A Porta ao Lado

I can not imagine how much time and thinking needs to go into such a movie. There is not a lot happening, besides a couple people talking. And still, you feel the tension in every frame. Plus nothing feels forced or scripted. The pacing is just on point.

I am happy that his movie ended up being as good as it is. Hope he does more in the future.

Nice storyline, great acting. If you are from Berlin you will enjoy the images. Nice job Daniel Bruhl.

I did not know anything about this movie when I watched it on Netflix.

I suggest you dive right in.

This movie , directed and starring Daniel Brühl, with Peter Kurth as "the other guy" centers around an actor named Daniel who just wants to read the only page of a script he got for an audition, hence entering a pub for a coffee before taking his flight.

What unfolds is one of the best German movies I have seen in a long time.

Despite rarely leaving the premises, and playing in real time, this is veritable seat glue with brilliant dialogue and hard to guess twists and turns in the story.

Daniel Brühl got Daniel Kehlmann as the writer, who is also a novelist, and it shows in every detail.

Add to this a beautiful and effective cinematography and rare but masterful score/songs and we have ourselves a movie that will be shown in film making classes.

One can learn so much watching it.

I don't understand how this is not even rated a 7.0 on imdb.

You certainly won't be disappointed even when you go in with high expectations.

Well done, Daniel. Please make more movies. You are Germany's best talent.

While the main trailer for this film was quite impressive and promising, I must admit that the movie loses it's freshness due to the postmodern features.

And with that I principally mean the normalization of frighteningly strange story points. With that I mean the lack of an accurate representation on how someone normal would react to the things going on.

Daniel Brühl is brilliant, as he should be, but his character and the others do not react normally. This gives the movie an bizarre feeling. Because the sense of being appalled is not properly shown.

From a filmmaking point of view this film is solid, but it just fails because of postmodernism.

This is pretty miserable, even for a dramedy, but I generally liked what it was going for, even if the execution left a bit to be desired. I kept thinking of Banshees of Inisherin at times, but maybe only because of all the drinking and because Daniel Bruhl's co-star looked a little like Brendan Gleeson.

I wonder if Bruhl had a bad experience with someone who didn't like his acting at a bar, and then made this film to imagine that interaction being pushed as far as possible. If Misery is about a creative person encountering their number #1 fan, but that fan is crazy, then Next Door is about encountering one's number #1 hater, but that hater is a bit less crazy. Also, they don't want to do physical harm, but seem willing to go to great lengths to inflict psychological torment.

The stress caused is almost funny, but it's mostly just bitter and downbeat. It's a nihilistic watch, so some of that lack of satisfaction is intended, but still, I wish it had just had something more to offer by the time it started wrapping up.

If you're after a bottle movie, this works decently enough, though. It is solidly acted and directed, and proves mostly engaging for its brief runtime. It's not quite a great film, but Next Door is solid enough. I don't regret watching it, and it's always nice to find the time to check out something offbeat and far from widely discussed.