AVALIAÇÃO DA IMDb
6,8/10
4,3 mil
SUA AVALIAÇÃO
Explora as questões da gentrificação e da desigualdade social em Berlim.Explora as questões da gentrificação e da desigualdade social em Berlim.Explora as questões da gentrificação e da desigualdade social em Berlim.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 3 indicações no total
Nils Dörgeloh
- Nils
- (as Nils Doergelo)
Stefan Scheumann
- Dirk
- (as Steffen 'Schortie' Scheumann)
Agnes Thi-Mai
- Verwirrte Frau auf der Straße
- (as Agnes Mai)
- (apenas creditado)
Arne Duppler
- Angry Taxi Driver
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I would describe this as a drama and the performances of every actor are brilliant. They bounce of each other and the dialogue flows. This must be the best drama created during lockdown times that I have seen. Bruhl, as ever, has done an excellent job.
While the main trailer for this film was quite impressive and promising, I must admit that the movie loses it's freshness due to the postmodern features.
And with that I principally mean the normalization of frighteningly strange story points. With that I mean the lack of an accurate representation on how someone normal would react to the things going on.
Daniel Brühl is brilliant, as he should be, but his character and the others do not react normally. This gives the movie an bizarre feeling. Because the sense of being appalled is not properly shown.
From a filmmaking point of view this film is solid, but it just fails because of postmodernism.
And with that I principally mean the normalization of frighteningly strange story points. With that I mean the lack of an accurate representation on how someone normal would react to the things going on.
Daniel Brühl is brilliant, as he should be, but his character and the others do not react normally. This gives the movie an bizarre feeling. Because the sense of being appalled is not properly shown.
From a filmmaking point of view this film is solid, but it just fails because of postmodernism.
Berlin - a city that still has its issues with its past. And while it states here that it is a comedy - I'd call that a bit of a far stretch. I'd call it a drama - with quite bit of comedic touches. Some may even feel this is a thriller. The way the trailer is cut certainly gives that impression (thankfully I only saw that after I had seen the movie).
Daniel Brühl can not only draw from his experience as an actor (the role he is offered may or may not be a wink at his Marvel role), but also his spanish roots - from one of his parents side that is. We knew that he is a great actor, but with this he seems to establish himself as a really good director as well. He certainly had a quite the tight script to work with - which always helps.
How good do we know our neighbors or anyone in close proximity to us? This has some bits of a spanish thriller I've seen, where misery played a big role. But it is not a remake of that, it has quite a few other elements in it. It is about fame, about relationships and more importantly about trust. Also it deals with the Stasi in a really clever way. Highly recommended, even if there may be times where it seems to come to a full stop .. a new revelation/twist will keep you on the edge of your seat ...
Daniel Brühl can not only draw from his experience as an actor (the role he is offered may or may not be a wink at his Marvel role), but also his spanish roots - from one of his parents side that is. We knew that he is a great actor, but with this he seems to establish himself as a really good director as well. He certainly had a quite the tight script to work with - which always helps.
How good do we know our neighbors or anyone in close proximity to us? This has some bits of a spanish thriller I've seen, where misery played a big role. But it is not a remake of that, it has quite a few other elements in it. It is about fame, about relationships and more importantly about trust. Also it deals with the Stasi in a really clever way. Highly recommended, even if there may be times where it seems to come to a full stop .. a new revelation/twist will keep you on the edge of your seat ...
This is pretty miserable, even for a dramedy, but I generally liked what it was going for, even if the execution left a bit to be desired. I kept thinking of Banshees of Inisherin at times, but maybe only because of all the drinking and because Daniel Bruhl's co-star looked a little like Brendan Gleeson.
I wonder if Bruhl had a bad experience with someone who didn't like his acting at a bar, and then made this film to imagine that interaction being pushed as far as possible. If Misery is about a creative person encountering their number #1 fan, but that fan is crazy, then Next Door is about encountering one's number #1 hater, but that hater is a bit less crazy. Also, they don't want to do physical harm, but seem willing to go to great lengths to inflict psychological torment.
The stress caused is almost funny, but it's mostly just bitter and downbeat. It's a nihilistic watch, so some of that lack of satisfaction is intended, but still, I wish it had just had something more to offer by the time it started wrapping up.
If you're after a bottle movie, this works decently enough, though. It is solidly acted and directed, and proves mostly engaging for its brief runtime. It's not quite a great film, but Next Door is solid enough. I don't regret watching it, and it's always nice to find the time to check out something offbeat and far from widely discussed.
I wonder if Bruhl had a bad experience with someone who didn't like his acting at a bar, and then made this film to imagine that interaction being pushed as far as possible. If Misery is about a creative person encountering their number #1 fan, but that fan is crazy, then Next Door is about encountering one's number #1 hater, but that hater is a bit less crazy. Also, they don't want to do physical harm, but seem willing to go to great lengths to inflict psychological torment.
The stress caused is almost funny, but it's mostly just bitter and downbeat. It's a nihilistic watch, so some of that lack of satisfaction is intended, but still, I wish it had just had something more to offer by the time it started wrapping up.
If you're after a bottle movie, this works decently enough, though. It is solidly acted and directed, and proves mostly engaging for its brief runtime. It's not quite a great film, but Next Door is solid enough. I don't regret watching it, and it's always nice to find the time to check out something offbeat and far from widely discussed.
All I knew was that the movie would play in a corner bar in Berlin for most of the time. Therefore, I didn't expect much suspense but was proven wrong very quickly. It has amazingly written dialogues, superb acting by both lead actors and thus, doesn't get boring for even a split second.
I observed myself rooting for both lead characters in turns. Also, it gives you a lot to think about: Stasi, gentrification, envy, the value of money and fame.
The fact that Daniel Brühl plays a character seemingly close to himself (actor, german-spanish, two sons, superhero roles in the making) made it only better.
I observed myself rooting for both lead characters in turns. Also, it gives you a lot to think about: Stasi, gentrification, envy, the value of money and fame.
The fact that Daniel Brühl plays a character seemingly close to himself (actor, german-spanish, two sons, superhero roles in the making) made it only better.
Você sabia?
- CuriosidadesIn the movie Daniel Brühl's character will be cast for a superhero franchise. In real life Daniel has played a Marval-franchise villain who avenges the loss of his family.
Principais escolhas
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- How long is Next Door?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 99.967
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Proporção
- 2.35 : 1
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