Adicionar um enredo no seu idiomaIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of y... Ler tudoIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of young people hitchhiking to a rally in D.C., a detour to the nightmare homestead of Staunto... Ler tudoIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of young people hitchhiking to a rally in D.C., a detour to the nightmare homestead of Staunton's will rip apart their young lives forever. A grisly secret is waiting. The raw terror i... Ler tudo
- Direção
- Roteirista
- Artistas
- Boone
- (as Kiko Ellsworth)
- Telephone Customer
- (narração)
- (não creditado)
Avaliações em destaque
The storyline itself is your basic cookie cutter Texas Chainsaw Massacre type deal. You have it all from the racist gas station owner, the mysterious stranger who just wants to lend a helping hand, the abandoned farmhouse, and your over the top religious crazed hillbillies, one of which who happens to be retarded to some degree. The film takes a very long time to get anywhere. The buildup seems like it will go on forever, which caused me to lose interest quite a few times along the way. The directors attempts to show you bonds and relationships between the main characters falls short, and most of the time seemed like needless filler, only there to extend the films length.
Now the movie's only high point its beautiful special effects make up. The gore in this film is amazing, and stays true to the old school latex and buckets of blood formula that I will always love. That's right ladies and gentlemen, no CGI gore to be found in this flick, just good old get your hands dirty make up.
But in the end, the gore isn't enough to save this movie. I have to say, going in, I had high hopes for this flick, as a very big fan of George's I was hoping to see his son breathe new life into the namesake. Let's hope his next film is better than this ultimately weak attempt at a movie that's been way over done since the success of rob zombie's House of 1000 corpses.
2/5 - Ritualistic The Liberal Dead http://liberaldead.blogspot.com
The Good: The acting in "Staunton Hill" is actually pretty good. The setting is creepy and used to full effect. However, what the film has going for it is a few inspired moments of gore and how the killer casually goes about brutally disposing of his victims. It is rather disturbing, though the motive behind the killings is confusing and not fully elaborated on.
The Bad: The plot is EXTREMELY clichéd. This is the same old "friends venture upon a isolated house and are slaughtered by a disturbed family" formula that we have seen many, many times before. Worse yet, director Cameron Romero (horror icon George Romero's son) does absolutely nothing new with the formula. It is business as usual as characters do the exact things we expect them to do and the film ends the exact way we expect it to end. The film is also suppose to be set in 1969; however, it is painfully obvious from the clothing, hair styles, and some set pieces that it is modern day. This is troubling because there is absolutely no reason mentioned for WHY the film has to be set in 1969. It would have been the exact same film had it been set in 79, 89, or 09. Romero's direction shows some inspired moments, yet is still pretty run-of-the-mill. When your last name is Romero and you are directing a horror film, you should probably take painstaking steps to make sure your film stands out among the countless others like it; this does not happen here. Maybe it us unfair to hold Cameron Romero to a higher standard, but with the Romero name plastered numerous times of the DVD cover, I think it is fair game. Does he show potential? Yes, but hopefully with his next project he makes an interesting movie that is not steeped in your typical horror clichés.
Overall: While "Staunton Hill" isn't the worst movie of its kind, it certainly has very few redeeming qualities. It's clichéd, rather boring in parts, and offers nothing new to the genre. Rewatching "The Texas Chainsaw Massacre" would be time better spent if you are dying to see a deranged family kill of innocent victims who stumble upon their residence.
My Grade: D
What is done pretty well in the movie are the gore effects but I have rarely seen a movie where these felt as displaced as in "Staunton Hill". The movie is incredibly boring for most of the time. The male characters get killed in a most uninspired and uninteresting fashion while suddenly female characters get a boost in their on screen time when they squeeze in a 10 minute dismemberment scene which shows every detail. What the hell were they thinking... its all a cash off. Put a misleading name in front of the title, include some gratuitous violence and then just end the movie when you don't know where to go with it.
Ignore!
Você sabia?
- CuriosidadesFilmed in only 6 weeks
- ConexõesReferenced in The Making of 'Staunton Hill' (2009)
- Trilhas sonorasDarkness Falls
Composer: Jesper Kyd
Produced, Mixed and Treatments: Jeff Blenkinsopp
Engineer: Chris Abell
Assistant Engineer: Alon Harish, Matt Gardner, Josh Ascalon
Guitars: James Chirillo
Upright Bass: Nick Scatmari
Drums: Victor Louis
Recorded at Dubway Studios NYC
Mixed at Ears NYC
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Cameron Romero's Staunton Hill
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.200.000 (estimativa)
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Proporção
- 1.78 : 1