdams everywhere. You can't go wrong seeing this film if you're looking for a fun night at the movies.

A big thank you to the makers of this entertaining gem! By Bruce L. Jones http://webpages.charter.net/bruce.jones1/

Rachel McAdams leads the way in this surprisingly refreshing flick as the workaholic television show producer, Becky, who lands the job of organizing "the worst morning show ever". She only has a short time to save the show's plummeting ratings, and in doing so must battle with low worker morale, conceited anchors, poor working conditions, as well as her own inadequacy in dealing with guy-problems. Desperate for a change, she recruits the legendary newscaster Mike Pomeroy, played by Harrison Ford, who is less than willing to cover any story he does not consider "worthy of his reputation".

The film brings not just a comic story of working with grumpy people, but the beautiful emotional tale of a girl who realizes her dream of being a television producer and, by pulling everyone together against the odds, creates a family in the process. But where the story is rather run-of-the-mill, the chemistry between the impressive cast is the movie's redeeming quality. Across the board, acting was fantastic, and in all honesty the movie owes its success to McAdams and Ford. Rachel McAdams should be commended for her frustrated role as Becky, and has proved that she has much more to offer than a just pretty face. Harrison Ford, perhaps the true star of the show, fully embraced the character of Pomeroy did a wonderfully fantastic job being grumpy, conceited, and an all-around "asshole" in one of his best roles as of late.

Morning Glory is a nice tale that will leave you with a sweet taste in your mouth. Combined with some real solid acting, this is not a movie you'll regret checking out!

It's a bit cheesy.

But has a seriously sweet story and great message.

It could do without the romance.

It made me laugh out loud, so that's a plus.

It has Rachel McAdams, so I don't think it's humanly possible for me to give this movie (or any movie starring Rachel McAdams for that matter) anything lower then 7 stars. I think I love her.

Rachel if you're seeing this find me. (Why would she see this?) Harrison Ford plays a very Harrison Ford esc role, it's funny and it works.

Diane Keaton is surprisingly pleasant in this. She has a fun little arc.

Rachel McAdams. Wow I means she knocked it out of the park. How couldn't she? With those bloody dimples.

Anyways, yeah it's good! Little cheesy. But good.

This film is about a young executive producer's struggle to revive an unpopular morning show.

I thought "Morning Glory" is just another romantic comedy that happens to be set in a television setting, but it pleasantly surprised me. The plot in fact focuses a lot more on the stress and frustration of being an executive producer, with romance being sidelined as an almost dispensable subplot. The intensity of Becky's job is well portrayed, the two anchors' verbal wars and Mike's indifferent and selfish attitude all makes "Morning Glory" entertaining to watch. "Morning Glory" is a pleasant surprise!

Rachel McAdams is taking the lead this time in a rom-com that adds a little pathos, shows the rest of the world what it's like to be totally committed to a job (being a former workaholic, I can totally relate to this.) The pace is set at "sprint" and actually does a great job of going the distance. 10 cuts above a sit-com, but could possibly be turned into a very successful one about a fictional struggling #4 slot on the network morning show circuit. Adding to the mix and a lot of credibility, Jeff Goldblum, Dianne Keaton, and Harrison Ford, looking every bit his 60+ years, but still has a boyishness to his demeanor that hearkens back to Star Wars and Indiana Jones. Patrick Wilson is the rom in "rom-com" and he holds his ground against the whirling dervishness of Rachel's character. The writing is outstanding and the one-liners, priceless. Check it out.