Enredo

In a small town in Bulgaria, a mother and her two daughters are struggling to survive. The younger daughter often invents stories to make life more interesting. Unwittingly, she eventually gets caught in a web of her own lies.

In a small town in present-day Bulgaria, a mother and her two daughters are struggling to survive. The dreamy and distracted younger daughter often invents stories to make life more interesting. Unwittingly, she eventually gets caught in a web of her own lies and destroys her older sister's well-ordered materialistic world. While struggling to get to the facts, the two sisters find out the truth about their mother.—Doha Film Institute

A small town in present-day Bulgaria. A mother and her two daughters are struggling to survive. The dreamy and distracted younger daughter often invents stories in order to make life more interesting. Unwittingly, she eventually gets caught in the trap of her own lies and destroys her older sister's well-ordered materialistic world. Meanwhile, the two sisters find out the truth about their mother.—San Sebastian International Film Festival

Svetla Tsotsorkova's latest drama is centered on a professional occupation - the making and selling of ceramic figures at a wayside shop. Rayna is a defiant teenager who says what she thinks and makes up stories to impress potential customers, but her fantasy world uncovers a hidden reality when she becomes involved with her sister's boyfriend. Focusing on the world of a single mother and her two daughters, Sister is, according to Tsotsorkova, 'a confession of love to those who live a seemingly unnoticeable life'. Strikingly composed and featuring superb performances by its leads, Svetla Tsotsorkova's drama has its fair share of twists and more than a few unexpected encounters as the three protagonists engage with the world around them.—London Film Festival

A mother and her two daughters are struggling to survive. The dreamy and distracted younger daughter often invents stories in order to make life more interesting. Unwittingly, she eventually gets caught in the trap of her own lies and destroys her older sister's well-ordered materialistic world.—brahamdali