Mars

First of all don't watch this if you are expecting a cartoon - this is "rotoscope" animation, with live actors being converted to animation by computer and entirely CGI settings, none of it very well done at all. Likewise don't expect a hard SciFi thriller or actioner. In fact, don't expect a formula plot of any kind.

But if you like quirky, off-beat, a little bit corny comedy this one is completely harmless and fun. No you won't laugh out loud, but you'll chuckle, and you may just smile from credits to credits. The acting is pedestrian but charming, the story is deep as a teaspoon, but the script is cute and the CGI is sort of like the drawings of a sixth grade class. Don't expect much and you'll enjoy this little 90 minute diversion.

Geoff Marslett's Mars is immediately intriguing based on its visual style, which may be the closest a film ever came to looking like a graphic novel that I have yet to see. Sin City merged the styles of film noir and graphic novel to create a film that's dark and murky visual scheme gave it new layers of life, but Marslett's directorial debut includes the graininess that would ostensibly be visible in a graphic novel had it come to life before one's eyes. The result is a film that looks very similar to A Scanner Darkly or Waking Life, one of Richard Linklater's uniquely animated, existential films with an animation style that, to my knowledge, hasn't really been exploited since.

Marslett achieved the unique animation style through the similar rotoscoping technology Linklater put to use with the aforementioned films, though through all the heavy colorization in the characters' features and details, the design doesn't mirror that shiny sleekness Linklater's films did. The film's animation likely comes into play due to Marslett's scope and ambition outweighing the mass of his bank account, and the result is a lot better than one would imagine, though its film school-style narrative and structure comes through when you realize the film doesn't really have any strong insights to cling to.

More on that later. The film focuses on three astronauts, Charlie (Mark Duplass), a cocky, washed-up man who relishes in his great spacewalk victory years ago, Casey (Zoe Simpson), a New Zealand doctor who is about to fulfill her dream of being the first woman on Mars, and Hank (Paul Gordon), the gang's leader, who seems like he's forever wallowing in a cloud of bong exhaust with his slow, sometimes slurry, manner of speech, who are embarking on a trip to Mars. The three are constantly monitored by their boss Shep (Howe Gelb) at Mission Control, who instructs Hank to go against the grain numerous times without informing his crewmates, in addition to a group of Television journalists. All eyes are on these three brave souls and their uncertain futures as they embark on being the first astronauts to set foot on the red planet.

Once your eyes have feasted on Marslett's beautiful and layered animation, in addition to embracing the hilarious sarcasm of Duplass and the listlessness of Gordon, Mars devolves into a romantic story, perhaps questioning "is there really love on Mars?" (read that twice, if need be). Marslett strays away from any kind of political or social commentary here, and unfortunately, that feels a bit like a copout with this film, as Marslett has gone all this way, literally out of this world, to basically craft a cutesy, hipster romance on another planet. Sure there's evident romanticism, and sure, Duplass and Simpson strike an amiable chemistry, but when the visuals are this unique, the plot is this significant, and the characters are deemed so important, it seems kind of elementary to confine them to a basic romance plot when they're Mars of all places.

Mars gets a lot of creativity points in its visual scheme, and it's pleasantly short at barely eighty minutes, making this expedition a brief and marginally satisfying one overall. The problem this film - which is essentially a mumblecore film set in space - is that because it's so minimalist in plot, the screenplay must immediately rely on characters, themes, and dialog in order to be successful, and instead of soaring to new heights, like Marslett does with the visuals and the narrative, he keeps everything relatively grounded. The result is sweet, cheerful, but kind of forgettable.

Starring: Mark Duplass, Zoe Simpson, Hank Gordon, and Howe Gelb. Directed by: Geoff Marslett.

Enjoy this sci-fi valentine. Netflix recommended this hybrid animation, so I was game. At first, I was put off by the whole thing, being more of a hard sci-fi fan. But I am also into theater and storytelling, and in that sphere, I ended up really enjoying this piece of art. It has heart and it is earnest and quirky. Once you buy into the style of acting and storytelling (but I suspect many cannot) you will be rewarded with a pleasant and unique sci-fi movie. As another review had noted, the live animation is not as smooth as Linklater's efforts, but it has its own charm. Watch the credits. Very enjoyable. Seriously though, why so much hair gel?

I saw Mars two nights ago at Revelation Film Festival here in Perth. There is just so much wit and creativity in this movie. The script is sharp, the visuals are brilliant, and Kinky Friedman is the sort of President I'd vote for if I was American. Apart from Kinky the cast were unfamiliar to me, but their performances were all spot on. The marsnauts were especially good in the way they portrayed the shifts in and between their characters. The movie's animation style is somewhat like Waking Life - or some parts of Ralph Bakshi's Wizards - with live action being the base and other elements drawn in. The credits show very neatly how a scene with two marsnauts in their rover is built up. Two people sitting in chairs, with a little magic and a lot of hard work, become space travelers driving across the martian landscape. So why only 9 out of 10? Because so far as I can tell, there is no DVD release in the offing. Damn, because I'd really like to see Mars again. And again.

Holy wow, guys, this is one interesting and entertaining movie. A trio of astronauts is sent by NASA to the Red Planet in hopes of finding sentient life. Or life of any kind. To paraphrase the noted mathematician Ian Malcolm, although the planet appears to be barren, life finds a way. Meanwhile, the European Space Agency has sent up an artificially intelligent robot in an effort to beat the Americans.

This is a stunning animated opus - yes, I said animated - that uses a technique similar to rotoscoping; director Geoff Marslett developed the technique specifically for this film, and it makes the movie look much more like an actual graphic novel. The technique is a real treat. Much like rotoscoping, for this technique scenes are shot as live action and then converted to animation, lending a realistic, colorful look and feel.

The crew is composed of Hank Morrison (Paul Gordon), the captain and pilot; Dr. Casey Cook (Zoe Dean), the scientist; and Charlie Brownsville (Mark Duplass), who's, well, the backup. The redundancy may not fly in real life (no pun intended), but here we can suspend our disbelief. After all, this is science fiction, with a comic bent.

The astronauts deal with the boredom of space travel, and in particular the well-named Charlie bemoans the fact that he's much more expendable than his crewmates. In fact, when the trio does arrive at Mars, Morrison and Cook are to head down to the planet in a shuttle while Charlie figuratively keeps the motor running. Morrison is the brooding type, harboring a secret; Cook is the imaginative, energetic type, quickly drawn to the everyman Charlie. And if hanging around doing nothing while the so-called real astronauts do their astronaut thing, Charlie has been directed by NASA to give live interviews to an Entertainment Tonight-like duo (Liza Weil and James Kochalka) that are designed to promote the expensive trip.

Now, although Charlie has been deemed redundant (by the NASA chief Shep, played by Howe Gelb), he's actually a former hero. Did space walks and such, and was really good at them. So maybe he's not completely useless, and we can forgive NASA for tossing him in the ship. And what a ship! Although there's just the standard astronaut meals and accommodations, there's also a huge (!) garden for seeding Mars. This garden contains a pool, presumably to keep the flora watered, but a pool nonetheless. Pretty darn awesome spaceship, if you ask me. It might be worth noting that the movie, released in 2010, is set in the future - 2015. Okay, maybe the film makers missed this prediction.

But this isn't a typical sci-fi film - there's philosophy afoot! Why do we want to discover? How do we react to what's out there? What is the worth of knowledge of the stars? All good questions, and thankfully the movie doesn't sit us down and lecture to us on each subject. In fact, the movie's pretty low key, with only a few action sequences - one of which does indeed involve a space walk. And the point of view we get to see isn't just that of the astronauts, because a probe sent by the ESA five years prior is, long thought to be lost, is somehow still active, taking pictures and recording video - just not transmitting. It, too, holds some interesting secrets.

To some, Mars the movie may seem like just an experiment, something a film-school grad student knocked out for the fun of it. I would disagree. The movie both looks good and sounds good. The plot, although secondary to the characters and the visuals, is strong and open ended. Unlike most sci-fi stories told by Hollywood, this one offers no neat-and-tidy answers to the problems it brings up. And in this case, the ambiguity meshes very nicely with the conflicting emotions of the humans in the movie. Besides, any movie with Kinky Friedman as the president of the United States can't be all bad.