AVALIAÇÃO DA IMDb
6,0/10
37 mil
SUA AVALIAÇÃO
Um ladrão veterano recruta um criminoso mais jovem para ajudá-lo a realizar um último trabalho a fim de pagar sua dívida com a máfia russa.Um ladrão veterano recruta um criminoso mais jovem para ajudá-lo a realizar um último trabalho a fim de pagar sua dívida com a máfia russa.Um ladrão veterano recruta um criminoso mais jovem para ajudá-lo a realizar um último trabalho a fim de pagar sua dívida com a máfia russa.
Victor Boichev
- Émigré #2
- (as Victor Boytchev)
Rade Serbedzija
- Nicky
- (as Rade Sherbedgia)
- …
Charles Venn
- Transit Cop #1
- (as Chucky Venn)
Mariana Stansheva
- Madame Irina
- (as Mariana Stanisheva)
Avaliações em destaque
While I can understand why talented actor Robert Forster (who looks somewhat ghastly here, like he's coming off a major illness) is appearing in a direct-to-video movie (at least in North America), I don't understand why Morgan Freeman and Antonio Banderas are doing in a direct-to-video movie. Surely they are still getting calls from major studios? Did they really need the money? Anyway, they bring their natural charisma to this movie... but not much more. Freeman doesn't seem to be trying very hard in his performance, and Banderas doesn't watch his accent, making some of the words he says hard to figure out.
The production values are mostly very decent, a trademark of direct-to-video kings Millennium/Nu Image Films. Although this set-in-New-York film was partially filmed in Bulgaria, it doesn't show. The only flaw in the production values was the CGI used in the subway sequences. It looks pretty cheesy.
The heist central to this movie has some tension, but I found it hard to get involved. For one thing, many of the steps the Freeman and Banderas characters use to foil the various security measures are never fully explained to the audience. Even worse is that it's implied that this heist was planned in JUST A FEW DAYS! Seeming all these security measures they have to conquer, it would really take weeks, even months to plan! The movie is never really boring, but in the first half of the movie you can kind of guess what will happen in the next scene. There are twists towards the end, but they are expected, as in other caper movies like this one. Such twists happening are no longer a surprise. Plus, as they start to unfold, you will start to guess just what new twists will happen.
Wait until it comes on cable... on a rainy day... when there's absolutely nothing else to do or watch.
The production values are mostly very decent, a trademark of direct-to-video kings Millennium/Nu Image Films. Although this set-in-New-York film was partially filmed in Bulgaria, it doesn't show. The only flaw in the production values was the CGI used in the subway sequences. It looks pretty cheesy.
The heist central to this movie has some tension, but I found it hard to get involved. For one thing, many of the steps the Freeman and Banderas characters use to foil the various security measures are never fully explained to the audience. Even worse is that it's implied that this heist was planned in JUST A FEW DAYS! Seeming all these security measures they have to conquer, it would really take weeks, even months to plan! The movie is never really boring, but in the first half of the movie you can kind of guess what will happen in the next scene. There are twists towards the end, but they are expected, as in other caper movies like this one. Such twists happening are no longer a surprise. Plus, as they start to unfold, you will start to guess just what new twists will happen.
Wait until it comes on cable... on a rainy day... when there's absolutely nothing else to do or watch.
Well, this is a movie to watch for fun, when your favorite stars are in. Nothing special or amazing. Just the usual stuff, even the greatest twists are predictable from the beginning.
Oh Dear, in deed. What could have been one of the best heist movies in recent history turned out to be (in my humble opinion) a serious let down.
Morgan Freeman and Antonio Banderas, a potential chemistry that on paper seemed a sure fire hit, but and there's always a but. It just didn't materialize, whether it was the short-comings of the dialog or the direction I can't say; but it just didn't sizzle.
When you think of heist movie partnerships then you have to be very special to match up against De Niro and Norton has seen in 'The Score'.
Freeman and Banderas - don't....sorry. For me this was the most overwhelming shortfall of the film, the two main protagonists just don't bounce off each other and has a consequence the characters fail to draw you in.
As for the plot, Freeman - going for the last big score before retirement, Banderas - hoping to improve his standing in the criminal fraternity whilst making a lot of money in the process.
Formulaic with a twist-at-the-end that was disappointingly obvious because the writers thought it had to have a twist-at-the-end. When will they ever learn that you can tell a story without having the ubiquitous twist - the bigger surprise would have been - oh wait for it - no surprise.
Unfortunately, this movie will go down has another example of Hollywood doing what Hollywood does, very little thought and effort put into an idea that could have been so much greater than the sum of its parts.
I gave this movie a 5 for the attempt of entertaining us, it should be a lot higher if only it had lived up to it's potential.
Morgan Freeman and Antonio Banderas, a potential chemistry that on paper seemed a sure fire hit, but and there's always a but. It just didn't materialize, whether it was the short-comings of the dialog or the direction I can't say; but it just didn't sizzle.
When you think of heist movie partnerships then you have to be very special to match up against De Niro and Norton has seen in 'The Score'.
Freeman and Banderas - don't....sorry. For me this was the most overwhelming shortfall of the film, the two main protagonists just don't bounce off each other and has a consequence the characters fail to draw you in.
As for the plot, Freeman - going for the last big score before retirement, Banderas - hoping to improve his standing in the criminal fraternity whilst making a lot of money in the process.
Formulaic with a twist-at-the-end that was disappointingly obvious because the writers thought it had to have a twist-at-the-end. When will they ever learn that you can tell a story without having the ubiquitous twist - the bigger surprise would have been - oh wait for it - no surprise.
Unfortunately, this movie will go down has another example of Hollywood doing what Hollywood does, very little thought and effort put into an idea that could have been so much greater than the sum of its parts.
I gave this movie a 5 for the attempt of entertaining us, it should be a lot higher if only it had lived up to it's potential.
To be honest I expected a lot more from this film, with Morgan Freeman, a veteran movie maker. However I was a little shocked at the lack of action in this movie.
Yes it was full of faces you may recognise from other movies but to be honest that's about where it leaves you. There were no amazing car chases, not enough action etc.
About the only half decent thing in this movie was the seriously slow unwinding plot twist.
Not a great movie overall, not one I would consider watching again. I guess Morgan is getting on a bit, maybe that attributed to the lack of "things"?
Yes it was full of faces you may recognise from other movies but to be honest that's about where it leaves you. There were no amazing car chases, not enough action etc.
About the only half decent thing in this movie was the seriously slow unwinding plot twist.
Not a great movie overall, not one I would consider watching again. I guess Morgan is getting on a bit, maybe that attributed to the lack of "things"?
Thick as Thieves is pretty much as lousy as heist films get. It's lazy, derivative, and really quite offensive in the way it leans back in your favourite chair, flicks cigarette ash on your carpet while smirking at you and telling you there's nothing you can do to stop it as you've already paid your money.
The twists are both of everyone's least-favourite flavour: one you can spot a mile off and the other one - while unexpected - you won't give a hoot about. The heist too is lazy, but by that point you won't be surprised even if you can remember all the talk of it being an impossible job. Your expectations will be so low you'll tell yourself it's par for the course. Both Morgan Freeman (usually reliable) and Antonio Banderas (usually intolerable) coast by with just the pilot light on, totally lacking chemistry, and only Radha Mitchell comes away with any kind of credibility, doing decent work and putting in far more effort than her underwritten character deserves.
The twists are both of everyone's least-favourite flavour: one you can spot a mile off and the other one - while unexpected - you won't give a hoot about. The heist too is lazy, but by that point you won't be surprised even if you can remember all the talk of it being an impossible job. Your expectations will be so low you'll tell yourself it's par for the course. Both Morgan Freeman (usually reliable) and Antonio Banderas (usually intolerable) coast by with just the pilot light on, totally lacking chemistry, and only Radha Mitchell comes away with any kind of credibility, doing decent work and putting in far more effort than her underwritten character deserves.
Você sabia?
- CuriosidadesDuring the scene when Antonio Banderas is talking to Radha Mitchell at the Russian night club at around 26 minutes, there is a techno remix of the traditional Russian folk song, "Korobeiniki". "Korobeiniki" is also the theme song for the Nintendo classic puzzle video game, "Tetris".
- Erros de gravaçãoSubway scenes (supposedly in the New York City subway) were filmed in the Sofia metro, with Soviet-made 81-714.4 subway cars.
- Citações
Keith Ripley: Some people were born to compose music. Others to split the atom. I was born to steal shit.
- ConexõesFeatured in The Code: Behind the Scenes (2009)
- Trilhas sonorasHum Diggy
Written by Marcus Brown, Adam Schiff, H. Scott Salinas, Stephen Dewey
Published by Asymptotote Music BV, Inc. (ASCAP)
Courtesy of Asymptotote Music BV, Inc.
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- How long is The Code?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Code
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 6.828.037
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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