AVALIAÇÃO DA IMDb
7,0/10
45 mil
SUA AVALIAÇÃO
Um drama romântico se passa no Brooklyn sobre um solteiro indeciso entre a amiga da família com quem seus pais gostariam de vê-lo e sua nova vizinha, quem e linda, mas volátil.Um drama romântico se passa no Brooklyn sobre um solteiro indeciso entre a amiga da família com quem seus pais gostariam de vê-lo e sua nova vizinha, quem e linda, mas volátil.Um drama romântico se passa no Brooklyn sobre um solteiro indeciso entre a amiga da família com quem seus pais gostariam de vê-lo e sua nova vizinha, quem e linda, mas volátil.
- Prêmios
- 3 vitórias e 18 indicações no total
Donald John Hewitt
- Another Bystander
- (as Don Hewitt Jr.)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I wasn't expecting to go to this film, I didn't know anything about it, a friend and I went to the cinema, looked at our options and chose this.
Having no expectations, not having heard or seen any hype about it, I was surprised at how much I enjoyed it. I think all aspects of a *good* film are present. It is beautifully shot and quite brilliantly acted which together created the right, moody, slightly claustrophobic atmosphere for this rather bleak, sometimes humorous, story to progress.
We're given a brief, intimate insight into three damaged individuals lives and I think ultimately shows us some conflicting concepts that arise from the pursuit of love and happiness, and familial duty.
I'm pretty certain this is the best film I've seen so far this year. While there's no way of comparing this to my last years favourite of No country for Old Men, I think this might also be Oscar material.
Having no expectations, not having heard or seen any hype about it, I was surprised at how much I enjoyed it. I think all aspects of a *good* film are present. It is beautifully shot and quite brilliantly acted which together created the right, moody, slightly claustrophobic atmosphere for this rather bleak, sometimes humorous, story to progress.
We're given a brief, intimate insight into three damaged individuals lives and I think ultimately shows us some conflicting concepts that arise from the pursuit of love and happiness, and familial duty.
I'm pretty certain this is the best film I've seen so far this year. While there's no way of comparing this to my last years favourite of No country for Old Men, I think this might also be Oscar material.
Perhaps, the most startling aspect of "Two Lovers" is Joaquin Phoenix's performance. Superb. I haven't really liked any of the James Gray's films, until now that is. There is something profoundly moving and profoundly truthful here and I'm sure it has to do with Phoenix's portrayal. Gwynneth Paltrow is wonderful as the girl walking an emotional tightrope. And Vinessa Shaw is a real find. I was also moved by Isabella Rossellini as Joaquin's mother! Beautiful and intense but unlike many of her contemporaries not "cosmetic" A real extraordinary face. In fact she looks more like her mother Ingrid Bergman now than she ever did. So, a smart, romantic "dramedy" with wonderful performances. When was the last time I was able to say that? Go see it and tell me if you think I'm exaggerating at all.
For the first time in his short directing career, James Gray moves away from crime and asks a simple but highly pertinent question; should you chase the one you love or be with the one who loves you? There is no histrionics or emotional trickery on offer here, this is a smooth, intimate character study that burns with a downbeat intensity.
The movie follows troubled Leonard Kraditor {Joaquin Phoenix terrific and heartfelt}, who after a failed suicide attempt {his fiancée left him you see} finds his parents {Isabella Rosselini and Moni Moshonov} setting him up with Sandra Cohen {Vanessa Shaw} the cute daughter of potential business partners. Things look promising until Leonard encounters Michelle Rausch {Gwyneth Paltrow in a highly effective turn}, who is baggage central yet exciting and sexy. Gray then pulls the threads of this threesome together and lets things play themselves out without manipulating the audience.
Raising issues of infatuations, last chances and maybe even desperation's, Gray's picture is a very different love story-come-drama. Atmospherically it's tone perfect, a moody sense of sadness hangs heavy courtesy of Joaquín Baca-Asay's cinematography, particularly with the Brighton Beach segments. And Gray even manages to add a dash of suspense as we enter the crucial last quarter of the piece. You may not like the characters here, but that may well be the point? Perhaps ask yourself if Leonard is meant to be sympathetic anywaY? Regardless, and the film is sure to throw up a level of division, Two Lovers at least deserves to be given the chance to show you what it has to offer. So try it, maybe once, maybe twice, but do give it a go, because it's unlikely to leave your thoughts some time afterwards. 7/10
The movie follows troubled Leonard Kraditor {Joaquin Phoenix terrific and heartfelt}, who after a failed suicide attempt {his fiancée left him you see} finds his parents {Isabella Rosselini and Moni Moshonov} setting him up with Sandra Cohen {Vanessa Shaw} the cute daughter of potential business partners. Things look promising until Leonard encounters Michelle Rausch {Gwyneth Paltrow in a highly effective turn}, who is baggage central yet exciting and sexy. Gray then pulls the threads of this threesome together and lets things play themselves out without manipulating the audience.
Raising issues of infatuations, last chances and maybe even desperation's, Gray's picture is a very different love story-come-drama. Atmospherically it's tone perfect, a moody sense of sadness hangs heavy courtesy of Joaquín Baca-Asay's cinematography, particularly with the Brighton Beach segments. And Gray even manages to add a dash of suspense as we enter the crucial last quarter of the piece. You may not like the characters here, but that may well be the point? Perhaps ask yourself if Leonard is meant to be sympathetic anywaY? Regardless, and the film is sure to throw up a level of division, Two Lovers at least deserves to be given the chance to show you what it has to offer. So try it, maybe once, maybe twice, but do give it a go, because it's unlikely to leave your thoughts some time afterwards. 7/10
I liked this fourth film of James Gray very much. It is interesting, nuanced, well photographed and directed. The casting is very fitting: Joaquin Phoenix, Gwyneth Paltrow and Isabella Rossellini require no introduction - every film where they appeared was a kind of success.
I liked the story line precisely for the reasons some of the critics did not - inconclusiveness of the situation. The narrative should not be treated as a moral tale with prescribed behavior and a suggestion to act certain way. For some of us, who lived and experienced, life situations have no clear conclusions, especially in the matter concerning personal relationships. And so we are shown various geometrical configurations of relationships between people: A loves B, B loves C, C loves D; D perhaps does not love anyone; C can not settle for B and returns to D when D calls; B settles for A. Who's right and who's wrong? Luckily this is not all there is about this film. There are interesting shots, exotic locations (Brighton Beach, Brooklyn, NY), very good acting.
Some reviewers complained that the narrative is too predictable - perhaps. I personally would prefer more broader metaphor, perhaps more connection with social dimension, more resonance between personal and social. Oh well, I hope this is coming in the next Gray's films.
I liked the story line precisely for the reasons some of the critics did not - inconclusiveness of the situation. The narrative should not be treated as a moral tale with prescribed behavior and a suggestion to act certain way. For some of us, who lived and experienced, life situations have no clear conclusions, especially in the matter concerning personal relationships. And so we are shown various geometrical configurations of relationships between people: A loves B, B loves C, C loves D; D perhaps does not love anyone; C can not settle for B and returns to D when D calls; B settles for A. Who's right and who's wrong? Luckily this is not all there is about this film. There are interesting shots, exotic locations (Brighton Beach, Brooklyn, NY), very good acting.
Some reviewers complained that the narrative is too predictable - perhaps. I personally would prefer more broader metaphor, perhaps more connection with social dimension, more resonance between personal and social. Oh well, I hope this is coming in the next Gray's films.
A simple love story about a 30-something schlub (Joaquin Phoenix) who gets involved with two women. One is a perfectly decent woman with her crap together (Vinessa Shaw). The other (Gwyneth Paltrow), the one he's really hot for, is a screw-up, drug-addled and dating a married man and hoping desperately that he'll divorce his wife and leave his kids for her. Of course, it's not the smartest thing in the world for Phoenix to fall for Paltrow, but, hey, love is pretty unpredictable. She is so much like him, it makes perfect sense. I have a couple of big complaints about this film. First, it all plays out very predictably. Add these three people together and you get the sum long before the end of the film. Secondly, and perhaps what bothered me most, Phoenix and Paltrow seemed too old for these characters. Sure, there are 30-something losers all over the place, but these two seem to me to act like 20-somethings. They're lost in this weird limbo of childishness that seemed wrong for people their age. Even Shaw doesn't quite seem like a real human being. Like Phoenix, she seems dependent on her parents like a college student. People just never seem like real people in this movie. That said, the film does have sort of an "off" tone that is intriguing. It's a very claustrophobic and tragic tale, and it captured me in that way. I didn't love the film, but I definitely found it interesting.
Você sabia?
- CuriosidadesLoosely based on Fyodor Dostoevsky's 1848 short story 'White Nights.'
- Erros de gravaçãoAfter Leonard drops his suitcase out the window, it isn't there when he goes downstairs to meet up with Michelle.
- Citações
Michael Cohen: A kid's got to start thinking about his future sometime.
- Trilhas sonorasRockin' in Rhythm
Written by Harry Carney, Duke Ellington and Irving Mills
Performed by Ella Fitzgerald and The Duke Ellington Orchestra
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Two Lovers
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 9.800.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 3.149.034
- Fim de semana de estreia nos EUA e Canadá
- US$ 94.986
- 15 de fev. de 2009
- Faturamento bruto mundial
- US$ 16.303.643
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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