Good Ol' Boy

It's 1979 America. Smith Bhatnagar is a 10 year old Hindu American boy. He is introduced to the two loves of his life. His father tells him about his arranged marriage expected when he's 22. There is also Amy Brunner, the girl next door. His older sister is secretly dating a white boy. He gets bullied at school often rescued by Amy's father Butch (Jason Lee). Amy's parents, Butch and Nancy (Hilarie Burton), are the wild, fun couple of the neighborhood which hides some inner conflicts. Smith deals with the culture clash while Amy deals with a disintegrating home life.

There are some funny insightful takes on an immigrant boy in the white suburban world. The two kids are endearing although less narration would help. The narration gets used as Smith's inner voice whereas I would prefer the character to say many of those things out loud. There is a couple of incidents where it should be his inner voice. There are scenes that surprise me. I'm taken by Butch's talk with the bully which is something I've never seen before. The adult Smith section is missing a couple of scenes. It's missing him with his sick Indian wife and it's missing him with an Adult Amy. They don't have to add much but I would have liked visual images of the two women. I just have a lot of little issues with new director Frank Lotito. For example, the closing song is "I can't help myself (Sugar Pie, Honey Bunch)" from The Four Tops. That's a 60's song and this movie is almost 80's. A better filmmaker would figure that out.

Growing up Smith can give you a freshly happy times. An Indian family of parents with an elder daughter and a younger son is in "States" to make a good life, earn well as CPA and though, doesn't say so but return to a comfortable retired life in India. It is hard work and harder still to see that American culture does not wash away the Indian values. But it is difficult for kids not to be affected by the culture they become part of every day. And there lies the little lovable tale beautifully directed by Frank Lotito. There are nuggets of humours spread around to bounce up your mood for happy viewing. Everyone plays the part perfectly well but not for an Oscar. Watching "Growing up Smith" just after I read Fatima Mirza's "A place for Us" brought me out of the gloom of Rafiq's family saga of moving to US. I am also reminded of Mira Nair's "The Namesake". Making a life in a different culture has many such stories. This one is "Cool" as they will say in the land that builds dreams; "The United States of America" Watch it, you will love it and feel had a good time

Just saw this film and had to say something! THESE are the kinds of films we've been missing all these years. Growing up Smith is the perfect combination of a family-kid friendly film with some teeth to it. Lighthearted with a message, funny, exuberant and most timely in today's America.

This film won't preach to you and I can't put my finger on just one thing in particular, but it left me feeling euphoric walking out. Nostalgia, memories and emotions flowed through me. It hearkens back to a time where we were all innocent. As kids emulating our parents and yearning to break out.

The performances are just as impressive. Jason Lee appears in a role I've never seen him play, and plays it to perfection: The beer drinking role model... Hilarie Burton and Poorna Jagannathan play characters who couldn't be more opposite, yet are equally as endearing. Anjul Nigam was terrific and relentless. At times I felt as though he was the film's hero and others it's villain. Lastly, the kids stole the show. Brighton Sharbino and Roni Akurati were delightful. They had tremendous rapport with one another and delivered as authentic performances as I have seen kids deliver in a film!

If you want to have fun, if you want to laugh, if you want tears in your eyes and if you want to remember the good old days, THIS is the film to see! Very impressed, Bravo!

Full disclosure: I am a filmmaker myself, I watch films not only as entertainment, but always tend to evaluate and study each and every element that goes into making a hopefully successful film. Watching this film wasn't only entertaining, it was a monumental achievement.

Growing up Smith is an engaging story about a boy who is an Indian immigrant growing up before our eyes, falling in love with his first crush, dealing with bullies and an ever-changing family dynamic... No this isn't the story of January 2017, it is actually set in 1979. However timely this film may be, it goes beyond the preferential force feeding you may come to expect from films that are socially or politically charged in today's climate... It hits you where it hurts most, your heart. You see, this film connected with me on numerous levels, not because I am Indian or an immigrant, I am neither. I am an American born in Virginia. It hit me hard because it tapped into the innocence we are all born with as children. That innocence that knows no skin tone, no material objects, no predisposition to one's background, only the natural, visceral feelings we have as kids.

At the center of this story is Smith, played effortlessly by newcomer Roni Akurati, a young boy who deeply yearns to be an American. He wants to eat apple pie, listen to the Bee Gees and eat KFC. He also falls in love with his first crush, the figurative and literal girl next door, a young blonde, blue eyed girl, the enchanting and lovable Amy, played by Brighton Sharbino. As the two become friends, his desire to be American grows as he befriends her father Butch Brunner, played by Jason Lee. On the surface, I don't have to tell you much about Butch Brunner you can't already surmise from his name. Glad they stopped short of naming him Biff a la Back to the Future. What is different about Butch is that despite his exterior, he too is an endearing figure that we can all relate to. He is the hard working, beer drinking, meat loving, full bearded white guy from Oklahoma who like many Americans struggles to make ends meat, raise a family and find happiness in this world. The two form a bond, a friendship that transcends their age, their race or their position in life.

There are many layers and subplots to this film which uncommonly do not detract from the main story-line. There is the overly-strict Indian father constantly battling the urge to have his family assimilate, but not lose their own identity and culture. His wife who tries to hold the family together. Butch's wife who has the impossible job of sticking by her husband and supporting his wishes and dreams like keeping his motorcycle, however balancing the looming monthly elephant in the room called mortgage, bills, life.

This was as honest, entertaining, heartwarming and evocative a film as I have seen. That isn't hyperbole, it is simply the humble feelings of a filmmaker who recognizes "okay, the bar's been set". The subtlety, the sincerity from scene to scene and character to character made this not only an enjoyable film, but one I truly respected and will hold close.

In closing, I must say that maybe equally as impressive as the film itself, is the fact that this is an Indie. This film was made for 2 million dollars which on its own is an outstanding achievement. The film being set in 1979, having star quality talent both on screen and off. I don't recall an Indie this well-crafted. Masterfully directed by Frank Lotito, beautifully shot by Thomas Scott Stanton, and what a terrific script by Paul Quinn, Gregory Scott Houghton and one of the film's stars Anjul Nigam. I could go on and on, the production design, music, all of the performances, all of these visual components contributed to make a timeless film that if you told me was a major Studio release-50 million dollar film, I wouldn't think twice. It is that complete.

Not sure if this film is considered in this past year's flock of films (It is listed 2015, but releasing 2017) but if it is, it is certainly in my top 10 of best films of the year. Hat's off to all involved, you made a tremendous film.

"Movies which make you feel grate" - well that is my classification. It is indeed a great come back of the long gone feeling of enjoying a movie for me. The movie kept my on pleasing feather-light entertainment walk where you didn't find many such big bumps, crazy surprises or emotional strikes. Of course the creativity of everyone contributed must to be in exact harmony to bring such a lovely piece of work. Recommended holiday flick.