Sauna

The supernatural permeates this enigmatic tale, in which three Russian soldiers, a Finnish warrior and his cartographer brother try to map borders, at the end of the bloody war between Russia and Finland (under the rule of Sweden) during the 16th century. There is something of a chivalrous nature in their mission, but the savage extermination of a peasant and his daughter, unleashes the center of the tragic story.

Halfway through the journey, the company comes across a village in the middle of marshy lands and, next to the settlement, a mysterious sauna, in which people can wash away the evils they have committed in their lives, according to a Russian text, written by the monks who originally inhabited the village.

In the final third, horror dominates the story, following the lines of graphic terror, in a way that loses the balance of the previous hour. Until that moment the film has been carried with an inscrutable tone, a foreboding atmosphere and fear inspired by the unknown, accompanied by a constant musical commentary that does not get in the way, like other times, in so many films. The climax scenes are more repellent than terrifying and not because they are visually unpleasant or ineffective, but because of their cryptic quality, because they are so inexplicable, between superstitious behavior and the true expiation of the guilt of these men. Fortunately, in the coda, the film resumes its initial tone and returns to its opening scenes, which suggest the ironic final destination of the cartographic mission.

«Sauna» is a very interesting work that deserves to be seen, whose mixture of history, politics and terror, reminded me of «Ravenous», Antonia Bird's exceptional horror drama on expansionism and cannibalism (and cowardice). The film is guided with admirable rigor by the director and interpreted with aplomb by the entire cast. Despite everything, the recommendation persists on my part, because everything that precedes is so good. that the movie deserves it.

Two brothers, part of a border-recognition treaty detachment after a very long war, confront and deal with the wartime acts of brutality and violence of the older brother. The older brother has been part of this war for 25 years; the younger brother has been studying to become a professor and has been comparatively sheltered from the horrors. The younger brother comes face to face with his older brother's moral deterioration, and, disturbed by the older brother's acts of war, eventually persuades (and forces) the older brother to completely atone for those actions. The amount of spookiness achieved with no special effects other than blood, is truly remarkable, and a lesson for Hollywood. And in the end, the viewer is left with an uncertainty as to who must pay for sins, and why, and whether anyone, ever, is truly innocent.

Strikingly beautiful Finnish art house 'horror' film about guilt, religion, sin and punishment, set in the 16th century, at the end of the Russian/Swedish war.

It's full of atmosphere, symbolism, and unanswered questions. Two Swedish brothers/soldiers -- one intellectual, the other violent and borderline mad -- come to a strange town where they are confronted with eerie reminders of their sins, and of those they have killed in war.

Slow paced, but not boring. However, the underlying ideas do get stretched a bit thin over time, and the occasional turn to horror clichés was a little disappointing given the generally high level of intelligence and originality.

Still, interesting enough that I would give it another look now that I understand what its getting at, and gorgeous enough that I'll still enjoy it, even if I'm once again left with mixed feelings about some of the content.

Mention also must be made of the arresting performance by Ville Virtanen as the violent Eerik, recalling Max Von Sydow in his prime.

I've been watching horror since childhood, and it has become a tiring, arduous task trying to find a flick that satisfies my elitist craving. I can't begin to tell you how happy (and genuinely frightened) I was to watch this.

Everything about this movie is original. Set in 16th century Europe, the story's foundations are firmly planted in realism. The horror comes from masterful application of suspense, fear and dread that is gradually introduced in each scene. By the time you reach the climax you're paralytic; gripped by fear – eager to watch to the end but terrified by what may happen next.

Having said that, this movie isn't for everyone. If you're after a bunch of over-sexed, blonde and artificially enhanced teenagers being hunted down by a knife yielding psycho – you're gonna hate this. If you're after fast-paced action, you'll be yawning throughout the film. If you're after a complex horror film marked by developed characterisation, a unique premise and set in an unfamiliar time in history, you will be pleased.

This is a rare, horror film that focuses on atmosphere and restrained script-writing, resulting in a mature, sophisticated experience for the discerning viewer. Grab a glass of red and enjoy!

I had quite high expectations of this movie and was a bit disappointed. It's an unusual, intelligent and creepy ghost story, but it has an ambition to do something more distinctive that I didn't feel was followed through completely.

The performances and screenplay are fine. The film is nicely shot, with some lovely moments but also some lapses into generic horror-movie gestures. The sauna itself is a fine addition to the history of scary buildings in movies -- it looks as if it doesn't belong in the landscape at all, and the minute you see it you know something's wrong. The cheesy orchestral score lets the film down a bit, though.

Not all of the things that happen along the way are explained; some of them just seem to be put there for the sake of being scary. The ending is impressive but it left me wondering whether all the pieces leading up to it really fitted together.

I suppose two different films seem to be fighting over the same 90 minutes: an art-house movie that uses elements of fairy tale to explore existential questions about sin and redemption and a haunted-house movie that works by jump-scares, toothless villagers and gushing blood. The two never really came together for me, but I can't say I didn't enjoy the ride.