As Aventuras de Paddington

I confess that I was never taken with the marketing for "Paddington". MOstly, the CG in the bear himself. But that tends to be absorbed into the movie's overall sweetness and playful visual style. At the heart of this is a wholesome message about human decency and belonging, and it's populated with likable Brits (Hugh Bonneville, in particular). Some good laughs, too; like seeing a trying to figure out a toothbrush or negotiate scotch tape.

It's a good-natured movie, and what makes it a cut (or two or three) above modern family fare is that there's very little in the way of pop culture references and hipness.

Just warmth.

7/10

A geographic explorer goes to the darkest Peru and encounters two ingenious bears. He names them Pastuzo and Lucy wondering what will come of them. They learn English, admire London and love marmalade. Many years later, they are joined by their young nephew. After a storm devastates their home, the young bear goes to London with Aunt Lucy promising a welcoming place. Instead he is alone and only taken in by Mary Brown (Sally Hawkins) although her husband Henry (Hugh Bonneville) is very risk-adverse. She names him Paddington after the train station. There is also Millicent (Nicole Kidman) who wants to stuff the bear.

This honors the children series with a bear that is charming and delightful. It's a lot fun comedy without too many pop culture references. That gives it a timeless quality. The family is terrific and Nicole Kidman is interesting as the villain with a real story of her own. This is a perfect little family film.

Based on the works of author Michael Bond, "Paddington" tells the story of a talking bear (Ben Whishaw) from "darkest" Peru who stows away on a cargo ship to start a new life for himself in London. Once there, he becomes involved with a family named Brown (Hugh Bonneville, Sally Hawkins, Madeleine Harris, Samuel Joslin), who take him into their home on a temporary basis, and a villainous taxidermist (Nicole Kidman) intent on literally "stuffing" the bear for an exhibit in a natural history museum.

Written by Paul King and Hamish McColl and directed by King, "Paddington" is a seamless blend of live action and animation, cheery in tone and beautiful to look at, thanks to the highly stylized art direction and production design that adorn the film. The humor ranges from the brittle to the overly broad (Bonneville dressed as an old scrubwoman sounds a discordant note in an otherwise fairly sophisticated screenplay). The movie also includes some subtle little homages to "My Fair Lady," "Home Alone," "Mission Impossible" and, most notably, Walt Disney's "Mary Poppins."

Fast-paced, well acted, and with warmth and charm to spare, "Paddington" is a whimsical treat that should appeal almost as much to oldsters as it does to youngsters.

One of the things I resent the most in modern children's film and stories and in modern animation is that they can be visually enthralling but have not magic, no soul or no charm. I also dislike the fact that too many fables and old-books stories are brought to the screen with no soul and respect for the original characters and stories.

To my delight, this is not Paddington's case.

Paddington is a brilliant exception to the dullness, soulless bunch of animated movies for kids out there. This is so mostly so because the original story is there, Paddington and the the Brown's family's souls and personalities are there, they feel modern and contemporary, but not too far removed from the original. Pablo Grillo's animation is fantastic per se, but there are many amazing animators out there; what sets this film animation apart is the magic infused into it, so we come to see Paddington as Paddington, not as a puppet, not as a CGI character, not as a fictional. Paddington feels real in this movie, as real as any of the actors.

The ambiance of the film is whimsical, it mixes elements that are very modern but also capturing a bit of the old London where the original story is set. The film has a great tempo, is full of fancy and fun, innocence and naughtiness, havoc and tenderness, action and stillness, happiness and sadness, adventure, laughter and family love.

The cast in this film is great, per se, but that not always guarantees a good movie in the end. However, all the actors are great and believable in this film. I especially liked Nicole Kidman in her evil sassy ruthless manipulative and sweet villain role.

The music is also fantastic with plenty of Latin rhythms throughout the film. Paddington is Peruvian, after all.

Paddington is not only a very sweet, fun an enjoyable film. It also has a great message about accepting those who are different and welcoming those who need of our care because have nowhere to go; two things that we should be reminded of in these troubled times when refugees are sometimes treated as an "it" not as Paddington. There should be more Brown families in the world.

I was expecting another dumb movie for kids. To my delight, Paddington is a a tender fun-filled magical film that made me feel a kid again.

When the announcement was made of a feature-length adaptation of Michael Bond's beloved Paddington bear - the polite, marmalade- loving, bespectacled bear from deepest, darkest Peru - I'm sure the common assumption was that disaster was afoot. How do you take a character so steeped in nostalgia, some distinctively old-fashioned, and so quintessentially British, and translate it for a modern audience of children raised on multi-film franchises, CGI and fat suits? Based on the strength of the film's finished product, you employ a young, ambitious director with a real talent for visual flair.

His name is Paul King, and his only previous film, Bunny and the Bull (2009), was a funny, sweet odyssey into the weird, similar in many ways to his most popular TV work, The Mighty Boosh. Paddington is an enormous step up into the mainstream, and could have easily been yet another cheap and formulaic Brit-com; films that are churned out quicker and lazier than they are placed in Asda's bargain bin. Yet despite it's thread-bare plot and familiar genre tropes, Paddington not only offers excitement in some slapstick set- pieces that will surely please the kids, but King makes the film an interesting analogy of immigration, a hot topic in modern society.

When Paddington (voiced with adorable naivety by Ben Whishaw) arrives at Paddington station, leaving his Aunt Lucy (Imelda Staunton) and Uncle Pastuzo (Michael Gambon) after an earthquake destroys his home, the image of the tiny bear, adorned with a sign around his neck asking any friendly Londoners to "please look after this bear, thank you", brings to mind the images of poverty-stricken immigrants arriving at Ellis Island in the 1900's as much as it does the child evacuees during World War II, Bond's original inspiration. He is taken in by inner city statistical analyst Henry Brown (Hugh Bonneville) and his wife, artist Mary (Sally Hawkins), and is soon causing chaos in their home.

Evil taxidermist Millicent (Nicole Kidman) shows up about a third of the way in, intent on capturing and stuffing the rare talking bear, teaming up with grumpy (and randy) next-door neighbour Mr. Curry (Peter Capaldi) in what is the only contrived plot-thread of the movie. Her purpose is to be Paddington's antagonist, and it's during these scenes that the film stutters. When the focus is on the curious bear's adventures and pratfalls, and his relationship with the Brown family, this is an incredibly warm, visually engaging experience. It's peppered with wonderful moments, such as Paddington's scribbled addresses appearing out of the London skyline and the ever-changing wallpaper, which blossoms and fades to fit in with the film's various moods. This is a delightful surprise, and I'm eager to see where King will go from here.

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