Banquete no Inferno 3: O Final Feliz

After the demented roller-coaster ride in part two, this boring and literally unwatchable appendix is quite a let-down compared to the earlier installments.

Despite the far-fetched ending, which is so absurd as to be actually funny, we've got more of the same, but with diminishing returns (and badly lit at that.) The newly introduced characters aren't that much of a big deal, either, and the blissfully short running time reflects the uninspired nature of the whole schlock parade.

It was time to end this carnage.

3 out of 10 (h)armless karate kids

Even though I have seen all the FEAST films this one is the first of the series I have commented on, I liked both FEAST 1 and 2 but this one, was too overdone and by that I mean the outrageous gross out humor, in the first one it was gross true but it was always unexpected, in two where they took it up a notch it was also still unexpected even if it was more gross, now with three there was no humor it was just gross and when the film gets around to the part where our favorite group of survivors starts to crawl around in the sewers, its so dark the only thing you can make out during the action scenes is screams and roars because you can't see anything.

If you look at the acting you'd probably say these people need to find another profession but if you look at the material you'd think if any of these people can keep a straight face in a film like this they deserve an Oscar.

Overall, this film had the potential to be hugely entertaining, but the execution was simply put to stupid to make it so, and thus it is the weakest entry in the series

Ask the best chefs in the world and they will say that 'presentation is everything'; it's an old adage that I really wish director John Gulager had applied when serving up The Happy Finish, the final chapter in his Feast trilogy. Style and attention to detail are in short order, the film being dished up with all the finesse of a pig farmer with a slop bucket; if it was the third course in a meal, it would result in a severe case of indigestion.

Like Beluga caviar, Marmite and Spam, the film's main ingredients—extreme gore, female nudity, offensive humour, rubbery monsters, and random perversion—are an acquired taste, but Gulager's scatter-shot approach results in a chaotic mess that even seasoned fans of trashy horror will be hard pushed to stomach. There are one or two tasty morsels on offer—some decent effects and a couple of genuinely funny gags—but these are completely smothered by the irritating editing, half-baked ideas, unlikable characters, moronic moments, and truly bizarre directorial choices (an entire scene lit by a strobe?!?!) all of which serve to kill the appetite quicker than a short, curly hair in your mashed potato.

Yes, just a few short months after Feast II, here comes the happy finish to the trilogy. And while this one is not as good as the first one, it is a bit better than two. The focus of this one is comedy more than horror, though there is plenty of gore and once again boobs to keep me entertained, but then I am a pervert who likes a good gory movie. The story has our group of survivors right where they were after the last movie and like the last movie they have to do a lot of stuff to try and survive. They have no need to fear though as a butt kicking gun touting hero, a prophet, and a martial arts master come to the aid of our tired and beat down gang. They have to go through many obstacles on their way to finding a way past the deadly creatures that feast upon human flesh. From the rooftop where we left them, to the sheriff's office, and to a drainage pipe. You will get to see one person tired of the abuse get out of the film fairly quickly, lots of deaths, the use of gunpowder to stop the bleeding, and an ending that made me go "what"? It is far from perfect as the tunnel scenes were a bit dark and they used night vision camera's a bit to much. Still the cast is still funny in a strange way and I like the way it follows the first movies format of introducing the characters and the previous movies combined. It is nice in this entire series that the monsters are a combination of costume and makeup rather than the computer generated monsters of the science fiction channel too. I don't understand why the score is so low here on the same level with the abysmal "Automaton Transfusion" as that piece of crap had no sort of ending whatsoever and the effects were not good even for a low budget movie. Though people here probably took pity upon it because it was a beginner film maker who made it.

When it comes to a true relic it's hard to give a review. All I can say is that this (literally) piece of s**t is good cinema.

Where this lacks in structure it makes up in substance. The substance being not the cruelty or injustice of the world, but the driving force of all humanity: fun and love.

Kaufman said that the cinema is a dead art form. Pure hubris. Of course that was after the fact that he'd just created one of the more meaningful pieces of art: Synecdoche New york. Cinema just needs to go boldly where no one has gone before.

Beyond theater, no matter how much as it hurts. Saying farewell to Shakespeare causes physical pain, but sometimes the pain is good. Or like on tn the case of a modern human being, necessary.

In cinema there's nothing to bind us. Nothing to keep us apart. The cycle begins again when nothing is given. Well, except our endless appetite for sex and violence.