A Prisioneira

This movie really isn't terrible. It's a little weird, but it's well shot and the acting is decent. I'd watch if again if I were drunk or bored- or both.

The talented and beautiful Mischa Barton is a good actress well above the usual CW standard. She deserves to make it big on the silver screen. However she seems to be doing a lot of bad b movies recently especially badly written horror movies. This movie was interminable, unpleasant, not very scary and overall a waste of time. Set in a gloomy building set for demolition, Mischa plays a demolition expert sent to assess the building and she encounters an even gloomier cast of characters there. The pace is glacial and the situations are just boring. Cameron Bright of the Twilight sequels isn't quite enough to carry the movie as supporting cast either.

Unfortunately even as a fan of Mischa, it was a struggle to finish this boring dud.

Samantha Walczak (Mischa Barton) is the first Walczak to graduate college, and follows the family tradition of demolition, despite her love of architecture. She is sent on her first assignment to a building from an eccentric architect, Joseph Malestrazza, who cemented the bodies of people into his walls, including himself. This allegedly gives the building immortality, which is a bit of a problem when you're in charge of demolishing it. In the battle between demolition expert and spiritual architecture, who can win?

I watched this film, and found myself let down after the first ten minutes. I enjoyed the opening scene with a young girl becoming part of the building -- more scenes like this would have sold the film -- and the credits over newspaper articles detailing horrific murders tied to the building. But the remainder of the film just flopped and dragged like a captured fish out of water, and to say what I would say and say it better, I defer to the reviews of Michael DeZubiria and Horror.Com's Staci Layne Wilson. (I am reluctant to encourage readers to venture from Killer Reviews, but these are excellent writers.)

Wilson touches on all the right allusions, hinting that "Walled In" has aspects of Argento, Poe, Roeg, Polanski and Cocteau -- names you don't just throw around. DeZubiria compares the story in some respects to Mark Z. Danielewski's unique 2000 novel "House of Leaves". But Wilson is right when she says the directing "plays it safe" and falls short of all these looming figures, and the accompanying cinematography is "not very innovative", which is unfortunate for a film set in a building as interestingly bizarre as this one. DeZubiria flatly states that "Walled In" "blatantly rips off a whole series of other horror movies".

Wilson and DeZubiria both find the film discourages, rather than encourages, reading of the original book -- Serge Brussolo's novel "Les Emmeures". Wilson says "the movie quelled my curiosity" and DeZubiria bluntly says the book "must have been better than this movie" but "I don't think I'm ever going to be able to bring myself to read the book". As I found the plot to be largely a rehashing of "Thirteen Ghosts", and the storyline as given in the film to be boring, I have to concur -- the book is likely better than the film, but doesn't seem worth my time to seek out.

DeZubiria doesn't reveal the end, but says it's "so dumb that I don't want to bother spending my time explaining it", and that's a fair assessment. I seriously had a difficult time sitting through half the movie, it was a bit of cinematic torture to make it to the end. The "making of" featurette doesn't help or add any value to the DVD. Wilson rightly says it's nothing more than back-patting. If you want to see the cast and crew congratulate themselves on a boring movie, be my guest. But I think these two reviewers got it right -- there are many other authors and directors who deserve to have their films appreciated. Read and watch those novels and films, and leave this one to be quickly forgotten in your local video store's discount bin.

I thought this movie had a real intriguing premise, all squandered in a tepid third act. Sam (Mischa Barton) is a freshly graduated demolitions expert, sent on her first job by her family's business. The building she is sent to scout is in the middle of nowhere, constructed by some mad architect a la Thirteen Ghosts. 16 people were "walled in," buried alive with concrete inside the structure of the building. When Sam arrives, there are still some people living there!

It is implied that the building holds many secrets (maybe that was unintentional), most of which go unexplored. We have ONE secret passageway, level 8 is "off limits," being the architect's floor, and, well, a dump. It all looked promising, anyway. Walled In goes completely off the rails at about the 55-minute mark, where it simply becomes a story about obsession. Ok, am I to seriously believe "Jimmy" is capable of pulling off any of these schemes, other than, say, lying or killing his dog? Also, when they show the demolition team drilling, there are more bodies! Why would the police stop looking, and order the crime scene destroyed? A swing and a miss. I'm giving this 5 stars for drawing me in.

I used to be a very easy grader, till I've seen too many Horror films that simply didn't do the genre justice. So I've found myself rating many films 4 - 6, and too many times unimpressed. In this case, however, I must say I think this film is a little underrated...

The beginning and build up were absolutely fantastic in my book. It's become rare to find this kind of original screen writing, and being the Horror freak that I am I've seen many many horror films. The idea of a killer walling-in his victims? Simply awesome! As the film continued, however, I've found too many aspects resembling Toolbox Murders, although they all changed and became their own ideas towards the ending. Same goes for the twists - I always like playing the guessing game in these kinds of Horror-Thrillers, and I love it when all my guesses are wrong!

I've actually seen many complaints and critics talking about plot-holes and bad screen writing, and I must say I simply don't understand why... have I missed something? There are many aspects on which the film could have improved, but plot-holes? The acting and cinematography have also been just right if you ask me. As for the ending - a little anticlimactic, but that's the main problem in most Horror films of the pas decade or so. Also, the build up is better than the ongoing film, so the great potential could've been lived up to better. Also - the things that bothered me the most - the homage to the Freddie Kruger "One, two..." song. Out of context, out of its league, and simply wrong!

All in all - I liked this film a lot more than Toolbox Murders, and I think it's definitely worth watching. It might not be a masterpiece or one of the best ones, but very few are. In general - never trust the critics, or the reviewers. Always watch and judge for yourself!