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This movie would've received better public reviews if they listed it as a dark family drama and not horror. Misleading rating has made this film recurve much lower rating than it should. It's slow, but intriguing and thought provoking. Oh and it's sad and dark. I enjoyed it but need to watch a comedy after because it's filled with sadness and left me feeling the same.

This is a well made small indie film, but overall plotting is minimal with only one thing possible to happen, and there is slow movement to get there at the end of the film. The production expertly captures this very small confined family well. And the three main actors do well with embodying the opposing motivations inherent in the situation of their family. The failure of this film how small overall focus of the film is. The stage is set for progression on the one point, and ultimately this is very small point foreshadowed by the nature of the film itself. I was disappointed with the outcome being given the potential it has.

It is a unique original horror film that is very beautifully written and shot. It has a really catchy idea that is both creepy and heartbreaking. It is so simple yet it has a very creepy atmosphere without any forced efforts. Performances are superb. If you're into indie horrors then My Heart Can't Beat Until You Tell It To is a must see.

So, viewers seem to either despise or love this offering. I come down somewhere in the middle. The idea here is interesting: a "realistic" family of siblings that have a special circumstance within their midst; and dealing with that circumstance becomes a practical and emotional burden that is increasingly intolerable for everyone.

This is a low budget offering. To that end, the acting is (mostly) suitable for a film that is more about rumination than explanation or action. The camera work is also suitable for a film that takes place (mostly) inside.

However, I also agree that pacing is a major issue here. The pregnant pauses, the controlled meter and inflection of the dialogue, the lingering camera shots - at times each of these can seem excessive. My other complaint was that, for a realistic-style movie, there were some real television-style cliches here (for example, two of the potential victims escape only to be found again under circumstances that can only exist on celluloid).

I think the director may have been aiming for something like "A Girl Walks Home Alone" or "Martin" or maybe even Herzog's 1979 "Nosferatu the Vampyre." It never quite gets up to that level; but if you enjoy a more psychological or emotional approach to the vampire genre, this might work for you.

Decent acting, trippy story, but just really kinda sad. There were sympathetic characters and makes you wonder: How far would you go to save someone you love?? Worth a 1 time watch if you like this genre.